Roseate Spoonbill pretty in Pink

A Roseate Spoonbill lands directly in front of me during my recent Ospreys Galore Workshop (and so much more) in Florida.

One of the most spectacularly beautiful large wading birds is the roseate spoonbill, a resident of the Gulf Coast from east Texas to southern Florida. Named for its bright pink plumage and long, flat, spoon-shaped bill, the bird feeds in a manner all its own. It swings its extremely sensitive bill from side to side in shallow water, snapping it shut on small fish, shrimp, and insects that it detects by touch.

Like other members of the ibis family, roseate spoonbills are usually found in flocks. The birds nest in colonies among shrubs and mangroves, often sharing island rookeries with herons, egrets, and other waders. Spoonbills fly in long lines at dusk, their slender necks extended as they head to their roosts.

Roseate Spoonbill landing in spectacular light (Platalea ajaja, Spatule rosée, ROSP) from my OSPREYS GALORE WORKSHOP at Stick Marsh in Fellsmere, Florida ©Christopher Dodds All Rights Reserved. Sony Alpha a9 III Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens @600mm. ISO 1,600, f/4 @ 1/5,000s Manual exposure.Full frame image.

Osprey showing off Fish for Breakfast in Golden Light

Being out on the boat on Lake Blue Cypress and in position at sunrise is one of my favourite ways to start a morning. Add the melody of calling Ospreys proudly announcing their arrival with breakfast and the first drops of golden light….with an Osprey showing off its fresh fish; it doesn’t get any better!

Due to a medical accident, one spot is still available from April 5-7. You can learn more or sign up for my Ospreys Galore Workshop on Lake Blue Cypress HERE.

OSPREY Showing off a Fish for breakfast in golden light (Pandion haliaetus, Balbuzard pêcheur, OSPR) from my Ospreys Galore Workshop Lake Blue Cypress near Vero Beach, Florida, USA. Image copyright ©Christopher Dodds Sony Alpha a1 Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens with Sony 1.4X Teleconverter @840mm ISO 4,000, f/5.6 @ 1/5,000s. Manual Exposure mode. Full-frame image. Join me for my Ospreys Galore workshop every April. To learn more, CLICK HERE.

“I had the pleasure of meeting Chris Dodds a few weeks ago in Florida when I signed up for his Osprey workshop. The sign up process and pre workshop communication was excellent and concise. I must admit that as I drove over from Tampa to the hotel I was a bit uneasy after looking at Chris’s images wondering if he was approachable, patient, and a good teacher with someone like me who didn’t have a lot of experience shooting wildlife before. We met in the hotel lobby , chatted for 30 minutes or so and thankfully Chris put my concerns to rest. I went to bed that night knowing that the next few days would be an adventure.

I can honestly say that Chris Dodd’s workshop for Ospreys far exceeded my expectations. Chris is a great guy, very happy to answer your questions and the best thing of all, fun to shoot with. I learned a lot, met a new friend and best of all was blown away at the quality of my images because of Chris’s help/techniques. I cannot wait to meet Chris somewhere else in the wild and experience another awesome outdoor shooting experience. Thank you Chris, I hope to see you again soon!”

— Mark Weaver Tampa, Florida, USA

American Crow in Flight

Formerly known as a Northwestern Crow, this American Crow added to the Eagle fun during my Eagles Galore Workshops in Alaska. I love the frost on its feet.

American Crow in Flight (Corvus brachyrhynchos, Corneille d'Amérique, AMCR) March 7, 2024 near Homer, Alaska. Image copyright ©Christopher Dodds Sony Alpha a9 III Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens @600mm ISO 10,000, f/8 @ 1/5,000s. Manual Exposure mode. Slight crop. Join me for my Eagles Galore workshop next March. To learn more, CLICK HERE.

Bald Eagle Calling Portrait

After a flurry of feeding, the Eagles settled down on perches, and many allowed us to get really close, as they usually do during my Eagles Galore Workshops in Alaska.

The key to getting a close-up portrait of an Eagle calling is patience; wait, and they will call!

ki-ki-ki-ki-ki-ki-ker! An Eagle calling is like no other sound in nature; it always induces goosebumps and is instantly recognizable.

Bald Eagles Calling Portrait (Haliaeetus leucocephalus, Pygargue à tête blanche, BAEA) March 13, 2024 near Homer, Alaska. Image copyright ©Christopher Dodds Sony Alpha a9 III Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens with Sony 1.4X Tele-extender @840mm ISO 2,000, f/9 @ 1/800s. Manual Exposure mode. Full frame image. Join me for my Eagles Galore workshop next March. To learn more, CLICK HERE.

Atlantic puffin LOOK BACK

Chris delivers a premium product, in every way.

I’m an experienced wildlife photographer and I’ve had puffins on my bucket list for several years. Around my Colorado home, I scout my own sites and work my network of photography buddies, so I know what it takes to find good sites, get in and then have the wildlife cooperate, to get good pictures. I’ve even been a scout for a leading professional photographer, looking for superior deer and turkey subjects and locations.

Regarding puffins, I’d considered renting hide times, but most involved day-trips on boats. Most importantly, time in the hide is limited and you won’t necessarily be able to shoot when they’re feeding, nor will you likely shoot in the ideal light. The angle of view is often not ideal from a hide.

I don’t know how, but I ran across Chris’ Deluxe Puffins Galore Workshop at the Mingan Archipelago National Park of Canada. It sounded too good to be true. You can shoot ALL DAY and have gourmet meals morning, noon and night. Hang on.

The “galore” part of the title is entirely true. I took over 13,000-shots in my three-days. It required merciless culling to get down to under 200 for sharing. I have many worthy of framing and the culls contain many shots that I might have been happy with, had I not had so many superior shots.

There are rules, to protect the birds, about where you can go on the islet, but that in no way excludes you from puffin activity. For example, every evening, we sat in chairs as puffin filled our frames landing, taking off, kibitzing, posing, all in the ideal light. By the end of the first day, I didn’t know how I’d possibly improve my shots, but I did, indeed, add to my archive.

Importantly, Chris is an affable and professional guy, but he pays close attention to safety, respect for our subjects, and the comfort of his guests. Everyone in my group was experienced, with good equipment. In fact, I was the only newbie. All had shot with Chris before. Guess what, I’ve signed up for his Snowy Owl Adventure, next January. I suspect that won’t be my last.

Chris delivers a premium product, in every way. Planning information was thorough and detailed, making it crystal clear what you needed to get there, to wear, etc.. The only thing left was to take the pix.

This is a premium product and a photographer’s dream. This is THE way to shoot Atlantic puffin.

Dave Stephens Colorado | USA

Sony a1 review

I have spent a week immersing myself in the wonder of the new Sony Alpha 1 digital mirrorless camera from the perspective of a bird/wildlife/nature photographer. If you want the quick and easy answer from the end of the review: This is the best action, birds-in-flight, and all-around digital camera that I have ever used. Amazing image files, blazing-fast auto-focus, and capture rate: it is the new King of the digital camera world. There is no more need for a separate high-speed and high-resolution camera body: this is the all-in-one professional camera body we have all been waiting for and Sony has delivered..... and I haven't even mentioned the 8K video yet ;)

I'll skip copy & pasting all of the camera's specifications that can easily be found on the Sony A1 product page, so click HERE to see them all. What I will do is talk about the things that are important to me and what I do.

Like the a9II, the A1 feels light and comfortable in my hand. I have grown to love the small form factor, and intuitive dial and button placement. The new color touch menu has carried over from the Sony a7SIII, and I find it easy to navigate and in a logical order.

The new Electronic View Finder (EVF) is better than anything I have ever seen in a camera with 9 million dots and .9X magnification; it is big, bright, and fast. The high-quality mode is spectacular.

The new bird eye auto-focus is exclusive to the a1, and works remarkably well. I programmed a button to instantly switch between bird and animal eye auto-focus. I would have loved to test it on small and fast birds in flight, but seasonal variations in available species and local COVID-19 restrictions made that impossible. I was impressed with the bird eye AF on the larger owls and raptors that I was able to find, but they are large and fly relatively slowly. The a9 and a9II both excelled here, so I expect that the a1 will be just that much better. I was able to verify the autofocus acquisition speed is greatly improved over the a9 and a9II, which was already extremely impressive. Sony states that the camera can confirm sharp focus 120 times per second (twice as fast as the Sony a9 and a9II). This not only helps the camera snap into focus quickly but ensures AF accuracy between frames when shooting at 30 FPS: truly mind-blowing performance! I have seen a few reviews that mention the camera sometimes jumps between the bird's eye and shoulder when pointed at a static bird on a perch, and I did experience a little of this particularly when photographing a dark bird with dark eyes and especially while using extreme focal length (particularly the 200-600 with the 2X installed), but the overall performance is what is important to me, and it is exceptional: noticeably better than the already impressive a9 and a9II. I do expect that there will be a fair number of people complaining about this feature (bird eye auto-focus), as we should have reasonable expectations: if a crow or raven is gliding towards me at a high altitude, I wouldn't expect the camera to be able to see, let alone lock onto its eyes - smile.

I immediately set the camera to compressed RAW to be able to achieve the full 30 FPS capture rate and the resulting +/- 57MB files are better than anything that I have seen: More details, less noise, richer color, and more dynamic range. I was unable to see any difference between images made using the electronic shutter and those made using the mechanical shutter. I want to be crystal clear that I won't be able to extract the most out of the RAW files until Adobe or Capture One releases an update to their RAW conversion software. Sony's Imaging Edge Software is the only way I can see the files, and I have always been able to squeeze so much more from either Adobe or Capture One (perhaps due to my lack of understanding of the software, rather than software shortfall, I dunno). So I do expect to be even more impressed as these software updates are released.

I had planned to release my mini-review earlier this week but wanted to hold out and see if anyone found any weaknesses that I could debunk here. I am glad I waited because a lot of attention went to a review video that states that the camera is not capable of shooting 30FPS. It turns out that they used the Sony 70-200 f/2.8 GM lens which needs a firmware update to achieve the full 30FPS that will be released sometime soon. I tested the a1 with my workhorse lenses (and teleconverters) and can confirm that the following lenses and teleconverters are all capable of capturing 30FPS in COMPRESSED RAW (The capture rate is slower using uncompressed RAW):

Sony 600/4 GM

Sony 600/4 GM with 1.4X

Sony 600/4 with 2X

Sony 200-600

Sony 200-600 with 1.4X

Sony 200-600 with 2X

An interesting find was how well the affordable 200-600mm worked with both the 1.4X and 2X, and it was able to maintain the 30FPS capture rate with the 2X in APS-C mode which resulted in a 23-24MB file during my tests. The 200-600 is a great and affordable lens that costs about 20% of the prime 600/4 GM, so there are trade-offs. The AF acquisition and tracking speed are slowed down and the image quality is slightly degraded when the 2X is used, but it still offers remarkably good results. It is not likely I would use the 1,800mm for birds in flight because there would be too much atmospheric compression degrading the image quality, but I do see using this combination extremely close for incredible close-up details at the minimum focusing distance of the combination.

I am grateful that the two card slots accept both CFexpress type A or SD memory cards. While I used the CFexpress type A card that came with the loaner unit for most of my testing, I did test my 128GB Sony SDXC SD Type G memory cards to see if I needed to invest in new cards. There was little to no difference in capture rate, but an obvious difference in write speed. The camera has an impressive buffer, and I don't typically hold down the trigger for more than a short burst, so I don't expect to be buying new memory cards anytime soon. I can confirm that you can now change menu settings and review images while the camera writes to the memory card to clear the buffer.

Another bonus is the a1 used the same NP-FZ100 battery as the a9 and a9II, so I was pleased that my extra batteries will still be useful.

In closing, this is the best action, birds-in-flight, and all-around digital camera that I have ever used. Amazing image files, blazing-fast auto-focus, and capture rate: it is the new King of the digital camera world. There is no more need for a separate high-speed and high-resolution camera body: this is the all-in-one professional camera body we have all been waiting for and Sony has delivered..... and I haven't even mentioned the 8K video yet ;)

Stay tuned to this blog for images made with the Sony a1.

Canadian Nature Photographer Christopher Dodds with the new Sony a1 camera, Sony 600mm f/4 GM lens and Sony 2X extender.

Immature Bald Eagle Portrait

A portrait of an immature Bald Eagle (1.5 yrs. old basic I plumage; mostly black beak and cere with ochre eyes) with a drop of ice at the end of it’s beak.

I probably spent half an hour with this beauty and it put on quite a show. I was lying on the ground and every time I lifted my foot behind me, it would fluff-up and look directly at me. I had plenty of time to increase my depth of field to f/20 to ensure sharpness from the tip of the beak to beyond the eyes.

Long-tailed Duck

Sitting on shore photographing the ducks and gulls at the end of the spit in Homer has always been a favorite pastime during any available downtime during my workshops. There is a pipe that expels effluent from the fish processing plant into the bay that all of the birds come to every 20 minutes or so. Sadly, the plant wasn’t in operation when the light was nice or the water flat this year. Luckily, this Long-tailed Duck flew right into the mass of Eagles during our shoot for 10 seconds one morning; it fluffed-up, spread it’s wings and took off when it realized it’s mistake :)

Getting off the boat and working with super telephoto lenses (Sony 600mm f/4 GM OSS Lens, Sony FE 2X Teleconverter @ 1,200mm) for the fishing images really isolates the Eagles from the water surface background. The Sony Alpha a9 II Mirrorless camera handles high ISO so well that noise is never a concern IF you expose the image correctly and try not to crop much. This image was shot vertical and is full frame on the width; I cropped off a little top & bottom to make a stronger composition with more visual impact.

Bald Eagle portrait in the rain

I was recently asked what the minimum shutter speed I feel comfortable shooting long lenses hand-held. I had to hesitate to answer, as it’s nothing I think about with the high ISO performance of my Sony cameras; It's not like the old film (slide) days when there were severe limits to image quality at higher ISO. I simply use whatever ISO I need to reach the desired shutter speed. So I decided to see if I could still hand-hold a 600mm lens with a 2X extender on it, and just how steady I might still be. Can I still hand-hold at 1/40s and still produce sharp results? Well, as this image demonstrates, yes, but I don’t need to, so I will continue to use my Wimberley head II on my tripod or crank-up the ISO to accommodate higher shutter speeds. There are two risks when trying to use as low an ISO as possible:

1. Don't get a critically sharp image before the subject moves away.

2. Miss unexpected action with inadequate shutter speed.

Pro tips for hand-holding long lenses:

1. Turn on the image stabilizer (camera and lens).

2. Control breathing to minimize movement.

3. Press your supporting arm into your body to form a triangle brace between your hand under the lens, your shoulder, and your torso.

4. Position your legs so they are a little wider than your shoulders.

5. Align your body so it is perpendicular to your subject.

6. Control shutter finger movement; press slowly.
   

Bank Swallow

During my annual Deluxe Atlantic Puffins and so much more workshops, we are often visited by flocks of up to four species of swallows. We stay in a newly renovated lighthouse on a small island in the Mingan Archipelago National Park Reserve where there are no trees, so I found a piece of driftwood and wedged it between some rocks on the beach to make a perch. It didn’t take long for this Bank Swallow to make an appearance - smile.

Black Guillemot with Arctic Shanny

Here’s another Black Guillemot showing-off it’s prize catch. Aside form it being the best place on earth to photography Atlantic Puffins and Razorbills, my Deluxe Atlantic Puffin (and so much more) workshop is the best place I know of to photograph the Black Guillemot. Timed perfectly to get all three species (Puffin, Razorbill and Guillemot) dringing fish back to their babies. Learn more about my Deluxe Atlantic Puffin (and so much more) workshop HERE.

Black Guillemot landing with fish

If you thought it took skill to photograph the fast and erratic Atlantic Puffins in flight, then you have never tried to get a Black Guillemot in flight. We had a lot of fun with them bringing fish home to their babies during my Deluxe Atlantic Puffins and so much more workshop.

Great Black-backed Gull with baby Common Eider

Apex predators and opportunistic hunters, the Great Black-backed Gull is the largest member of the gull family. We regularly see them scooping-up the baby Common Eiders that visit us for overnight safety on L'ile aux Perroquettes during my Deluxe Puffins Galore (and so much more) workshop. This beast scooped-up four baby Eiders at quite a distance in a short amount of time, then it suddenly veered around and started to fly toward us with a helpless baby in its deadly grasp. I usually shoot full-frame as a personal challenge to make better quality images but cropped away about 50% of this one to get a closer view. I am impressed at the image quality after the crop at 20,000 ISO.
Though it was once a cute little baby Common Eider, nature is not always cute and cuddly :(

Atlantic Puffin Wide Wings

There is nothing quite like sitting on a rock behind your camera and having hundreds of Puffins swirling around directly in front of you; it's hard to explain how much fun it is to photograph them coming directly towards you. This happens a couple of times each day during my Deluxe Atlantic Puffins Galore (and so much more) workshop.
This is the first image I made with the (then) brand new Sony 600mm f/4 GM OSS Lens and I threw the Sony FE 2X on to test the combo for fast-moving flight photography. I think it passed the test with flying colors - smile.

Laughing Herring Gull Portrait

Another image from my Deluxe Puffins Galore (and so much more) Photo Tour. Again from an overcast and wet day in the Gulf of Saint Lawrence. Cameras record light as we see it; we see light, not darkness, and that is what your camera records. As such, it is critically important to get the very best exposure to maximize details and minimize noise - you need to do this in the camera to achieve the very best results; particularly with a white subject!

We carefully set-up our long lenses on the beach and remained as motionless as a group can. We were rewarded with many great opportunities in a short period.

This is a calling Herring Gull; this species is very noisy and well known for its loud laughing call. Gulls fascinate me, mostly because there are only 36 species in North and South America, but they can be so challenging to identify with their many varied plumages (none of them are called a "Seagull"). One of the most interesting facts about the Herring Gull is their tendency to nest on the same site for more than 20 years. On average, they live for about 30 years in the wild, but some have been known to survive to be 49 years old!

Savannah Sparrow with Lunch

Cold, wet and rainy days make for color saturation and naturally diffused light that I just love for this kind of intimate portrait of the Savannah Sparrow with a mouth full of food as it pauses before delivering take-out to it's demanding babies.

I was on a small island in the Gulf of Saint Lawrence during my Deluxe Puffins Galore (and so much more) Workshop trying to convince my group to skip the Puffins and Razorbill for just long enough to grab a portrait - I think everyone was pleased with their results!

Atlantic Puffin with baby food

Most up-to-date cameras handle high ISO well, but the Sony a9 is exceptional. To be successful in extreme conditions always remember to expose properly and work with minimal crops. This image was made during last summer’s Deluxe Atlantic Puffin Workshop in Quebec. The sweet light quickly faded as fog started to roll in and I really wanted to keep my shutter speed up at 1/5,000s, so I jacked-up the ISO to 20,000. Trying to track these fast moving bullets headed directly toward you is not quite as easy as you may think - smile.

Sony 200-600mm Lens Love

Sony 200-600mm Love

If you have been reading about the Sony gear that I used for the last series of blog posts, you know I used the Sony 600mm f/4 GM OSS Lens & Sony FE 1.4X Teleconverter. The truth is, it seems I have to force myself to use the prime gear since I got the Sony FE 200-600mm f/5.6-6.3 G OSS Lens which is such an incredible lens when paired with my Sony Alpha a9 II Mirrorless camera. It’s not just the auto-focus; The lens is so easy to manage, versatile and so convenient to carry around on my Black Rapid Sport strap.

Snowy Owl a la RMT-P1BT Bluetooth Remote

There was light freezing rain that caused a thin layer of ice over the freshly fallen snow. I love the way the talons are gripping the ice as this young female Snowy Owl takes flight.

I had my Sony a9 II Camera body, Sony 600mm f/4 GM OSS Lens, Sony FE 1.4X Teleconverter mounted on my Wimberly Head II all ready, with my Sony RMT-P1BT Wireless Remote Commander tucked into my mitten and ready for the blastoff; so nice to keep my hands warm inside my mitts when triggering my camera via the bluetooth remote!