Bald Eagle The Call of the Wild

This is another portrait of an Adult Bald Eagle calling from my recent Eagles Galore Workshops in Alaska. The new Sony A9 Mark III proved to be an incredible tool for any action. In this case, having so many frames to choose from ensured direct eye contact with open eyes. As always, I chose manual mode and exposed for the light falling on the subject to ensure a perfect exposure for every frame.

Bald Eagles Calling Portrait (Haliaeetus leucocephalus, Pygargue à tête blanche, BAEA) March 13, 2024 near Homer, Alaska. Image copyright ©Christopher Dodds Sony Alpha a9 III Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens with Sony 1.4X Tele-extender @840mm ISO 2,000, f/9 @ 1/800s. Manual Exposure mode. Full frame image. Join me for my Eagles Galore workshop next March. To learn more, CLICK HERE.

Atlantic puffin LOOK BACK

Chris delivers a premium product, in every way.

I’m an experienced wildlife photographer and I’ve had puffins on my bucket list for several years. Around my Colorado home, I scout my own sites and work my network of photography buddies, so I know what it takes to find good sites, get in and then have the wildlife cooperate, to get good pictures. I’ve even been a scout for a leading professional photographer, looking for superior deer and turkey subjects and locations.

Regarding puffins, I’d considered renting hide times, but most involved day-trips on boats. Most importantly, time in the hide is limited and you won’t necessarily be able to shoot when they’re feeding, nor will you likely shoot in the ideal light. The angle of view is often not ideal from a hide.

I don’t know how, but I ran across Chris’ Deluxe Puffins Galore Workshop at the Mingan Archipelago National Park of Canada. It sounded too good to be true. You can shoot ALL DAY and have gourmet meals morning, noon and night. Hang on.

The “galore” part of the title is entirely true. I took over 13,000-shots in my three-days. It required merciless culling to get down to under 200 for sharing. I have many worthy of framing and the culls contain many shots that I might have been happy with, had I not had so many superior shots.

There are rules, to protect the birds, about where you can go on the islet, but that in no way excludes you from puffin activity. For example, every evening, we sat in chairs as puffin filled our frames landing, taking off, kibitzing, posing, all in the ideal light. By the end of the first day, I didn’t know how I’d possibly improve my shots, but I did, indeed, add to my archive.

Importantly, Chris is an affable and professional guy, but he pays close attention to safety, respect for our subjects, and the comfort of his guests. Everyone in my group was experienced, with good equipment. In fact, I was the only newbie. All had shot with Chris before. Guess what, I’ve signed up for his Snowy Owl Adventure, next January. I suspect that won’t be my last.

Chris delivers a premium product, in every way. Planning information was thorough and detailed, making it crystal clear what you needed to get there, to wear, etc.. The only thing left was to take the pix.

This is a premium product and a photographer’s dream. This is THE way to shoot Atlantic puffin.

Dave Stephens Colorado | USA

Crested Auklet Preening

“As an experienced wildlife & landscape photographer I would highly recommend you attend one of Chris Dodds' workshops - I have attended a number of Chris' workshops and each of them reflect Chris' caring. I just attended the St. Paul, Alaska workshop - typical of Chris' professionalism, and expertise. He only takes you to those unique shooting opportunities when he is convinced that the shoot will provide you the experience you are seeking. In the Saint Paul Island workshop's case he has visited this unique special remote island for over 25 years. The local small population obviously respects Chris and they do all they can to assist the experience. You shoot from a variety of locations, with many types of birds, complimented by wild fox, sea lions etc. Chris has the talent to assist both experienced and novice photographers - he makes sure you get the opportunities you want, and if you need extra help he enjoys jumping in and helping you. If you had to summarize Chris' workshops in a few words - Great well researched locations, tremendous local knowledge, dedicate to your photographic results being all you could possibly want.”

— Wynne Powell British Columbia, Canada

Bank Swallow

During my annual Deluxe Atlantic Puffins and so much more workshops, we are often visited by flocks of up to four species of swallows. We stay in a newly renovated lighthouse on a small island in the Mingan Archipelago National Park Reserve where there are no trees, so I found a piece of driftwood and wedged it between some rocks on the beach to make a perch. It didn’t take long for this Bank Swallow to make an appearance - smile.

Great Grey Owl Portrait a la Sony a9 and 400mm f/2.8 G Master lens with 2X teleconverter

Great Grey Owl PORTRAIT (Strix nebulosa, Chouette Lapone, GGOW) ©Christopher Dodds  Sony Alpha a9 Mirrorless Camera & Sony FE 400 f/2.8 GM OSS with Sony FE 2X Teleconverter ISO 3,200, F5.6 @ 1/3,200s Manual Exposure mode. Join me for my winter owl workshops this January/February to learn More CLICK HERE.

In case you missed it, I wrote a mini-review of the new Sony FE 400 f/2.8 GM OSS in a recent blog post HERE.

Here's a portrait of a Great Grey Owl with the Sony Alpha a9 Mirrorless Camera & Sony FE 400 f/2.8 GM OSS with Sony FE 2X Teleconverter. It has been rather wet and rainy lately. The dehaze filter in Photoshop worked well to negate the heavy rain and ground fog which kept most people inside - smile.

Join me for my winter owl workshops this January/February to learn More CLICK HERE.

Brandt's Cormorant Portrait a la Sony a9 100-400 and 2X Extender

Brandt's Cormorant Portrait (Phalacrocorax penicillatus, Cormoran de Brandt, BRAC) La Jolla, California ©Christopher Dodds All Rights Reserved. Sony Alpha a9 Mirrorless camera & Sony FE100-400mm F4.5-5.6 G Master OSS Lens with Sony 2X tele-extender @ 800mm Full Frame image. ISO 800 f/11 @ 1/640s Manual mode.

Q&A

Hi Chris,

I'm a huge fan of your work and have been following your transition to the Sony mirrorless system since your first post about it from your Puffin Workshop last August. It seems that you have sold all of your Canon equipment and I am interested to hear what you are using for your long lens? I don't imagine the Sony 100-400 lens with their 2X could come anywhere near the quality of a Canon super telephoto. I imagine that you will need to manually adjust the focus with the combined maximum aperture of f/11? Even if it produces sharp images, I just don't see f/11 producing those wonderful out of focus backgrounds which seem to be part of a signature Dodds image. Please help a guy see....

Thank you, J.D. from New York

Hey J.D.,

Thank you for your great questions. This image is a portrait of a Brandt's Cormorant on the cliffs of La Jolla, California. I suspect you can see from the image that the Sony a9 with the Sony 100-400 G Master lens AND the Sony 2X tele-extender produce the same amazing quality as the lens alone. The Sony a9 does autofocus with a maximum lens and extender combination of f/11. All in all, the system continues to impress me. As for those out of focus backgrounds, there are two ways to improve your results while using smaller apertures which traditionally produce larger depth of field and more distracting backgrounds:

1. Work closer to your subject. The closer you are to your subject, the smaller the depth of field.

2. Choose a more distant background. In the case of the image above, I used the beach below the cliff as my background.

I used both techniques to produce the portrait of the Brandt's Cormorant yawning with it's spectacular blue gular skin on full display. It is so easy to get close to birds with the silent shutter of the a9!