All about Watermarks: Visible and Invisible

Great Grey Owl SPRING SHOWERS  (Strix nebulosa, Chouette Lapone, GGOW) Île Bizard, Montreal, Quebec ©Christopher Dodds All Rights Reserved. Canon EOS 1D Mark II, 100-400mm F4-5.6 L IS USM @ 360mm Hand Held ISO 1400, f/6.3 @ 1/800s Manual mode. Click HERE to order a print or license image for publication.

Here's an old favourite from 2005. I have re-processed the image using my current workflow after negotiating a generous licensing fee after the image was found by a legitimate buyer in a blog that had "re-posted" my image. This kind of thing happens almost every day to my images and I maintain a vigilant watch for them and quickly follow-up with invoices that are usually paid in full quite quickly.

I'm bringing this to your attention after reading several rants from a couple of "famous" photographers who regularly try to make you believe that you should be posting your images on-line without any watermarks; be they visible or not. This despite my not remembering many artists who didn't sign their work.

Here's my thoughts; those of a professional who does still post to the web, my blog, Facebook, Google Plus and 500px. It's fun and it's good for business.

All of my images are posted with a huge visible watermark and they all contain a digital watermark in the event that someone decides to remove the visible watermark before they share them without my permission. The visible watermark is there to build my brand and inform the viewer that it is my work; the invisible watermark to protect myself from image theft and the possibility of the work being rendered an orphan work.

An orphan work is a copyrighted work for which the copyright owner cannot be contacted. That's what happens after someone strips your image of the visible watermark …. or, if you never put one on the image in the first place.

Why is this all important? Once you post an image without a watermark, or, if someone re-posts your image without your watermark, then a legitimate buyer doesn't know who to buy the rights from. It could be the editor of a very prestigious magazine, or an advertising agency representing a very prestigious brand; there are still people out there right now who pay large sums of money to licence an image.

How to prevent this from happening to you? Simple, place a visible watermark somewhere on your image with your name or website address AND be sure to Watermark your image with an invisible, digital watermark by running it through the Digimarc for images filter  in Photoshop.

A digital watermark embedded in your image carries a unique ID and can link to contact information or a website for viewers interested in learning more about you or purchasing your artwork. The watermark stays with your image regardless of the path it travels across the Internet. No matter where your digital image ends up, others will be able to determine your copyright ownership and find you. If anyone finds your image on-line and wants to contact you, they need only read the Digimarc invisible watermark to either find your co-ordinates via the Digimarc site, or be directly connected to your website.

As an added bonus, Digimarc for images also offers premium services which searches for, and index all of the images it finds on-line with a Digimarc invisible watermark; it's a search engine for protected images - now you can see who has been stealing your work and pursue them.

Find out more about Digimarc for Images and Save 30% off your subscription to Digimarc for images by using the coupon code "naturephotography" at www.digimarc.com/digimarc-for-images

Bald Eagle Photo Tour was EPIC - Full Nik Collection by Google for only $127

American Bald Eagle Fishing in light snow  (Hailiaeetus leucocephalus, Pygarge a tete blanche, BAEA) Kachemak Bay (near Homer), Alaska ©Christopher Dodds All Rights Reserved. Canon EOS 1DX, 300mm F2.8 L IS USM with Jobu L-Bracket  Hand Held ISO 1,250, f/2.8 @ 1/3,200s Manual mode. Click HERE to order a print or license image for publication.

Bald Eagle Photo Tour / Workshop a huge success

I'm just back from my Bald Eagle Photo Tour / Workshop / Safari and the Bald Eagle photography was EPIC! We had hundreds of Eagles, a fantastic mix of weather and each hour on the water averaged hundreds of dives and gigabytes of images! The Canon 1DX continues to blow me away with it's amazing autofocus and low noise at high ISO settings. Accurate and fast autofocus in heavy snow simply blows me away! The gorgeous sunlight faded to cloud after three full days, and it finally snowed on our last morning out. The water was calm and we constantly stayed out on the water for much more time than was budgeted - we were often out for hours beyond the other boats running out of time, ammunition and budget. Simply put; it was over-the-top and mind blowing!

Learn more about my March, 2014 Bald Eagle Photo Tour HERE

Get the full Nik Collection by Google, now just $126.65

WOW!!! Nik Software by Google just announced an INSANE 70% OFF DEAL! You can purchase the entire NIK Collection suite of all 6 plugins for just $149. And use the code CDODDS for an additional 15% off, making it only $126.65. I could not get the results I do without Nik!

Advanced editing, simplified
Easily create the photos you've imagined with 6 award-winning plug-ins for Photoshop®, Lightroom®, or Aperture®.

Make precise edits quickly
Use U Point technology to selectively edit just the parts of your photos that need touching up, without losing time on complex masks and selections.

More affordable than ever
Now you can get all six plug-ins for 70% off of the original price.

Buy yours here: http://bit.ly/ZVmZvr and be sure to add the code CDODDS at the checkout

Shooting birds in flight in snow and FirstPass New Version Released

 Great Grey Owl SNOWFLIGHT (Strix nebulosa, Chouette Lapone) Bracebridge, Ontario, Canada. Image Copyright ©Christopher Dodds All Rights Reserved. Canon EOS 1D Mark II, 100-400mm @ 250mm. ISO 640, f/9 @ 1/640s Manual Exposure and manual focus. Full Frame. CLICK HERE TO PURCHASE A PRINT or LICENSE AN IMAGE FOR PUBLICATION.

Tips for birds in-flight in the snow

  • Stop down, or close the aperture when shooting in snow to maximize the effect of the big snowflakes; use a larger depth-of-field to keep as many snowflakes as possible sharp. I find F/9 works well during heavy snowfalls with large snowflakes.
  • Place your subject against the dark background of coniferous trees  to help define the snowflakes.
  • Use manual focus for more precise results; Most Auto-focus systems focus on the nearest, large snowflakes.
  • Leave some breathing room for your subject - you have probably invested a lot of time to get out in that perfect storm; make sure you include it in the image and avoid shooting too tight.

FirstPass Image Editing Software Evolves

I first told you about FirstPass image editing software for the Mac back in November and wanted to pass on the news that a new version is available with tons of new features:

✔ New image information panel 
✔ Image information panel now shows image histograms 
✔ Image information panel can be activated from image browser using right click menu 
✔ Ratings can be applied to multiple files at the same time using right click context menu 
✔ Improved memory management and performance 
✔ Fix for an issue related to caching optimization

This software has evolved into a fast, feature rich, must-have image editing dream for Mac using photographers! Be sure to purchase your copy before the scheduled price increase on February 1, 2012; it's going up to only $18.99, but you can get your copy for only $9.99 now:

Check out FirstPass in the CANADIAN APPLE STORE HERE

Check out FirstPass in the US APPLE STORE HERE

FirstPass mini review and Thick-billed Murre

Thick-billed Murre PORTRAIT (Brünnich's Guillemot, Uria lomvia, Guillemot de Brunnich, TBMU) Saint Paul Island, The Pribilof Islands in the Bering Sea, Alaska. Image Copyright ©Christopher Dodds All Rights Reserved. Canon 1D MK IV, 500mm F4 L IS & Canon Extension Tube EF 25 II, Tripod & Jobu Jr. 3 Full Frame. ISO 1,600 f/9 @ 1/400s Manual Mode. PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION HERE.

FirstPass Mini Review

One of the most important things I do each night, after a day in the field, is download and edit (or cull) the images I shot that day. If you think of how much time I spend in the field, I’m sure that you appreciate how important it is for me to deal with that day’s shoot without delay; it’s my way of preventing a massive overload of editing between trips, and returning to my studio with Terabytes of images to deal with.

A friend recently released new software called FirstPass in the Apple App Store. FirstPass is built, from the ground up, by a photographer for Mac OS and is available from the App Store for only $9.99. It is designed to download multiple cards automatically (you can even download to a second destination like a back-up drive simultaneously), motor through your images and make that critical First Pass edit; view each image and delete the obvious rejects and rate the obvious prizes. Re-naming files has never been easier and I love the large screen previews, accurate color space and ease of use. There are other solutions out there, but they are all much more expensive. This is a refreshing new tool that I see myself becoming dependent upon to get my job done!

I often see folks on my workshops importing every image they shoot into Aperture or Lightroom at a painfully slow pace – FirstPass is the perfect companion to quickly speed through their day’s shoot, delete the obvious misses and rate the obvious winners before import. It’s brilliant in it’s simplicity and the value at $9.99 is extraordinary.

The next version will remember recently downloaded cards, to ensure that you don’t accidentally download duplicate images if you forgot to format a card.

Check out Firstpass in the CANADIAN APPLE STORE HERE

Check out Firstpass in the US APPLE STORE HERE

Alligator YAWN and Silver Efex Pro 2

American Alligator YAWN Alligator mississippiensis,  World Birding Center, South Padre Island, Texas. Image Copyright ©Christopher Dodds All Rights Reserved. Canon 1D MK IV, 500mm F4 L IS, 1.4X Extender III . ISO 800, F9 @1/200s Manual mode. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION

American Alligator YAWN Alligator mississippiensis,  World Birding Center, South Padre Island, Texas. Image Copyright ©Christopher Dodds All Rights Reserved. Canon 1D MK IV, 500mm F4 L IS, 1.4X Extender III . ISO 800, F9 @1/200s Manual mode. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION

HAVE FUN WITH YOUR PHOTOGRAPHY!

After submitting the color image of this American Alligator from a recent trip to Texas, the photo editor immediately wanted to know if I could make the image look vintage for a story he was writing about the history of Alligator skin trade. I quickly opened the image and applied the Antique Plate I preset from Nik Software's Silver Efex Pro 2, and shot him another email. Long story short; SOLD! (as a two page spread). It literally took seconds to make the sale; as long as it took to make just a few mouse clicks. Because I was so fast, the photo editor quickly made his choice and moved on to his next task. Having the right software, at the right time, helped solidify the deal and save me and the photo editor a load of precious time; it meant I got the sale. As I sat playing with Silver Efex Pro, I kept thinking of the possibilities and started playing with old files. A fun distraction!

 

Histogram, Details and Viveza 2.0

Northern Gannets PREENING (Morus Bassanus, Fou de Bassan, NOGA) Parc national de l'Île-Bonaventure-et-du-Rocher-Percé, Bonaventure Island, Quebec. Image Copyright ©Christopher Dodds All Rights Reserved. Canon EOS 1DsMKIII, 500mm F4 L IS,  Tripod & Wimberley Head II. ISO 250, F20 @1/320s Manual mode. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION

Chris, I am a huge fan of your work and consider it the very best bird photography out there; bar none! I have been a photographer for 30 years, and wonder if you would share how you achieve such amazing details in the whitest feathers; the details that seem impossible for me to capture. I am always blown-away when I visit your works, and I delight in every moment on your site. Many thanks and keep up the great work - Art W.

Art, thank you for your kind words. I will try to keep my answer simple.

The key to getting the most out of your digital camera is exposing the image correctly, as you probably know. I expose “to the right”, but make a huge effort not to have any data touching the right side of the histogram.

With only a little experience, a quick glance at the histogram can tell you if the exposure is correct, and give you and idea of the general appearance of the image; are the highlights blown? Is there enough shadow detail? – It’s all in the histogram.

 The histogram is a tool available on most digital cameras. It is a graph, which maps the luminosity (or brightness) values of your image, from black at left to white at right. The number of pixels at any given value are represented by the height of that value’s column. Once accustomed to reviewing the histogram, analyzing the data contained in it becomes second nature. It is the only way to know if you have exposed your image properly.

I’ll save you the boring science and details, but the idea of exposing to the right is a theory that capitalizes on the fact that the right side of the histogram contains more data than the left; there is more data in the whites, than in the blacks – much more. By overexposing the image slightly, and adjusting its brightness (or exposure) while converting the RAW image after capture, there is more data or details in the image. Conversely, if you were to underexpose an image and try to brighten the image after capture, then you would introduce noise, rather than detail, which was not captured in your RAW file. You have to be very careful not to push the whites up against the right of the histogram, or you risk loosing detail.

A good workflow post capture is another critical key to maximizing any detail contained in the RAW image. I typically use Photoshop to adjust contrast, boost saturation and add a little sharpness. My master .tiff is not created until I use Nik Software's Viveza 2. Viveza 2 is powerful engine that (among other things) adds targeted tonal contrast to any whites via the structure slider – be careful, it’s easy to overdo the adjustment.

 

Image of Histogram of the PROPERLY EXPOSED image above on the camera's LCD screen - The data is to the right of the histogram, but does not show any sign of over-exposure; there is no data touching the right edge of the graph. 


 

Histogram of the same image when opened in Adobe Camera Raw for conversion without any adjustments.

 

A few of my favorite things from 2010

Common Murre or Common Guillemot Flying (Uria aalge, guillemot marmette, COMU) Parc national de l'Île-Bonaventure-et-du-Rocher-Percé (Bonaventure Island and Percé Rock National Park) Bonaventure Island, Quebec. Image Copyright ©Christopher Dodds All Rights Reserved. Canon EOS-1D MKIV, 800mm F5.6 L IS. ISO 800, 1/2500s F5.6 Manual. Hand held from Zodiac Hurricane 733. Full Frame. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION.

My Favorite Image

Alright, I couldn't choose just one favourite, so you get two for one. The Common Murre image above was captured during my June Gannets Galore Bird Photography Workshop / Safari and the Atlantic Puffin portrait below was from my July Puffins Galore Bird Photography Workshop / Safari.

Atlantic Puffin (Fratercula arctica, Macareux moine, ATPU) Vertical Portrait île aux Perroquets, Réserve de parc national du Canada de l'Archipel-de-Mingan, Quebec, Canada. Image Copyright ©Christopher Dodds All Rights Reserved. Canon EOS 1DMKIV, 500mm F4 L IS with 2X Teleconverter II, Canon 25mm Extension Tube, Tripod & Wimberley Head II. 580EXII Flash manual mode. Think-Tank Photo Hydrophobia 300-600. ISO 800, F16 @1/60s Manual mode. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION.

Your Favorite image

Coastal Brown Bear and Gray Wolf Unlikely FISHIN' BUDDIES (Ursus arctos or Grizzly Bear and Canis lupus) Hallo Bay, Katmai National Park, AK. Image Copyright ©Christopher Dodds All Rights Reserved. Canon EOS 1DMKIV, 500mm F4 L IS, 2X II Tele-converter, Tripod & Wimberley Head II. ISO 800, F8 @1/125s Manual mode. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION.

You couldn't choose just one favourite, so you also get two for one as well. The Coastal Brown Bear and Gray Wolf image above was captured during my July Coastal Brown Bears Galore Photography Workshop / Safari and the Herring Gull image below was from my June Gannets Galore Bird Photography Workshop / Safari. I based these coices on the number of views, comments, likes, etc. from Facebook or on-line forums where they were posted.

American Herring Gull Emerging with fish (Larus smithsonianus, Goeland argente, HERG) Parc national de l'Île-Bonaventure-et-du-Rocher-Percé, Bonaventure Island, Quebec. Image Copyright ©Christopher Dodds  All Rights Reserved. Canon EOS-1D MKIV, 800mm F5.6 L IS. ISO 400, 1/2000s F5.6 Manual. 580EXII Flash manual full power . Tripod & Wimberley Head II. Full Frame. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION.

My favorite New Camera Bag

Think-Tank Photo Shape Shifter Camera Backpack. I took this photo with my Canon S-95 with built-in flash and natural light.

It's the one eternal quest for any photographer; finding the perfect camera bag. I have a serious problem; I'm a closet camera bag junkie. I have a room full of camera bags and never quite found the ultimate "urban" camera bag for this nature photographer when I'm not out in the field with my 500 or 800mm lens. I'm talking about those times that I want to grab a bag and have it fit what I need while out on a walk in Old Montreal, visiting family, or just out for a drive for landscapes. I've been meaning to write a serious review of the new Shape Shifter by Think-Tank Photo since I received my review copy a few weeks ago. Suffice it to say that this truly is the ultimate urban camera bag. Built to the usual quality standards that the folks at Think-Tank Photo are known for, the Shape Shifter is a camera backpack like no other. There are five neoprene pouches fixed to the inside back panel capable of holding my Canon EOS 1Ds Mark III, Canon EOS 1D Mark IV, 70-200 F2.8 IS II, 16-35 F2.8 II, 24-70 F2.8. The inside of the front cover can also hold a couple of speed-lights and various light modifiers. There are tons of pockets and a top-load sleeve that can accommodate up to a 17" laptop computer. The beauty of the bag is it's ability to compress to a much lower profile when you decide to venture out with only a couple of items in it. Purchase the Shape Shifter from Think-Tank Photo HERE and receive a free camera bag or accessory while engouraging this site.

My Favorite Conversation

It was a blast visiting with Scott and he is a gifted interviewer with quite a personality. We discussed my recent discovery of Nik Software and how I am introducing it into my post capture work-flow. There's a few good tips and a description of my Gannets Galore photo tour / workshop / safari. Be sure to grab a cup of coffee and give it a listen to hear some stories, tips and techniques. Thank you Scott.

LISTEN TO A LIVE STREAM NOW or DOWNLOAD IN iTunes

My Favorite New Software

 

I can't talk about my radio interview with Scott Sheppard without mentioning my favorite new software suite and Nik Software. Of the suite, Viveza 2.0 stands out as an absolute favorite for it's ease of use and compatibility. This choice isn't only about the software, it's about the company. Nik Software has changed the way the product supports the user; they offer free daily webinars to help you learn to use their products. How many times have you installed a new piece of software, only to discover that you were on your own to learn how to use it? Now all you have to do is tune into a webinar and watch how it's done; and it's FREE! Certainly worth checking-out at NiK Software (Use the coupon code "cdodds" to save 15% at the Nik store).

My Favorite new Point & Shoot Camera with Accessories

Canon PowerShot S-95 with Richard Franiec’s  S-95 Grip and Lensmate S95 Quick-Change Adapter Kit 37mm

My Favorite New Lens

Without a doubt, the Canon 800mm F5.6 IS has to be my favourite new work lens, but my Lensbaby Composer with their 0.42X Super Wide Angle conversion lens, Macro Lens Kit, and 0.6X Wide Angle & 1.6X Telephoto accessory kit has to be my favourite new fun lens. Watch for a full review soon.

My Favorite New Book

The Sibley Guide to Trees is a refreshing new field guide to the trees of North American Trees written and illustrated by David Allen Sibley. I had given-up hope of finding a well illustrated field guide to the trees of North America, so I was thrilled when I accidentally stumbled upon this gem of a book.

My Favorite New Gadget

That's an easy one; The Cotton Carrier has got to be it! READ MY REVIEW HERE.

Canadian Nature Photographer Christopher Dodds(that's me - smile) stylin' with a  a Cotton Carrier over his Canada Goose Parka. Image copyright and courtesy Julie Morrison - thanks, Julie.

Nik Radio and Snowy Owl Workshop

Great Gray Owl (Strix nebulosa, Chouette Lapone) Bracebridge, Ontario, Canada. Image Copyright ©Christopher Dodds http://www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1D Mark II, 100-400mm @ 320mm. ISO 400, F5.6 1/1600s Manual Exposure. CLICK HERE TO PURCHASE A PRINT or LICENSE AN IMAGE FOR PUBLICATION. Image presented with both a visible, and invisible digital watermark by Digimarc.

Winter Owl Workshop January 17-21, 2011

My Winter Owl Prowls proved so successful that they are sold out. I had been keeping the week of January 17-21, 2011 open for something different, and here it is. A five day winter owl workshop with just two participants for five full days of Winter Owl Photography. Learn more HERE.

My Nik Radio Interview with Scott Sheppard

       

I recently had the pleasure of being interviewed by Scott Sheppard for Nik Radio. It was a blast visiting with Scott and he is a gifted interviewer with quite a personality. We discussed my recent discovery of Nik Software and how I am introducing it into my post capture work-flow. There's a few good tips and a description of my Gannets Galore photo tour / workshop / safari. Be sure to grab a cup of coffee and give it a listen to hear some stories, tips and techniques. Thank you Scott and Nik Software (Use the coupon code "cdodds" to save 15% at the Nik store).

LISTEN TO A LIVE STREAM NOW

DOWNLOAD IN iTunes

 

Great FREE Gear Giveaway Continues

Sign-up for my newsletter before Dec. 15th, 2010 and you will automatically be entered to win some amazing prizes. Simply fill-in your name and email address in the form in the column to the right of this post and you are entered automatically (only sign-up once please). Tweet, Like or Share this blog entry on Facebook or Twitter, or leave a meaningful comment here for additional chances to win. Don't forget to tell your friends or fellow camera club members about the prizes.

  • WH-200 Wimberley Head version II (retail value of US$595.00)
  • Think-Tank Photo Urban Disguise 50 (retail value US$169.00)
  • Nik Software Viveza 2 (retail value US$199.95)
  • Digimarc for Images Professional Edition 1 year subscription (US$99.00)
  • One of eight Canon Long Lens Rain Covers (US$125.00 each)

Dec. 15th PHOTO GEEK CHRISTMAS PARTY

I'm hosting my first annual PHOTO GEEK CHRISTMAS PARTY at the ROCKBURN PUB 2461 Mtee Rockburn, Hinchinbrook, Quebec J0S 1E0 (450) 264-2239. All amateurs and hobbyists welcome! It's an à la carte menu and there is no fee (other than paying for your own food & drinks) - John Zimmerman (President, Montreal Camera Club) has graciously agreed to pass the hat for Missing Children's Network / Enfant-Retour Québec; donations are optional but encouraged (Tax receipts will be issued for contributions greater than $15.00). Come on out and meet me, my friends and make new contacts while networking and showing off a few of your favorite images from 2010. Feel free to bring prints, iPads or laptops with your favorite images. RSVP required - email me at chris@chrisdoddsphoto.com (please type PHOTO GEEK CHRISTMAS PARTY in the subject line) to reserve your spot. Space is limited, so be sure to reserve soon. I will be drawing some great prizes for the Great Gear Giveaway Contest and you get another name in the hat @ the party. Special thanks to Joann for opening the pub just for us!

Free Gear Giveaway - Lensmate Quick-Change Adapter - Richard Franiec S-95 Grip

Bobolink (Dolichonyx oryzivorus, Goglu des prés, BOBO) Franklin Centre, Quebec, Canada. Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DsMKII, 500mm F4 L IS, Tripod & Wimberley Head II. ISO 400, F8 @1/250s Manual mode. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION. Image presented with both a visible, and invisible digital watermark by Digimarc.

Notice how perceived sharpness is increased by moving the sun far over my right shoulder. The shadows and highlights increase depth and give each feather detail. One of the hardest things to do here was maintain detail in the yellow hood, while exposing for maximum detail in the blacks. This image is anther example of how well Nik Software's Viveza helps make targeted adjustments a breeze. I took the old master Tiff and places a U Point control point on the yellow hood - selectively lowered the brightness and ...voila! Remember to use coupon code "CDODDS" at the check-out and save 15%

Reader Q & A

Hi Chris,
Enjoy reading your blog and often spend hours gazing into your incredible images – I get lost in great adventures and see some amazing sights through your eyes and lens. I was wondering if you had or used a point & shoot camera. If you have one, then which model do you have and would you recommend it to others?
 - Savannah Capote Baton Rouge, Louisiana

Thank you Savannah. Yes, I own a Canon PowerShot S-95 point & shoot camera and feel comfortable recommending it to anyone. There are times when I don’t want to haul around my pro SLR equipment, but do want control over the creative process and the ability to shoot in manual mode. I chose the S-95 because it can shoot in RAW,  JPEG (or both at the same time) has reasonable low light capability, and still fits in my coat pocket. I like how easy it is to navigate the menu and control the manual settings (I can even program the camera to let me decide what setting is adjusted with which switch or dial). There are smaller point & shoot cameras out there, but they produce noisy images in low light situations and they are harder to control in manual mode. I also own a Canon PowerShot G10, which is a great camera, but I find it just too big to want to pick it up and bring it along everywhere I go – though it was probably the best choice when I bought it. Be sure to read David Pogue’s “A Love Letter to a Camera” from The New York Times.

There are some very useful accessories for point & shoot cameras that I use and highly recommend; I simply can’t live without them. Lensmate makes a Quick-Change Adapter Kit that consists of a tiny receiver that sticks to the front edge of the lens and allows a filter holder to be installed in a split second. This little accessory is pure genius and makes it easy to use a polarizing filter. The instructions are as well designed as the product itself, and even tell you how to remove the adhesive without leaving any residue on the camera.
One of the disadvantages of a small camera, is it’s missing grip; I often felt like I didn’t have a great grip and that I was going to drop the S-95. Richard Franiec  makes a small aluminum S-95 grip that sticks to the body of the S-95 that now gives me something to hold onto. Richard’s instructions are also well designed and easy to follow, and even show you how to remove the grip without leaving any residue.

 

Canon PowerShot S-95 with Richard Franiec’s  S-95 Grip and Lensmate S95 Quick-Change Adapter Kit 37mm

Great FREE Gear Giveaway Continues

Sign-up for my newsletter before Dec. 15th, 2010 and you will automatically be entered to win some amazing prizes. Simply fill-in your name and email address in the form in the column to the right of this post and you are entered automatically (only sign-up once please). Tweet, Like or Share this blog entry on Facebook or Twitter, or leave a meaningful comment here for additional chances to win. Don't forget to tell your friends or fellow camera club members about the prizes.

  • WH-200 Wimberley Head version II (retail value of US$595.00)
  • Think-Tank Photo Urban Disguise 50 (retail value US$169.00)
  • Nik Software Viveza 2 (retail value US$199.95)
  • Digimarc for Images Professional Edition 1 year subscription (US$99.00)
  • One of eight Canon Long Lens Rain Covers (US$125.00 each)

Dec. 15th PHOTO GEEK CHRISTMAS PARTY

I'm hosting my first annual PHOTO GEEK CHRISTMAS PARTY at the ROCKBURN PUB 2461 Mtee Rockburn, Hinchinbrook, Quebec J0S 1E0 (450) 264-2239. All amateurs and hobbyists welcome! It's an à la carte menu and there is no fee (other than paying for your own food & drinks) - I will pass the hat for a soon to be announced charity; donations are optional but encouraged. Come on out and meet me, my friends and make new contacts while networking and showing off a few of your favorite images from 2010. Feel free to bring prints, iPads or laptops with your favorite images. RSVP required - email me at chris@chrisdoddsphoto.com (please type PHOTO GEEK CHRISTMAS PARTY in the subject line) to reserve your spot. Space is limited, so be sure to reserve soon. I will be drawing some great prizes for the Great Gear Giveaway Contest and you get another name in the hat @ the party. Special thanks to Joann for opening the pub just for us!

Watermarks; Visible & Invisible

American Bald Eagle TOUCHDOWN (Haliaeetus leucocephalus, Pygargue à tête blanche) Homer, AK Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1Ds Mark III, 300mm F2.8 IS, tripod and Wimberley Head II. ISO 400, F5 1/1000s Manual Exposure. Full Frame. Click HERE to order a print or license image for publication. Image presented with both a visible, and invisible digital watermark by Digimarc.

Have you ever come across a web site that had used one of your images without permission? Have you ever tried to find your images being used on web sites without your permission? Perhaps you should; I often Google the filenames and keywords of the images I have posted on-line, and regularly Google the keywords that drove visitors to my website and this blog. Every single time that I try, it doesn't take very long to find my images that were stripped of their visible watermark and posted, without permission, to someone’s blog, website or even used by a corporation to promote their product or service. Once found, I simply send an invoice for ten times what I would have charged, had they been honest and purchased a license for their specific use. Ten times the regular fee! Is that enough? No, once one of my images has been stripped of it’s metadata and it’s visible watermark, it is pretty much orphaned; in other words, it’s been stripped of it’s future earnings. Let me explain: If an image buyer searches for, and finds, an image that suits his particular need, then he, or she, would typically contact the copyright holder to negotiate the purchase of an image use license - see where I’m going with this? If the image in question has been stripped of it’s ownership information, then how can the honest, legitimate image buyer find it’s rightful owner? Add to this the simple fact that once the ownership information has been stripped, it’s a perfect candidate for other people to copy and post to the internet without even knowing that they are distributing a copyright protected image.

Visible watermark by iWATERMARK

A visible watermark is exactly that; it is text or a logo that clearly identifies the owner of the image and it’s copyright. The size of the message is less important than it’s content; usually the photographer’s name and or website. I tend to use a very large, bold visible copyright as both a claim of ownership and as a marketing tool.
It’s relatively easy to create a visible watermark using many image editing programs, but there are stand alone applications for both the Mac and Windows platform that work amazingly well and are really inexpensive. iWatermark from Plum Amazing Software is an incredible bargain at only US$18.00. Wondering how to create a visible watermark in iPhoto? iWatermark is the perfect companion for iPhoto or any other image editing software that does not have a text tool. iWatermark can place either a text, or image based watermark on one, or a folder full of images, and it can even resize a folder full of images or convert the file format in a single operation.

Invisible or digital watermark by DIGIMARC

An invisible or digital watermark is created when data is embedded into an image that is virtually invisible to the human eye. Once embedded, The digital watermark persists through file copying, format changes, encryption and decryption, and image manipulations such as editing, cropping, compression and decompression — all without affecting the quality of the image or the enjoyment of its viewers. It is virtually impossible to remove.
Creating a digital watermark is as easy as creating a visible one; You will need Photoshop or Photoshop Elements and you will have to subscribe to a digital watermarking service like Digimarc. What was once extremely expensive, is now more affordable with Digimarc for Images now offering annual subscriptions for as little as The Basic Edition at US$49.00 (up to 1,000 images). The Professional Edition (US$99.00 up to 2,000 images) and the Small Business Edition(US$499.00 up to 5,000 images) also benefit from the Digimarc Search Service.
The Digimarc Search Service constantly crawls the web, scanning billions of images each year to locate digital watermarked images. The service helps you to  know where your images are used on the web, ensure you are fairly compensated for the use of your images and monitor that the right images are being used on the right sites at the right time. There are many factors that determine the successful discovery of an image — including how deeply an image is buried within a particular website, and the number of sites which the image is posted. The more images you digitally watermark that make their way onto the Web, the more likely Digimarc Search Service will find them. If you have only three images online, they won't be as easy to find. Likewise, if you upload your images to a website and nobody re-posts them, your chances of being immediately found are minimal. Depending on these factors, it could take one to six months to isolate a website where one of your digitally watermarked images is used with, or without your permission. As a general rule of thumb, websites with higher traffic get indexed first. Small Business and Enterprise customers can employ the Directed Search option, where specific sites are directly targeted. This is especially useful if your images regularly appear on pages that receive less traffic, or you want to monitor potentially offending websites. All URLs in your Directed Search list are crawled every month.

I am diving right into my Small Business Edition Digimarc for Images, and will report my findings here from time to time.

SAVE 30% OFF the regular DIGIMARC FOR IMAGES annual fee by entering the coupon code "naturephotography" at the check-out.

WIN a ONE YEAR PROFFESSIONAL EDITION DIGIMARC FOR IMAGES subscription. Subscribe to my newsletter at the top of the column to the right of this post before December 15th, 2010 and you are automatically entered to win a one year Professional Edition Digimarc for Images account worth US$99.00.

Great FREE Gear Giveaway Continues

Sign-up for my newsletter before Dec. 15th, 2010 and you will automatically be entered to win some amazing prizes. Simply fill-in your name and email address in the form in the column to the right of this post and you are entered automatically (only sign-up once please). Tweet, Like or Share this blog entry on Facebook or Twitter, or leave a meaningful comment here for additional chances to win. Don't forget to tell your friends or fellow camera club members about the prizes.

  • WH-200 Wimberley Head version II (retail value of US$595.00)
  • Think-Tank Photo Urban Disguise 50 (retail value US$169.00)
  • Nik Software Viveza 2 (retail value US$199.95)
  • Digimarc for Images Professional Edition 1 year subscription (US$99.00)
  • One of eight Canon Long Lens Rain Covers (US$125.00 each)
  • More to come

Dec. 15th PHOTO GEEK CHRISTMAS PARTY

I'm hosting my first annual PHOTO GEEK CHRISTMAS PARTY at the ROCKBURN PUB 2461 Mtee Rockburn, Hinchinbrook, Quebec J0S 1E0 (450) 264-2239. All amateurs and hobbyists welcome! It's an à la carte menu and there is no fee (other than paying for your own food & drinks) - I will pass the hat for a soon to be announced charity; donations are optional but encouraged. Come on out and meet me, my friends and make new contacts while networking and showing off a few of your favorite images from 2010. Feel free to bring prints, iPads or laptops with your favorite images. RSVP required - email me at chris@chrisdoddsphoto.com (please type PHOTO GEEK CHRISTMAS PARTY in the subject line) to reserve your spot. Space is limited, so be sure to reserve soon. I will be drawing some great prizes for the Great Gear Giveaway Contest and you get another name in the hat @ the party. Special thanks to Joann for opening the pub just for us!