Immature Merlin in Flight — Backlit Birds in Flight at a Puffin Workshop

The first of five back-to-back Deluxe Puffin trips last summer started exactly how you’d hope.

Birds moving well, puffins coming in with capelin, and it didn’t take long before everyone settled into it. You could feel the group starting to lock in—picking up flight lines, timing things a bit better with each pass.

We were right in the middle of that when Hugh Smith called it out.

“Merlin!”

I remember pulling off a puffin mid-track and just trying to find it. By the time I did, it was already on us. Fast, low, and coming straight in.

Bright sky behind it, backlit, no time to think. If you start messing with exposure at that point, it’s over.

I didn’t touch anything.

Exposure was already set for the light falling on the subject. I had checked the histogram earlier and knew where I was. So when it came through, it was just track and shoot.

One quick moment—wings up, feet down—and then it was gone.

That was it.

We all kind of reset, picked the puffins back up, and carried on as if nothing happened. Another bird came in with a bill full of capelin a few seconds later, and the rhythm was right back.

But that one sticks with you a bit.

Not because it was a Merlin—but because there was no time to fix anything if it wasn’t right already.

There’s one room left for this year’s Deluxe Atlantic Puffin Workshop. We’ll be based on a remote lighthouse island, with hundreds of puffins flying right over us and landing just 200 metres from where we’re staying.

If that kind of experience has been on your list, this is your chance.

“To say the puffin experience was enjoyable would be an understatement!  It was amazing!  Being on a small island, living in a lighthouse keeper’s house, with a puffin colony close in our midst gave us a great opportunity to get up close and personal with the plentiful puffins combined with many other sea and song birds!    Seeing the puffins bringing capelin to feed their “pufflings” was a highlight!   Being on site offered us different lighting conditions, including the warm morning and evening hues, with Chris offering us great guidance on camera settings for optimum results!   I knew puffins flew fast, often flying over our heads where you could feel the wind of their wings!  How cool is that!?   Photographing them to freeze the action with crisp, in focus images was truly fun, especially when puffins arrived with “fish on”!   Chris’ extensive photographic expertise was greatly appreciated, and it paid off as we all came back with wonderful images!    I highly recommend this excursion!”

 - France Boutilier Nova Scotia | Canada Aug. 2025 Deluxe Atlantic Puffins Galore Workshop

Osprey Carrying Spanish Moss Nesting Material in Flight

We didn’t have “perfect” weather during my recent Ospreys Galore workshop in Florida — and I wouldn’t change a thing.

This is a male osprey (no brown necklace) bringing Spanish moss back to the nest. We saw this behaviour repeatedly during the trip. Once chicks hatch, nest maintenance becomes constant — in and out, all day long.

Spanish moss is everywhere in the cypress trees around Lake Blue Cypress, so it’s the go-to material. If you watch long enough, you start to see the pattern — leave the nest, grab moss, straight back in.

And there’s a reason for the urgency.

Before the chicks learn to back up and send everything over the edge, the nest gets messy fast. Fresh material helps keep things under control, and the adults stay on top of it.

What I like here is the background.

Most people chase a blue sky. I’ll take this “battleship grey” every time. It isolates the bird, shows the shape, and lets the detail in the wings — and that trailing moss — stand on their own without distraction.

Lake Blue Cypress holds one of the highest densities of nesting ospreys in Florida — hundreds of active pairs in a relatively tight area — which is what makes behaviour like this so repeatable if you put the time in.

No tricks. Just set your manual exposure for the light falling on the subject, pay attention, and be ready when it happens.

Osprey displaying with Catch in Golden Light (Pandion haliaetus, Balbuzard pêcheur, Águila pescadora, OSPR) from my Ospreys Galore Workshop at Lake Blue Cypress near Vero Beach, Florida, USA. Image copyright ©Christopher Dodds. Sony a1 Mark II Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens @610mm ISO 1,000, f/8 @ 1/5,000s. Manual Exposure mode. Full frame image. Join me for my Ospreys Galore workshop every April. To learn more, CLICK HERE.

Testimonial

“This was my 3rd workshop with Chris and as always Chris improvised to make it happen for us.  Anyone who photographs outdoors and especially wildlife knows that weather and lighting are key to having good results.  We can’t control the weather but we can adjust to the lighting we’re given.  What Chris did on all three of my trips is adjust to both of these for every morning and afternoon shoot.  The Osprey trip was a perfect challenge - the first two days wind and storms prevented us from being on the lake to photograph the ospreys so Chris shifted our location for both the morning and afternoon shoots to minimize the weather impact of rain and wind.  Not to say we didn’t have to wait out a deluge of rain for an hour but 20 minutes after it blew by we were back out for the last 45 minutes of perfect light. For the first two days we got to shoot a wide variety of cranes, spoonbills, egrets, storks, anhingas, limpkins, ibis, hawks, swamp hens, terns and stilts.  Both days we were treated with the brilliant roseate spoonbills flying in towards us to pick up nesting material. But then the prize for me was Friday morning on the lake at sunrise for the osprey. In a mile and a half stretch we saw over 100 nests and at least 150 osprey.   Between Chris and the boat owner they held the boat at the best angle for the osprey to be lit perfectly.  After filling 2-1/2 128GB cards it was time to leave the perfect osprey shoot. In the last 20 years of my photography this was by far the most photos I’ve taken over a three day period.  If you want to get your absolute best excellent bird photography opportunities I highly recommend the Birds of Pelee and Ospreys of Florida.  I own the 300,400 and 600mm lenses but I used the Sony 400-800mm lens for both trips and the zoom capability, excellent stabilization and weight make it the perfect lens for both these workshops.  Thanks Chris!”

- Tony Pianalto Kansas | USA

A fraction of a second and Gone — Osprey with Catch in Golden Light

This is another one of those moments that didn’t last.

At first glance, it looks like this osprey is posing with its fresh catch — wings up, fish in the talons, everything perfectly arranged. It wasn’t. It reacted just as fast as I did when the boat swung around for another pass at the silhouetted cypress trees that were distracting us all.

It landed for a split second, realized what was happening, and was gone.

The light was as good as it gets — that honey gold that makes everything glow and come alive. But none of that matters if you’re not ready. I had already set my manual exposure for the volume of light falling on the subject and wasn’t adjusting it. When something like this happens, there’s no time to think. You either have it or you don’t, so there is a huge advantage to understanding light and exposure.

That’s the whole game: You stay ready, even when nothing is happening, because when it does happen, it’s usually over in a few seconds.

I’ll be honest, I was quietly hoping a peregrine might rip through for the group. Something dramatic. But you don’t get to choose what shows up. You take what you’re given and make the most of it.

And this worked out magically!!

There’s a bit of a three-dimensional feel to this one: the wings, the light, the fish hanging just below the branch. Everything lined up just long enough.

A fraction of a second….that’s all you need - smile!

Osprey displaying with Catch in Golden Light (Pandion haliaetus, Balbuzard pêcheur, Águila pescadora, OSPR) from my Ospreys Galore Workshop at Lake Blue Cypress near Vero Beach, Florida, USA. Image copyright ©Christopher Dodds. Sony a1 Mark II Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens @800mm ISO 10,000, f/8 @ 1/5,000s. Manual Exposure mode. Full frame image. Join me for my Ospreys Galore workshop every April. To learn more, CLICK HERE.

Testimonial and images courtesy of George Schlossnagle. (Thanks, George!)

“This is my second workshop with Chris. Chris is a great instructor and a fantastic trip leader. He combines an encyclopedic knowledge of wildlife with more than 40 years of experience photographing it, which allows him to consistently put you in the right place at the right time—with the right guidance—to capture exceptional shots.

Just as importantly, Chris genuinely cares about his participants and their success; he’s always looking for ways to make your experience more productive and rewarding. Florida, in particular, is an incredibly target-rich environment. While this workshop focuses on ospreys (and I came away with many fantastic osprey images), I also left with great exposure to dozens of other species.

5/5 — would absolutely do it again.” - George Schlossnagle Maryland | USA

Image courtesy and copyright 2026 George Schlossnagle.

Image courtesy and copyright 2026 George Schlossnagle.

Image courtesy and copyright 2026 George Schlossnagle.

Image courtesy and copyright 2026 George Schlossnagle.

Image courtesy and copyright 2026 George Schlossnagle.

Image courtesy and copyright 2026 George Schlossnagle.

Image courtesy and copyright 2026 George Schlossnagle.

Image courtesy and copyright 2026 George Schlossnagle.

Image courtesy and copyright 2026 George Schlossnagle.

If you want to put yourself in the kind of situations where moments like this can happen, join me next April in Florida for Ospreys Galore and so much more Workshop. We work the light, stay mobile, and position ourselves where opportunity is most likely — then it comes down to being ready. Small groups (maximum 5 participants), real field time, and the kind of unpredictable moments that make wildlife photography worth it.