Snowy Owl MORNING GLORY

Snowy Owl MORNING GLORY  (Bubo scandiacus, Harfang des neiges, SNOW) Ontario, Canada ©Christopher Dodds All Rights Reserved. Canon EOS 1DX, 300mm f/2.8 L IS II USM. ISO 3,200, f/2.8 @ 1/2,000s Manual. PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION HERE.

Here's the first image from the first day of one of my Owl Workshops. We were on-site and ready to start photographing, but there was heavy fog threatening our early morning light. Just as the sun was about to shine the first licks of light over the snow covered field, the fog lifted and the show was on! It was a hard morning to beat! There is still a couple of spots available for this winter. For more information about my Winter Snowy Owl Workshops please click HERE.

More Kudos:

Hi Chris, Great trip, EH!!

 Seriously, I want to thank you for a wonderful week. Great company, wonderful opportunities on the Snowy Owls during the owl workshop and lots of fun.

 I have been on quite a few photo workshops, and what sets yours apart (aside from the fun), is your knowledge of the natural history of the subjects, and your encyclopedic knowledge of nature photography and photography in general. You seemed to know what the Owls would do before they did, and thus we got great shots. 

I profited as much from the down time between shots as from the shooting time.  What was so helpful to me was that I not only learned your recommendations for settings, but the why, in detail. You have a depth of knowledge such that when I challenged assumptions (which is natural for me as a physician), there was always a firm explanation leading back to a scientific or photographic principle. As a result I understand exactly why I am using that particular technique, and am completely comfortable with it. I learned a ton!!! The focus was always on us getting the shots (after the welfare of the wildlife), on learning, and thirdly on fun. 

I would go on another workshop with you in a minute, because no matter where it was I know I would learn something.

 I really appreciate your scientific approach to photography, your having researched and tested your choices! 


I feel fortunate to have had the experience of learning from one of THE BEST.  Thanks for a great week. 

Until the next workshop.

Mike Gotthelf Fitchburg, Massachusetts, USA

Great Gray Owl INTO THE STORM

Great Gray Owl INTO THE STORM (Strix nebulosa, Chouette Lapone, GGOW) Ontario, Canada ©Christopher Dodds All Rights Reserved. Canon EOS 1DX, 500mm f/4 L IS USM. ISO 1,600, f/6.3 @ 1/2,500s Manual mode. Click HERE to order a print or license image for publication.

It's not too late; there is still only a couple of spots available for the coming winter owl season! Learn more about my Winter Owl Workshop click HERE.

More Kudos:

Being a female on my first photo safari, I had some apprehensions before joining Chris on his acclaimed Winter Snowy Owl Safari.  I worried about safety, that I wasn't a good enough photographer for someone with Chris's acclaim, and that I wouldn't be able to keep up with the group on treks. My fears subsided on Day One, and I knew this would be a week I would never forget.  With the small group size, Chris was able to give each member the level of instruction they needed.  Beyond having great opportunities for owl pictures, I learned helpful things about owl behaviour, owl spotting techniques, operating the camera, processing images,  best clothing and gear for winter, and things like the "Dodds duffel toss" that help prevent injuries while putting my camera backpack on.
Chris has an extensive knowledge of exposure theory. He is a patient teacher, skilled in helping his participants gain a deep understanding of this critical element of photography. He demonstrated why it is important to capture as much detail as possible for the best possible print, then showed us how to accomplish it. During the week of ever changing light, he kept checking our work to make sure we were getting the best possible results.
I usually learn from books and enjoy photography as a solitary pursuit, but I enjoyed the camaraderie of this group experience and received many tips on world travel. The photo safari gave me time to immerse myself in photography and nature.  I'm already planning my next safari with Chris.

Karen Miller Pennsylvania, USA

Northern Hawk Owl

Northern Hawk Owl GROUND EFFECT (Surnia ulula, Chouette épervière, NHOW) Ontario ©Christopher Dodds All Rights Reserved. Canon EOS 1D Mark II, 100-400mm f/4-5.6 L IS USM @ 250mm. ISO400, f/5.6 @ 1/2,000s Manual mode. Click HERE to order a print or license image for publication.

There are still a couple of openings due to cancellation for the upcomming winter owl season. Find out more about my Snowy Winter Owl Workshop HERE.

KUDOS

Thank you so much for a memorable week during your Snowy Owl Workshop, I have enjoyed it immensely.

The week has been EPIC, Exhilarating Pictures, Instructional Colossus, what more can I say.

It has been a long held ambition of mine to photograph Snowy Owls and in choosing your trip all my expectations have been filled and some. The company has been an important and enjoyable part of the trip and I will recall with great fondness many of  the hilarious moments we have shared together.

I appreciate all the hard work that you have put in to ensure the success of our trip and I wish to thank you for that.

I hope the season continues to go well for you and I wish you happiness in your life.  

Again a heartfelt thanks.

John Sheppard Banbury | England

Rough-legged Hawk

Rough-legged Hawk Vertical Bank (Buteo Lagopus, Buse Pattue, RLHA) southeastern corner of Ontario ©Christopher Dodds All Rights Reserved. Canon EOS 1D MArk IV, 500mm f/4 L IS USM. ISO800, f/5.6 @ 1/2,500s Manual mode. Click HERE to order a print or license image for publication.

Rough-legged Hawk Hovering (Buteo Lagopus, Buse Pattue, RLHA) southeastern corner of Ontario ©Christopher Dodds All Rights Reserved. Canon EOS 1D MArk IV, 500mm f/4 L IS USM. ISO800, f/5.6 @ 1/2,500s Manual mode. Click HERE to order a print or license image for publication.

A Rough-legged Hawk put on quite a show for my Snowy Winter Owl Workshop Group. We were all sitting low and still, and quite close to a snowy owl when this Rough-Legged Hawk swooped down and started to harass the Owl. Interesting to note that fewer Rough-legged Hawks are recorded during Christmas bird counts where Red-tailed Hawks are doing well; The Red-tailed Hawks stay on their territory year round, and they vigorously defend it against the winter visitors.

 

Kudos

Winter owl photography was near the top of my bucket list.  My research kept ending up with one name, Christopher Dodds.  I had participated in nine previous field instructional photo tours throughout the USA, Canada, Japan and the Falklands with six different professional photographers all of which were excellent but this one was a cut above.

The best field photography instructors are professionals, formally trained in photography and have extensive experience in studio work as well as other areas.  Chris Dodds comes with those credentials and 20 plus years as an outdoor photographer and is a sub specialist in winter owl photographyHe understands and teaches from the basics to the most advanced science and technical knowledge in the field.

Beyond the photography Chris’ Owl Prowl stands out as the model for a highly successful experience.  After 20 plus years of developing relationships and infrastructure his photo tours are characterized by superb organization, logistic, transportation, and communication.  We stayed on schedule at a relaxed pace and he was always mindful of our small group's personal safety during extreme weather conditions.

The return on my investment and expectations in Chris Dodds' Great Owl Prowl was excellent.  It's true! you get what you pay for.

CJ Hockett Vermont USA

Great Gray Owl Phantom of the North

Great Gray Owl Phantom of the North (Strix nebulosa, Chouette Lapone, GGOW) Gatineau, Quebec ©Christopher Dodds All Rights Reserved. Canon EOS 1DX, 500mm f/4 L IS USM. ISO 2,500, f/5.6 @ 1/2,000s Manual mode. Click HERE to order a print or license image for publication.

The winter owl workshop was excellent. From the pre-planning through the last spectacular day with the snowy owls.  In addition to the skills and nature experience Chris brings to the workshop, he also brings his passion of nature photography as well as a genuine focus on the safety of the owls and wildlife.  The group size was great and the team composition was excellent, travel was pleasant, safe and comfortable.   It was great to be able to peak into Chris's personal life, spending time with Chris opened up a new world for me that I want to explore.  I learned value insights and lessons related to exposure, histograms and the habitats and behaviours of owls.  It was great being out in the nature and cold, learning not only to capture razor sharp images, but how to do so in extreme weather.  Most americans will not know the excitement of seeing a Tim Horton's in the distance or the comfort of fresh Poutine, I can say I am now a fan.


Kim Ringeisen Flying Monkey Photography North Carolina | USA

Snowy Owl Photo Tour Update

Snowy Owl Winter's Ghost  (Bubo scandiacus, Harfang des neiges, SNOW) Ontario, Canada ©Christopher Dodds All Rights Reserved. Canon EOS 1DX Mark II, 100-400mm f/4.5-5.6 L IS II USM @300mm. ISO 400, f/5.6 @ 1/1,600s Manual. PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION HERE.

Winter is almost upon us and the owls are starting to move south already! I have a few last minute openings for this winter's Snowy Winter Owl Prowls.

January 9-13, 2017 (5 Days) SOLD OUT!
January 16-20, 2017 (5 Days) Only 1 Spot Left!
January 23-27, 2017 (5 Days) SOLD OUT !
January 30-February 3, 2017 (5 Days) SOLD OUT !
February 6-10, 2017 (5 Days) SOLD OUT !
February 13-17, 2017 (5 Days) Only 2 spots left!


KUDOS: A Great Week With Chris and Snowy Owls.  

Chris leads a great workshop.  It quickly became clear the amount of prework Chris had done in the weeks leading up to the trip.  Chris knew where the owls would be each morning when we arrived in the fields.  Another amazing ability Chris has, is he can spot a snowy owl hundreds of yards away.  I remember laughing a few times as I am looking through binoculars saying are you sure and every time he was correct.
 

Chris is an amazing photographer and extremely knowledgeable on both Nikon and Canon photography equipment.  I came home a much better photographer, with a better understanding of my camera gear and how to adjust for the environment and light.  Throughout the day Chris was continually making sure everyone had the correct setting and reminding us to check our exposure/histogram.


Additionally Chris is just a great guy.  He is what i would consider a true outdoorsman and has the adventure stories to go with them.  I really enjoyed the travel and downtime with Chris and we had a lot of good laughs.

I would definitely recommend a Chris Dodds photography workshop especially the winter owl workshop and am looking forward to my next trip with Chris.

Brad Lewis Gilroy | California

Aguchik Island Bald Eagle Nest

Bald Eagle Juvenile on nest with Fireweed (Hailiaeetus leucocephalus, Pygarge a tete blanche, BAEA) Aguchik Island, Kukak Bay, Katmai National Park, Alaska ©Christopher Dodds All Rights Reserved. Canon EOS 1DX Mark II, 100-400mm f/4.5-5.6 L IS II USM @400mm. ISO 800, f/18 @ 1/250s Manual. PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION HERE.

Here's a Juvenile Bald Eagle on it's nest on Aguchik Island in Kukak Bay, Katmai National Park from this summer. I've seen loads of Bald Eagle nests, but none were quite this beautiful.

Compared to most other raptors which mostly nest in April or May, bald eagles are early breeders: nest building or reinforcing is often by mid-February, egg laying is often late February (sometimes during deep snow in the North), and incubation is usually mid-March and early May. Eggs hatch from mid April to early May, and the young fledge late June to early July. The nest is the largest of any bird in North America; it is used repeatedly over many years and with new material added each year may eventually be as large as 4 m (13 ft) deep, 2.5 m (8.2 ft) across and weigh 1 metric ton; one nest in Florida was found to be 6.1 m (20 ft) deep, 2.9 meters (9.5 ft) across, and to weigh 2.7 metric tons). This nest is on record as the largest tree nest ever recorded for any animal. Usually nests are used for under five years or so, as they either collapse in storms or break the branches supporting them by their sheer weight. However, one nest in the Midwest was occupied continuously for at least 34 years. The nest is built out of branches, usually in large trees found near water. When breeding where there are no trees, the bald eagle will nest on the ground, as has been recorded largely in areas largely isolated from terrestrial predators, such as Amchitka Island in Alaska. - Wikipedia


Kudos

The Puffins Galore Workshop on I'ile aux Perroquets exceeded my expectations. Chris is an exceptional photographer, teacher, and all around good guy.  He was quick to point out the best photographic opportunities for the group, taking into account the constantly changing weather, light and tides.  He was always available to answer questions and give tips, catering to all levels of experience in the group.  The accommodations were excellent and the food was first rate. Our chefs/housekeepers/hostesses, Louise and Johanne, were amazing. The photographic opportunities were endless with an unbelievable number of puffins as well as razorbills, guillemots, gulls, whales and seals.  This was my first photography workshop and I am looking forward to my next adventure with Chris.

Mark Adkins Rochester| MN

How to photograph bats

Pallid Bat REFLECTION (Antrozous pallidus Chauvre-souris blonde) Amado, Arizona, USA. Image Copyright ©Christopher Dodds. Canon EOS 1DX mark II, 100-400mm f/4.5-5.6 L IS II USM @300mm. Jobu Designs Algonquin TripodJobu Jr. 3 Photo Trap and four flash set-up. ISO 500, f/18 @ 10 second exposure in Manual mode. PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION HERE.

 

I'm just back from my Arizona bat workshop, and thought I would share one of the techniques we use to photograph bats and their reflections when they fly over a pond to drink water. It really is simpler than you might think; first, we set-up four flashes to light the bat from the front, then we set-up the phototrap to trigger the flashes every time a bat flys through an infrared beam. This set-up is not connected to our cameras at all; the cameras are set-up on tripods and focused at the exact same place as the infrared beam which triggers the flahes. Exposure was set manually to ISO 500, f/18 and 10 seconds. A remote trigger release is locked on, and the camera is set to make continuous ten second exposures, one after another. The images are mostly black frames, with images of bats captured every time they fly trough the beam and trigger the flash.

So, why not trigger the camera and flashes together? Because there are several different species of bats that frequent the pond and each of them flies at different speeds. Triggering the flash is the best way to ensure anything flying through the infrared beam is frozen at exactly that point; resulting in a perfectly sharp image.

If you would like to learn more, and perfect your phototrap set-ups, join me, Christopher Dodds, at "The Pond at Elephant Head" for an incredible high-speed bat photography workshop. Bats are some of the most misunderstood creatures on earth and there aren't many photographers out there photographing them. I've designed this workshop with only three participants and enlisted the help of Phototrap inventor, Bill Forbes, to ensure you get the images I would be proud to call my own. Learn how to use the Phototrap and high-speed flash photography to create stunning action images on your own. Learn more Here.


Atlantic Puffin TROPHY

Atlantic Puffin TROPHY (Fratercula arctica, Macareux moine, ATPU) Mingan Archipelago National Park Reserve of Canada, Réserve de parc national du Canada de l'Archipel-de-Mingan, Quebec, Canada. Image Copyright ©Christopher Dodds. Canon EOS 1DX mark II, 100-400mm f/4.5-5.6 L IS II USM @400mm. ISO 400, f/5.6 @ 1/4,000s Manual exposure. PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION HERE.

I'm just back from my annual back-to-back deluxe Atlantic Puffin workshops at the Mingan Archipelago National Park of Canada. The birds (puffins and Razorbills) and the folks in my groups were awesome! We had tons of laughs, epic photographic opportunities and some incredibly delicious food while staying in the lighthouse on the island for the four day (three night) trip.

Here's a favorite "grab shot" from the trip; I was putting my camera and lens together on an otherwise quiet morning while I noticed this Puffin circling. It was making it's way into it's burrow to feed it's Puffling (baby puffin) in some pretty sweet light. I called-out that it would continue to circle to those in the group who were near me. I quickly set the manual exposure and then pre-focused my camera at the distance I thought the Puffin would fly past me. This is the first of three frames captured. Call it a lucky shot, but years of photographing and watching seabirds, learning their behaviour and ensuring that my groups have the very best dates does ensure ample opportunities - smile.

Do be sure to book early for next year, as the trips are already starting to fill! Read more about my Deluxe Atlantic Puffin trip July 29 to August 1, 2017 HERE.

KUDOS

The four days and three nights on the I'ile aux Perroquets (Deluxe Puffins Galore Workshop) will go down in my mind as one of those life experiences that will stay with me forever.  That isle is a very special place. You did an incredible job.  I was thinking about you on the trip back.  What does it take to be a top notch photographer as well as a gentlemanly guide, teacher, chaperone, and friend?  You have a unique set of skills that somehow pull off the attributes necessary.  Each and every one of us that left that island felt as though we had made a personal connection with you.  That is no easy task.  Must be a Canadian thing!  Keep doing what you're doing.  A very sincere "thank you" to you.  This trip exceeded all expectations.

- Paul Treseler Massachusetts | USA

Bald Eagle The SCREAMIN' EAGLE

Bald Eagle The SCREAMIN' EAGLE (Hailiaeetus leucocephalus, Pygarge a tete blanche, BAEA) Kachemak Bay (near Homer), Alaska ©Christopher Dodds All Rights Reserved. Canon EOS 1DXS Mark III, 500mm f/4 L IS USM and Canon 2X and 1.4X Tele-converters II. ISO 400, f/13 @ 1/400s Manual. PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION HERE.

Here's an old favorite from my 2009 Eagles Galore Photo Tour. Posting today, as I prepare for my back-to-back Saint Paul Island and Coastal Brown Bear Boat charter in Alaska.

To me, apart from the incredible detail in this image, I really like the way we can see all of that detail in the mouth. I avoided the deep shadows of harsh light by working on an overcast day (with snow changing to rain and sleet), and avoided using a flash (which would have also created some pretty strong and distracting shadows). My collapsible 22" white reflector did a fantastic job of illuminating the inside of the Eagle's mouth (I won't mention the brand, just get the cheapest one available; the bigger it is, the softer the light).

Bald Eagle STARE

Immature American Bald Eagle STARE (Hailiaeetus leucocephalus, Pygarge a tete blanche, BAEA) Kachemak Bay (near Homer), Alaska ©Christopher Dodds All Rights Reserved. Canon EOS 1DX, 100-400mm f/4.5-5.6 L IS II USM @400mm and Canon EF 25mm Extension tube II. ISO 400, f/13 @ 1/400s Manual. PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION HERE.

I always carry extension tubes so I can physically connect both my Canon Extender EF 1.4X and 2X (Version III) when I want a really close image, they also reduce the minimum focusing distance when I get really close. During my Bald Eagles Galore Photo Tour in March, I used the new Canon 100-400mm II lens for most of the trip. When this immature Bald Eagle landed right beside me, I instinctively crouched-down, and attempted a really close portrait, but realized that the bird had landed slightly within the minimum focusing distance of the lens; it was closer than 38.4" or 980mm (do note this is the distance from the sensor, not the front element of the lens). I quickly added my Canon  EF 25mm Extension Tube to be able to focus without moving away from the inquisitive Eagle.

Bald Eagle TOP OF THE DIVE

American Bald Eagle TOP OF THE DIVE (Hailiaeetus leucocephalus, Pygarge a tete blanche, BAEA) Kachemak Bay (near Homer), Alaska ©Christopher Dodds All Rights Reserved. Canon EOS 1DX, 100-400mm f/4.5-5.6 L IS II USM @400mm. ISO 400, f/5.6 @ 1/3,200s Manual. Full Frame. PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION HERE.

Here's another image from my Bald Eagles Galore Photo Tour in March. If you want to come home with a portfolio full of Bald Eagle images, then this is the trip of a lifetime for you. I have guided more photographers in Kachemak Bay than anyone else and know where to be in any given weather, wind and light conditions. I know where to find flat dark water when it's snowing, and I work very hard at getting us the very best opportunities. No matter if you are a beginner, or seasoned professional, this is the right trip for you.

Be sure to book your EPIC Bald Eagles Galore Photo Tour spot before it's too late; March 2017 dates are live. Get more information HERE.

Bald Eagle FREE SPIRIT

American Bald Eagle FREE SPIRIT (Hailiaeetus leucocephalus, Pygarge a tete blanche, BAEA) Kachemak Bay (near Homer), Alaska ©Christopher Dodds All Rights Reserved. Canon EOS 1DX, 100-400mm f/4.5-5.6 L IS II USM @312mm. ISO 320, f/5.6 @ 1/3,200s Manual. Full Frame. PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION HERE.

Yet another Bald Eagle from my Bald Eagles Galore Photo Tour in March. Having so many Eagles fising so close to us provides some great opportunities to photograph them during their acrobatic approaches. Here's the top of a cartwheel dive in nice light.

Do notice the exposure is an equivalent to Sunny 16, less a third of a stop to preserve all of the details in the white feathers. Read more about the Sunny 16 rule HERE.

Be sure to book your EPIC Bald Eagles Galore Photo Tour spot before it's too late; March 2017 dates are live. Get more information HERE.

Bald Eagle APPROACH

American Bald Eagle APPROACH (Hailiaeetus leucocephalus, Pygarge a tete blanche, BAEA) Kachemak Bay (near Homer), Alaska ©Christopher Dodds All Rights Reserved. Canon EOS 1DX, 100-400mm f/4.5-5.6 L IS II USM @400mm. ISO 5,000, f/5.6 @ 1/2,000s Manual. Full Frame. PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION HERE.

Here's another image from that same EPIC morning of my Bald Eagles Galore Photo Tour in March (March 15), this time only 30 minutes later. The dramatic dark sky gave way to subtle pastel colors.

Be sure to book your EPIC Bald Eagles Galore Photo Tour spot before it's too late; March 2017 dates are live. Get more information HERE.

Bald Eagle EPIC HAPPENS

 American Bald Eagle GOLDEN MOMENT (Hailiaeetus leucocephalus, Pygarge a tete blanche, BAEA) Kachemak Bay (near Homer), Alaska ©Christopher Dodds All Rights Reserved. Canon EOS 1DX, 100-400mm f/4.5-5.6 L IS II USM @263mm. ISO 800, f/5.6 @ 1/3,200s Manual. Full Frame. PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION HERE.

Epic Happens!

Here's another Bald Eagle from my Bald Eagles Galore Photo Tour in March. We got out to the dock early on a dark and gloomy heavily overcast morning, and it really was a little disappointing just how dark it was. After crossing Kachemak Bay, the light didn't improve for some time, but the water was the calmest, and flattest, I have seen in the bay. There were a few minutes when the golden early morning sun shone through an opening in the dark cloud cover. The Eagle, wind direction, water and light all came together for a few minutes of EPIC! Being out in the field at the ready paid off big time. 

Bald Eagle ALOFT

American Bald Eagle ALOFT (Hailiaeetus leucocephalus, Pygarge a tete blanche, BAEA) Kachemak Bay (near Homer), Alaska ©Christopher Dodds All Rights Reserved. Canon EOS 1DX, 100-400mm f/4.5-5.6 L IS II USM @300mm. ISO 1600, f/5.6 @ 1/2,500s Manual. Full Frame. PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION HERE.

Here's an immature Bald Eagle from my Bald Eagles Galore Photo Tour in March. Although I was making portraits of this first year Eagle, I was ready for any action by using a higher ISO and the resulting higher shutter speed; being prepared for the extra-ordinary while photographing the ordinary!

 

Northern Gannet THE BOUQUET

Northern Gannet THE BOUQUET (Morus Bassanus, Fou de Bassan, NOGA) Parc national de l'Île-Bonaventure-et-du-Rocher-Percé, Bonaventure Island, Quebec Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DX Mark II, 100-400mm f/4.5-5.6 L IS II USM @400mm. ISO 1600, f/8 @ 1/3,200s Manual. Full Frame. PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION HERE.

Here's another Gannet from the first day of my Gannets Galore workshop. This one in heavy fog. Foggy images lack contrast, and look washed-out when exposed properly.

You can adjust the contrast several ways, to reflect how much fog you would like in the image; I used the levels tool (in Photoshop), and adjusted the darks by grabbing the left slider and dragging it to the right. Hold down the "ALT" Key while moving the slider, and you will see when the darks start to clip. If you move the slider far enough to clip the darks, you loose details in the darkest parts of the image. Be aware that this might increase any noise in the image; An effect that is amplified if you start with a poorly exposed image.

 

Northern Gannet The Return

Northern Gannet THE RETURN (Morus Bassanus, Fou de Bassan, NOGA) Parc national de l'Île-Bonaventure-et-du-Rocher-Percé, Bonaventure Island, Quebec Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DX Mark II, 100-400mm f/4.5-5.6 L IS II USM @263mm. ISO 1250, f/8 1/5,000s Manual. Full Frame. PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION HERE.

Here's a simple image from the first day of my Gannets Galore trip to Bonaventure Island. The Gannets continue to do well and the colony continues to grow, offering truly spectacular sights and images; The photographic opportunities are endless. The 1DX Mark II and 100-400mm f/4.5-5.6 L IS II USM proved to be a killer combination; easy to manage all day with amazing AF and high ISO performance. Do join me for the ultimate Bonaventure Island experience next June 5-7, 2017. Find more details HERE.

Gura Gear Good News Bad News

 

I have just received two back-up copies of my favorite and go-to camera bag. The Gura Gear Bataflae 32L easily fits my Canon 600mm II, two Canon 1DX pro bodies, Canon 24-70/2.8 II, both my 1.4 and 2X Extenders and both extension tubes with extra room of flash and accessories and my Canon 70-200/2.8 II or my Canon 100-400 II. It is well made, light and easy to get through airports and onto aircraft. Even as Air Canada cracks down on carry-on baggage, I have brought my Gura Gear bag everywhere I have traveled over the last few years.

Good news first: Chris from Outdoor Photo Gear has secured all remaining stock of Gura Gear bags. He has slashed prices and is now offering readers of my blog an exclusive additional 10% savings! Be sure to follow the links below, and use the coupon code "NATURE" while at the check-out:

USE CUPON CODE NATURE to save an additional 10% and get free shipping anywhere in the continental US

Bad News: In a "case" of David buying Goliath, Gura Gear has purchased the Tamrac brand of camera bags. As part of their restructuring, the Gura Gear line of boutique camera bags will be re-named, redesigned and re-branded. From what I have heard, they have made a new version, with some "mass market" components to fit the Tamrac brand placement. What does this mean? We will see a mass produced version (with no-name zippers) hitting camera store shelves at some point in the future. Only time will tell what will come of the Gura Gear bags, but I'm not taking any chances am thrilled to have saved some cash on my back-up copies.

Canon imagePROGRAF PRO-1000 Mini Review

Christopher Dodds (Nature Photographer, CANON Northern Explorer of Light and X-rite Photo & Video Coloratti) with the newly announced Canon imagePROGRAF PRO-1000 printer.

I’ve always been an advocate for the print; my favourite images are never quite finished, until I make a large print. I currently own several printers; among them are the Canon Pixma PRO-1 desktop printer for everything up to 13” wide, and a Canon imagePROGRAF iPF6400 for everything up to 24” wide. The Canon imagePROGRAF PRO-1000 will replace the Canon Pixma PRO-1.

If you have followed this blog and read my review of both the Canon Pixma PRO-1 and my Canon imagePROGRAF iPF6400, then it is no surprise that I am a perfectionist with a passion for the perfect image; it’s what keeps me out there perfecting my craft and drives my passion for the print. As a master printer, I used to have to spend countless hours pouring over printed images looking for ways to squeeze every ounce of colour gamut out of which ever printer I was using; that all changed when I switched to my Canon imagePROGRAF iPF6400, then added my Canon Pixma PRO-1, and now the imagePROGRAF PRO-1000 will replace my Canon Pixma PRO-1 for everything up to 17" wide.

Full disclosure: My introduction to the Canon line-up of printers came after my being named the very first Canon Canada ambassador, or Canon Northern Explorer of Light, some four years ago. I had been using another popular brand of LFPs (Large Format Printers) until that time. I had invested so much time figuring-out workarounds for all of their shortcomings, I was foolishly reluctant to change; Each return to the studio was almost dreaded, as I knew it might be hours before I could start printing while waiting for cleaning cycles and head alignments. Those days are all in the past, and my experience with both of my beloved Canon printers has been nothing but a delight.

Although Canon has, and does, continue to sponsor me as a Northern Explorer of Light, I am under no contractual obligation to try to sell you anything. I am simply sharing my experience and making a personal recommendation to help you avoid the frustration of choosing the right printer, and avoiding the frustration of choosing the wrong one (because, after all, I had already done that to start with - smile). This is an updated testament to the printer(s) I choose for my print production.

What is it: Canon’s latest and greatest addition to their already impressive printer line-up is the imagePROGRAF PRO-1000. I was excited to put it to the test and offer my thoughts on this new model aimed at the serious amateur, semi-professional and professional photographers who produce professional quality colour and monochrome photographs up to 17” wide.

Initial impression: The Canon imagePROGRAF PRO-1000 printer arrived and I couldn't wait to give it a try; The printer looks impressive and sports a new thin red line, which was traditionally only seen on L-series lenses and reflects their top-of-the-line quality. I was pleased to see an LCD display on the control panel; it was missed on my Pixma Pro-1. Set-up and instillation was fast and easy; remove the packaging and security tape, install the print head, then installing the new (larger) ink tanks was a breeze, thanks to the new ink tank configuration along the bottom front of the printer. One important observation was the inclusion of a full set of full 80ml inks; an important consideration while reflecting on the cost of upgrade (printers usually ship with only enough ink to prime the ink lines, the print head, preform set-up functions like head alignment and then only make a few prints. You usually never get more than half-full ink tanks).

As is typically the case with all of my reviews, I won't be listing all of the technical specs which can be found on the Canon website HERE. In a nutshell, the Canon imagePROGRAF PRO-1000 features a new design with all new specs here’s what is important to me:

NEW print head, Lucia Pro inks and image processor: The imagePROGRAF PRO-1000 combines a new print head, new inks and a new processor to achieve the highest quality prints, without compromise in performance or productivity. The new 80ml LUCIA PRO inks developed for the imagePROGRAF PRO-1000 enable photographers to reproduce their images accurately in print. The wide dynamic range of colours allow for a high colour gamut (up to 19 percent larger than the PIXMA PRO-1 printer) and rich expression of detail in darker areas, with outstanding image permanence. The Chroma Optimizer ink helps achieve uniform glossiness when printing on glossy paper. By being applied over the printed image to cover the bumps between the ink droplets, Chroma Optimizer regulates the surface reflection to deliver natural colour reproduction in the finished print. This creates images with deep black density and prevents unwanted bronzing (scratch resistant). The new print head design (50% larger than the Pixma PRO-1) utilizes a sophisticated real-time ink ejection system which helps to maintain a consistent print head temperature allowing for consistent ink droplets to help limit clogs and reduce cleaning cycles and wasted ink. The new print head helps to further reduce the amount of wasted ink through anti-clogging technologies where ink ejection conditions are precisely checked with sensors, and if a clog is detected, another nozzle automatically provides backup. The new image processor provides optimal control of the printer, maintaining high-speed, accuracy and high-resolution printing while maintaining the balance of inks and the precise placement of ink droplets, carefully calculating best results for each print mode and media using various factors including colour reproduction, tonal gradations, black density, graininess, glossiness, anti-bronzing and elimination of metamerism”

NEW Larger Print Size: “Enjoy the ability to print striking images up to A2 (and 17” x 22”) without compromising quality. Take advantage of our fast print speeds and colour collaboration: with a plethora of media types supported from gloss, matte, fine art papers and canvas, you’ll get the look and feel you desire.”

NEW The Canon imagePROGRAF PRO-1000 Is the only Canon desktop printer which incorporates the vacuum platen (formerly reserved only for Large Format Printers), it feeds paper with air suction, keeping the paper flat and preventing ‘floating’ and ‘edge-curl’ during the feeding / printing process allowing borderless printing on fine art papers.

NEW Software: Print Studio Pro v 2.0 works with Adobe Photoshop and Lightroom, and Canon’s Digital Photo Professional. “With 16-bit processing capabilities, fine details are dramatically improved, gradations are smooth and a highly accurate reproduction of the original captured image can be reproduced. Improving on the existing Print Studio Pro plug-in, the imagePROGRAF PRO-1000 utilises the updated version 2.0.0. This features a new screen layout that makes it easier for you to adjust the printer, paper, layout and colour settings to help deliver the best quality prints. You can create favourite settings that you feel comfortable with, and come back to them time and time again. Colour management is easier than ever, with a simple box to allow ICC profile selection, rendering intent and a brand new feature to enable soft proofing.”

In conclusion: After set-up, I deliberately chose to print a colour image with a lot dark colours and tones; an image I knew could test the limits, and one that could really prove if the new Canon imagePROGRAF PRO-1000 was capable of producing prints which can stand above it’s predecessor. I was immediately blown-away by the remarkable difference in colour depth and accuracy; all of the dark areas immediately opened-up and, though subtle, the difference in print quality very quickly had me making new prints of lots of older images; every one of them, to a greater, or lesser degree, was different from those I had previously printed; all of them were better.

The new Print Studio Pro V2.0 was easy to use, the printer preformed flawlessly and the prints are a testament to it’s abilities.
 

The hardest part of this review was running-out of sample ink, draining the remaining ink from the lines (to prepare for shipping) and packing the sample printer to send it back to my friends at Canon Canada. I will be placing my order to arrive when my Winter Snowy Owl Workshops finish at the end of February.

Economic Considerations: If you are wondering about the economics of investing in a Canon imagePROGRAF PRO-1000 printer, consider this (very short-sighted approach, since the printer will last for years and make many thousands of prints over it’s life):

Suggested retail price for the Canon imagePROGRAF PRO-1000 is CAD$1,600.00, but it includes a complete set of 80ml inks which, after set-up, will likely make about 50 17” x 22” prints. If you manage to sell those for more than CAD$32.00 each (plus the cost of paper), then the printer has paid for itself. Now, the first set of inks primed the print head and filled the lines that feed the print head; the second set of inks will set you back CAD$863.88 at full suggested retail, but they will make about twice as many prints … see where I am going here; It makes perfect sense to upgrade, just from the cost/copy and quality standpoint.

Canon Canada Press Release:

NEW CANON imagePROGRAF PRO-1000 PROFESSIONAL, FINE ART INKJET PRINTER CAN RECREATE POWERFULLY VIVID IMAGES THAT WILL MOVE YOU

New 17-inch Large Format Printer Can Produce Sharp Images and Astounding Image Clarity for Pro Photographers and Design Professionals

MISSISSAUGA, ON., October 21, 2015 – Canon Canada Inc., a leader in digital imaging solutions, today announced the imagePROGRAF PRO-1000 Professional Inkjet Printer, a 17-inch, large format solution packed with significant technological advancements, such as a new print head, new ink set and a new image processing engine, resulting in stunning image quality designed for photographers who are “equally obsessed" with the printed image.

This is the first in a new series of imagePROGRAF printers that are marked by the distinctive Canon red line across the body of the printer, echoing the same red line on Canon’s EF L-Series lenses. This feature-rich professional printer complements Canon’s professional line of DSLR cameras and lenses for an ideal pairing that can produce high-detail, high-quality images when printed on a variety of media, creating images that look as accurate printed as when they were captured.

“We designed a printer to give our customers incredible large-format image reproduction in a size that fits almost any home, studio, design and production departments, or in a classroom of photography students,” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc.  “Knowing how important fine details and precise colors are to professional users, this printer is designed so that the final output is exactly what they envisioned. The launch of the first printer in the new imagePROGRAF PRO Series of printers further illustrates the commitment Canon has to providing the imaging community with solutions that help deliver superb output true to a photographer’s obsession.”

New Print Head
Improving upon the specifications of the Canon PIXMA PRO-1 printer, the imagePROGRAF PRO-1000 printer features a 50 percent larger print head, which also expands the total number of nozzles to 18,432 for each of the 12 channels. The increased size of the print head helps produce faster print speeds†† while still maintaining high-resolution prints. This new print head design utilizes a sophisticated real-time ink ejection system which helps to maintain a consistent print head temperature allowing for consistent ink droplets to help limit clogs and reduce cleaning cycles and wasted ink. The new print head helps to further reduce the amount of wasted ink through anti-clogging technologies where ink ejection conditions are precisely checked with sensors, and if a clog is detected, another nozzle automatically provides backup.

New Inks
The new LUCIA PRO 11-color plus Chroma Optimizer ink system was designed specifically to meet the demands of the most critical photographer. An optimized resin-coating of each pigment allows for denser droplets to be applied to the media, resulting in an increased color gamut of up to 19 percent over the PIXMA PRO-1 printer. This dense ink-configuration also brings gloss uniformity for viewing conditions and image clarity that helps achieve anti-bronzing. The LUCIA PRO ink system also introduces an improved level of black density not only achieving deep, rich blacks but also helping to bring out incredibly fine shadow detail in the darker areas, creating works of art on fine art media. The imagePROGRAF PRO-1000 printer is designed to work seamlessly when changing media types, Photo Black and Matte Black inks have their own dedicated nozzles so no switching is necessary.  Users can print on glossy media then fine art media with no worries, no changes, and no waste. The new ink system includes matte black, photo black, gray, photo gray, red, blue, magenta, photo magenta, cyan, photo cyan, yellow and Chroma Optimizer. The size of the ink tanks is 80ml per tank, allowing for less frequent refills and reduced cost per print.

New Processing Engine & Printer Architecture
Demonstrating a rich understanding of optimum balance stemming from its expertise in camera technology, Canon offers precise placement of ink droplets ideal for vivid print results. The new processing engine, L-COA PRO, controls the balance of inks and the precise placement of ink droplets, carefully calculating best results for each print mode and media using various factors including color reproduction, tonal gradations, black density, graininess, glossiness, anti-bronzing and elimination of metamerism, all of which contribute to creating an amazing printed image. L-COA PRO, combined with an internal 1GB of memory, enables high-speed processing of massive volumes of image data for demanding workflows. To bring further accuracy to ink ejection and limitation of color unevenness, the imagePROGRAF PRO-1000 printer offers a two-way vacuum paper feeder, which keeps media flat and even, helping with accuracy of ink ejection. The imagePROGRAF PRO-1000 printer also has a built-in calibration function to help prevent variability of color output by aging changes or printer differences. This feature allows for a consistency in colors from PRO-1000 to PRO-1000 of under a Delta E of 2†††.  Reliability and quality are further maintained by the enhanced rigidity in the printer chassis allowing for even more improved dot placement, helping to produce sharper prints, including stunning borderless images.

New Software*
Enhancing the user experience with imagePROGRAF PRO-1000 printer is the intuitive software solution of Print Studio Pro v 2.0. With a focus on quality and ease of use, Print Studio Pro is a plugin for Adobe® Photoshop®, Adobe Lightroom® and Canon Digital Photo Professional software that easily exports files directly to the printer.2 With 16-bit processing capabilities, fine details are dramatically improved, gradations are smooth and a highly accurate reproduction of the original captured image can be reproduced. Also set to be included is the Media Configuration Tool (MCT)*, enabling customization of the media in both the driver and printer. Additionally, MCT can make adjustments such as print head height and vacuum strength for each media, offering the flexibility needed in order to help achieve optimal quality across a broad range of media options. Accounting Manager* is set to be included for those looking to keep track of consumable costs such as ink and media, allowing users to manually enter in their costs in order to help determine their overall printing expenses. Whether it is an individual printing in their studio, or an administrator looking to centrally manage a number of users in a multi-unit networked environment, this tool can help you keep track of printing expenses.  Device Management Console* is an administrative tool which provides users with the means to manage multiple PRO-1000 printers by helping users monitor activity such as error messages and printer information such as the execution status of calibrations.

Availability and Pricing

CANADA: The Canon imagePROGRAF PRO-1000 is scheduled to be available at the end of November 2015 for a Manufacturer's Suggested Retail Price (MSRP) of $1,599.99. MSRP of each colour ink is $71.99 and Chroma Optimizer is $65.99.**

USA:The Canon imagePROGRAF PRO-1000 is scheduled to be available end of October 2015 for a Manufacturer's Suggested Retail Price (MSRP) of $1,299.95. MSRP of each color ink is $59.99 and Chroma Optimizer is $54.99.**

For more information visit:

CANADA: http://www.canon.ca
USA: http://www.usa.canon.com.

† Based on weekly patent counts issued by United States Patent and Trademark Office.

1Wireless printing requires a working Ethernet network with wireless 802.11b/g or n capability. Wireless performance may vary based on terrain and distance between the printer and wireless network clients. Wi-Fi is a registered trademark of the Wi-Fi Alliance.

*Certain software and utilities to be released post launch:

Device Management Console for PC estimated to be available December 2015, for MAC 3rd Quarter 2016,Media Configuration Tool for MAC estimated to be available 1st quarter 2016 and

Accounting Manager for MAC and PC estimated to be available for 1st Quarter of 2016.

2 Adobe® Photoshop®, Adobe Lightroom® and Canon Digital Photo Professional software must be purchased separately.

††Photo print speeds are based on the standard mode driver setting using photo test pattern(s) and select Canon Photo Paper. Print speed is measured as soon as first page begins to feed into printer and will vary depending on system configuration, interface, software, document complexity, print mode, types of paper used and page coverage. See www.usa.canon.com/printspeed for additional information.

††† Delta E of 2 inches is guaranteed only Canon genuine media.

**Availability, specifications and pricing are subject to change without notice. Actual prices are set by individual dealers and may vary.