Bald Eagle About to Strike

Photographing at the maximum frame rate of the new Sony a9 III (120 frames per second) adds a whole new level to capturing that decisive moment. I have TOO MANY frames from my recently concluded Eagles Galore Workshop in Alaska.

I chose this one for the less-than-perfectly-clean talons; some grass is stuck to its frosty left talon.

Join me next March for my Eagles Galore Workshop and five incredible days of Eagle photography. Note that others offering similar (or less) field time are charging more than USD$1,000 more for the same trip, but they are timed too early and risk their boat being stuck frozen in the harbour, as was the case for many Eagle photographers this year.

Bald Eagle about to strike (Haliaeetus leucocephalus, Pygargue à tête blanche, BAEA) March 6, 2024 near Homer, Alaska. Image copyright ©Christopher Dodds Sony Alpha a9 III Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens with Sony 1.4X Tele-extender @840mm ISO 10,000, f/5.6 @ 1/8,000s. Manual Exposure mode. Full frame image. Join me for my Eagles Galore workshop next March. To learn more, CLICK HERE.

Short-eared Owl (Shortie) in flight in nice light

The Great Lakes have no ice on them because it has been unseasonably warm this winter, so there have been a lot of lake-effect clouds, rain and snow. We were treated to a few hours of blue sky and enjoyed every moment with this Short-eared Owl photographed in the last drops of golden light.

I will limit the number of Winter Owl Workshops again next winter, so book early HERE to avoid missing out.

Short-eraed Owl in Flight in last drops of light (Asio flammeus, Hibou des marais, SEOW). From my second Winter Owls Galore workshop that concluded on Friday. Image Copyright ©Christopher Dodds. Sony Alpha 1 Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens with Sony FE 2X Teleconverter @1,200mm ISO 10,000, f/8 @ 1/5,000s Manual exposure. Full frame image.

Blue Goose (Dark Morph Snow Goose) Ventral Bank

A Blue Goose (Dark morph Snow Goose) offers a ventral view as it banks vertically to lose altitude rapidly while descending into a corn field during my Better than Bosque Workshop in New Mexico.

Snow Goose (Blue morph) Banking (Chen Caerulescens, Oie des Neiges forme bleu, SNGO) from my Better than Bosque workshop. Near Bosque del Apache National Wildlife Refuge, San Antonio, New Mexico, USA. Image Copyright ©Christopher Dodds. Sony Alpha alpha 1 Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens with Sony FE 2X Teleconverter @1,200mm ISO 1,000, f/8 @ 1/5,000s Manual exposure.

Bald Eagle on the run

A Bald Eagle runs across a fresh blanket of snow with its wings spread wide. With a maximum wingspan of 2.44 m (88 in = more than 7 feet) there is no doubt that they are impressive raptors to get close to.

We were at the boat before sunrise and quickly sailed across Kachemak Bay in time for the Eagles on the fresh snow. As the light intensity grew through the clouds, the fresh blanket of snow reflected light to illuminate every detail on the Eagles dark feathers. “Snow as fill” is a term I coined about 30 years ago during an owl shoot - smile.

Atlantic puffin flying with fish at first light

We were all down on the beach and ready before the sun rose at 04:48 and there really weren’t any birds flying around. The air was warm and still. As the intensity of the sun rose, a gentle breeze turned gusty and Puffins started to appear with bills full of fish. The first dozen flew away from us as they landed, but then the wind shifted and we had dozens of amazing opportunities as they brought home loads of fish for their babies - smile.

Snowy Owl Dorsal View

Q: Hi Chris, I have been told a few times by other photographers that I should throw away any picture that does not include both eyes. Do you follow this rule?

-James Bauer

A: Hi James, Absolutely not! While it is rare for me to keep an image where you can’t see at least one eye, it does happen. The dorsal view of the Snowy Owl here is a good example of when that works. Browse through the images in this blog and you will see many images with just one eye visible to the viewer.

As for what to throw away, once you have deleted any images that are out of focus, or obvious immediate failures, it is up to you what to keep. We all have different tastes and storage is cheap these days. Keep the images that you like - smile!

Snowy Owl Final Approach

A Snowy Owl on final approach in fresh snow from my recent Winter Owl Prowl. I got down low and used my Wimberley MH-100 MonoGimbal Head on a monopod. If you missed it, be sure to check out the review by clicking on the button below:

Snowy Owl a la RMT-P1BT Bluetooth Remote

There was light freezing rain that caused a thin layer of ice over the freshly fallen snow. I love the way the talons are gripping the ice as this young female Snowy Owl takes flight.

I had my Sony a9 II Camera body, Sony 600mm f/4 GM OSS Lens, Sony FE 1.4X Teleconverter mounted on my Wimberly Head II all ready, with my Sony RMT-P1BT Wireless Remote Commander tucked into my mitten and ready for the blastoff; so nice to keep my hands warm inside my mitts when triggering my camera via the bluetooth remote!

Global warming affecting bird photography golden light

Chasing the light is synonymous with nature photography; we are always up early and on the move to carefully planned locations filled with the hope of glorious light. How then, does global warming mess-up our plans? Global warming has left the great lakes warmer and without ice cover which produces evaporation causing lake effect cloud and often lake effect snow. This typically means we have cloud cover when the sun is at it’s prime for photographs; at sunrise and sunset. My first group was blessed with some sublime light early in the Owl season, and I recall only a few glorious sunrises or sunsets since then so far this winter. The coldest morning so far was only -21C (Jan. 19, 2020) in Southern Ontario and not the expected -35C low that usually settles in for a week each January.