Another Snowy Owl from a recent private owl workshop. As was the case with the last Snowy Owl that I posted HERE, I had my Sony a9III set up and ready to test the pre-capture and was ready for blast-off, but it simply didn’t happen while we were there waiting, and we left it where we found it as it got dark. So happy that there are a few owls finally moving into their winter territory!
One of three frames I made during my brief encounter with this beauty while cruising the backroads looking for ….. owls :) Only two spots are left for my winter Snowy Owl Workshops in January.
A Snowy Owl from last winter’s WINTER OWL WORKSHOPS. Allowing for a generous negative space adds definition to your subject, and it reduces the negative impact of a busy composition by acting as a buffer, an area in which the eye is drawn back toward the subject.
A juvenile Bald Eagle with a fresh catch in light snow from my Eagles Galore Workshop in March. Another instance when I reached for the Sony FE 400mm f/2.8 G Master OSS Lens and used it wide open at f/2.8: I just love the different sizes of the out-of-focus snowflakes this creates.
The excitement is always off-the-charts during my Eagles Galore workshop when we are out with the Eagles and it snows. I had our captain head straight to my favourite spot with dark cliffs to emphasize the snowflakes and I chose an aperture of f/2.8 to render the dark cliff in the background out of focus to make the Eagle pop.
Exposing for the snow is so much easier than most photographers think: Simply set your camera to manual mode, select your desired shutter speed and aperture and then adjust the ISO until the in-camera light meter reads plus 1 & 2/3 while filling the frame with the white snow. Pop off a test image and see the histogram will be populated all the way to the right without touching - so easy!
A Snowy Owl screams on the coldest morning of the year @ -33C plus wind chill. I have to confess: I was considering breaking out the butane camp stove and making a hot cup of coffee after realizing there would be no glorious light with lake effect clouds interfering with my plans. I am glad that I stayed out and got this territorial scream as another owl flew into its winter territory. I watched it fly off and chase a Tundra Swan until they disappeared beyond the horizon and then broke out the hot coffee - smile.
Q: Hi Chris, I have been told a few times by other photographers that I should throw away any picture that does not include both eyes. Do you follow this rule?
-James Bauer
A: Hi James, Absolutely not! While it is rare for me to keep an image where you can’t see at least one eye, it does happen. The dorsal view of the Snowy Owl here is a good example of when that works. Browse through the images in this blog and you will see many images with just one eye visible to the viewer.
As for what to throw away, once you have deleted any images that are out of focus, or obvious immediate failures, it is up to you what to keep. We all have different tastes and storage is cheap these days. Keep the images that you like - smile!
A Snowy Owl on final approach in fresh snow from my recent Winter Owl Prowl. I got down low and used my Wimberley MH-100 MonoGimbal Head on a monopod. If you missed it, be sure to check out the review by clicking on the button below:
Here's a Great Gray Owl in a snowstorm; perhaps one of my favorite subjects in my favorite weather. Only 1/4 turn to zoom from 200mm to 600mm with the new Sony FE 200-600mm f/5.6-6.3 G OSS lens is fantastic!
KUDOS
I wanted to thank you for a wonderful winter owling workshop last week. It was great to be in the field with you and I learned a great deal about the birds, environment and my camera. Thanks so much for being such a great naturalist, photographer and trip leader. I will go on another trip with you in the future.
Lynda Goff(Professor Emeritus Ecology & Evolutionary Biology UC Santa Cruz) Santa Cruz, California, USA
Here's a Snowy Owl from my Snowy Winter Owl workshop on the coldest day last winter. It was -34C and the wind was howling at about 70km/h. The fine, dry snow that had fallen overnight was being picked-up by the strong wind and was sand-blasting the cold right into us. It was dark, and I saw an opportunity to make the owl stand-out by shooting wide open at f/2.8 which rendered the trees in background out of focus. I like the yellow eyes against the otherwise monochromatic image ;)
This image of a Bald Eagle from my Bald Eagle workshop in Homer, Alaska might be my favorite image from 2018. Best wishes for a happy and healthy New Year ahead to all!
Merry Christmas, Happy Holidays, Peace, Joy & Love
To everyone who visited this blog or my Facebook page, attended a workshop, safari, seminar or lecture, purchased a print or licensed an image: Thank you for making 2018 my best year yet. I am so very lucky and grateful!
I am just back from a cross Canada road trip that took just over six weeks and covered more than 17,500km. I was honoured to stop and present at various camera stores across the country, then ended the trip with presentations at ProFusion (Canada's largest camera show); all sponsored by Sony of Canada. Thank you Sony. I got to meet so many great photographers along the way; it was a blast!
I have received a lot of email asking about my thoughts on the new Sony FE 400 f/2.8 GM OSS lens; if I had one, and if I thought it was worth the price tag. Yes, I do own one and YES, it is worth the price! When paired with the Sony Alpha a9 Mirrorless Camera, the Sony FE 400 f/2.8 GM OSS is the fastest, most reactive with the most accurate auto focus lens that I have ever used. It is light and very well balanced (there was a lot of engineering involved to carefully design the lens with most of it's optics toward the back to make it really easy to hand-hold; a real win for birds-in-flight photographers). Add the Sony 2X Tele-extender, and you end up with a prime killing 800mm f/5.6 that is sharper and more capable than the Canon or Nikon prime lenses that I have used.
Sony took a huge step when thy developed the hybrid AF system that the Sony a9 uses; they have leapt forward with the XD Linear focus. There is no camera and lens that can focus as fast!
From the Sony website: "The XD Linear Motors have been newly developed to deliver higher thrust and efficiency than conventional types in order to make the most of the rapidly evolving speed performance of current and future camera bodies. Linear motor design and component layout have been thoroughly revised to achieve significantly higher thrust. Two of these new motors are used in the SEL400F28GM, achieving up to a 5x improvement* in moving-subject tracking performance. This means that the full speed performance of advanced camera bodies can be applied to capturing perfect images of the most dynamic sports or wildlife subjects. The XD Linear motors are further supported by new algorithms developed specifically for them, notably improving the motors’ response to control signals and minimizing lag and instability that can occur when driving a large aperture focus lens group for quiet, low-vibration operation. "
In summary, XD Linear focus is so much faster than the conventional rotational focus because it quickly and efficiently "thrusts" forward and backward to achieve tack sharp focus. Since conventional lens elements rotate like a nut on a bolt, they have to travel about five times further (think how little a nut moves in relation to how many times it must be turned). There is a limit as to how fast a lens (or lens group) can safely move in a rotational manner.
This is the very last image I made during my Eagles Galore workshop in Alaska. I decided to travel light, and took only two Sony a9 camera bodies, my Sony 100-400mm G Master lens with both the 1.4X & 2X Tele-converters.
We had some great sessions with the Eagles, despite the small craft advisory interrupting our photography on the second to last day (best to stay safe, and heed the warnings from the Coast Guard, Weather Office and our Captain; High winds and big seas are not to be messed with).
The last day was a real treat, with the forecast snow delivering a beautiful canvas and backdrop for my group. I love the "Snow as fill" that reflects the ambient light and illuminates the underside of the dark wings, revealing all of the wonderful rich details in the Eagles feathers.
Remarkably, this is the third workshop in a row where Sony photographers outnumbered both Canon and Nikon shooters. Do note that all brands are welcome on my workshops; I can teach in any language - smile!
Merry Christmas, Happy Holidays, Peace, Joy & Love
To everyone who visited this blog or my Facebook page, attended a workshop, safari, seminar or lecture, purchased a print or licensed an image: Thank you for making 2017 my best year yet. I am so very lucky and grateful!
