The Art of Waiting: A Lesson from Photographing Atlantic Puffins with pleasing backgrounds

One of the ongoing challenges I face while leading my Deluxe Atlantic Puffin photography workshops is helping participants understand a simple but powerful concept: waiting for the right moment often beats settling for a bad shot.

When puffins finally appear and perch out in the open, it's incredibly tempting to start clicking away. After all, we've come a long way to see them, and there they are—right in front of us. The instinct is to fill memory cards with images of these charismatic birds, even if the lighting is poor or the background is cluttered with dirt, rocks, and vegetation.

But here's the thing: just because a shot is available doesn't mean it's worth taking.

Personally, I'd rather take far fewer photos if it means waiting for the right opportunity—the one where the composition, lighting, and background all come together. Instead of shooting puffins in deep shadow against a distracting near background, I look for a different angle. I position myself along the cliff, where I can shoot with a more distant background. Often, this means a dreamy wash of out-of-focus buttercups and soft greens—something that adds beauty and atmosphere to the image rather than pulling focus away from the subject.

This approach requires patience and restraint—two traits not always easy to practice in the excitement of seeing puffins up close. But when that magical moment happens and everything aligns, the results speak for themselves.

Great wildlife photography isn't just about the subject—it's about telling a story through light, background, and timing. And sometimes, the best story is the one you wait for.

Atlantic Puffin Foggy Buttercups (Fratercula arctica, Macareux moine, Frailecillo atlántico, ATPU) from my Deluxe Puffins Galore Workshop, Mingan Archipelago National Park Reserve, Quebec, Canada. Image Copyright ©Christopher Dodds.. Sony a1 Mark II Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens with Sony FE 2X Teleconverter @1,200mm. ISO 10,000, f/8 @ 1/5,000s Manual exposure. Full frame image.

The Shot I Didn’t Plan For: A Black-bellied Plover on L’Île aux Perroquets

While we were working on photographing the fast and unpredictable Bank and Tree Swallows during one of my Atlantic Puffins Deluxe Workshops, I was hoping to finally get that elusive shot I've had in my head for years—an image of a Bank Swallow suspended in flight against a backdrop of vivid yellow wildflowers. As anyone who's tried will tell you, these swallows are small, fast, and downright frustrating to photograph in flight. I came close (again), but it wasn't quite the shot.

Then, in a welcome twist, a Black-bellied Plover came gliding across the island in a low, direct flight. Its steady, purposeful path made it a much more cooperative subject. I quickly swung my setup around—shooting with the Sony a9 Mark III and Sony 600mm f/4, paired with the 2x teleconverter to give me 1,200mm of reach—and managed to grab a clean sequence of frames as it crossed in front of me. Everything aligned just right, and I came away with an image I'm genuinely proud of.

I've only seen a handful of Black-bellied Plovers over the decades while hosting these workshops on L’Île aux Perroquets, which makes this encounter even more special. These plovers breed in the Arctic tundra and migrate thousands of kilometres to spend the winter along coastlines throughout the Americas and beyond. L’Île aux Perroquets isn't part of their breeding range, but it sits right along a migratory corridor—so now and then, one stops in to rest or refuel. It's a rare treat.

This moment was a great reminder that in wildlife photography, you don't always get the image you came for—but if you stay patient, observant, and ready, you might get something even better.

Black-bellied Plover over sea of yellow wildflowers (Pluvialis squatarola, Pluvier argenté, Chorlito gris, BBPL)  from my Deluxe Puffins Galore Workshop, Mingan Archipelago National Park Reserve, Quebec, Canada. Image Copyright ©Christopher Dodds. Sony a9 Mark III Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens with Sony FE 2X Teleconverter @1,200mm. ISO 2,000, f/8 @ 1/6,400s Manual exposure. Full frame image.

MORE KUDOS

“I have never participated in a photography workshop before, and this turned out to be truly awesome! I am still digesting the experience and processing images....I want to thank you for a wonderful experience, all around on Ile Aux Perroquetes. It was so nice to meet you and hear your stories of how you came to be the experienced photographer you are and be privy to your experience of how to better photograph the Puffins + on the island. Thank you for the camera setting recommendations and pointers throughout our stay. I am still practicing tracking the swallows! I came home with some wonderful images and memories of the tranquility of the island while photographing. Being amidst the Puffins for three days was icing on the cake.  I am enamored with them. Thank you!” - Michele Kirk New Jersey | USA Deluxe Atlantic Puffins Galore Aug. 2025

Fog, Feathers, and Farewells: The Final Morning of Deluxe Atlantic Puffin Workshop Season

August 13th marked the last morning of my fifth Deluxe Atlantic Puffin Workshop, and my final sunrise on the island for the year.

The day began in silence, wrapped in a dense fog that softened every sound. The usual buzz of seabird activity was muffled, leaving us waiting quietly with cameras in hand, watching as the coastline disappeared into mist.

Then, slowly, the fog began to lift.

Like a curtain rising, it revealed the stage once more—puffins in flight, wings slicing through the clearing sky, bills overflowing with silver fish for their hungry chicks. It was one of those rare mornings where a quiet, uncertain beginning gives way to something truly unforgettable.

This season has been nothing short of extraordinary. I had the privilege of welcoming so many wonderful guests to the island—many of them repeat clients who’ve become friends. There was a shared sense of community, curiosity, and mutual awe for these charismatic little birds that made each workshop feel like more than just a trip—it felt like a reunion.

We experienced it all:
☁️ dramatic fog
🌤️ breathtaking light
🐦 unforgettable wildlife encounters
📸 and the kind of moments that stay with you long after the gear is packed away

Each day offered something unique, but always something beautiful.

As I packed up for the last time this season, I felt that familiar blend of gratitude and wistfulness. The puffins will carry on their ancient rhythms without us now, and we’ll carry their stories home—not just through the images, but through the memories.

Until next time.

Atlantic Puffin Golden Flight with Fish (Fratercula arctica, Macareux moine, Frailecillo atlántico, ATPU) from my Deluxe Puffins Galore Workshop, Mingan Archipelago National Park Reserve, Quebec, Canada. Image Copyright ©Christopher Dodds. Sony a9 Mark III Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens @600mm. ISO 3,200, f/4.5 @ 1/5,000s Manual exposure. Image captured vertically; full-frame on the width & cropped slightly to a 4X5 Aspect Ratio from the top.

UNSOLICITED TESTIMONIAL

I will be as straightforward as I can be. If you are looking for a photographic opportunity of a lifetime, take this trip and work with Christopher Dodds. I have never been more pleased with a purchase in my life.

The location is idyllic: a small island with a lighthouse and a couple of warm and inviting buildings where you stay. The puffins are amazingly plentiful and fly in from dawn to dusk, which coincides with the photography opportunities that you will experience with Christopher Dodds.

I have always wanted to go on a photography expedition where I could interact with a professional photographer, who could teach me about the essence of photography: light, light angle, compositions, and technique. I would describe myself as an advanced amateur who has been learning about photography since I was a teenager, over 5 decades ago. My technical knowledge would likely be described as solid, and I have some top-end equipment. But in a few short hours, I took the information from Chris and transformed my shooting approach. Those tips resulted in an amazing increase in my "keepers" and a massive decrease in my post-processing work. As they say, "When you get it right in the camera…" The group is limited to 8 individuals who met at dawn, after breakfast, around 3 p.m., and after dinner to learn from Chris or shoot on our own. (The meals, 8 a.m. breakfast, noon lunch, and 5 p.m. dinner, were prepared by excellent chefs using food from the nearby onshore community and were excellent.) You were free to shoot all over the island on your own at any time, but I would highly advise trying to get as much information as you can from Chris while you are there. It will last a lifetime.

I am so pleased with the experience that I am looking to book my next trip with Chris, probably the snowy owls or a bear trip.

If you are thinking about doing something like this like I was and are not sure if this is the one for you, I will give you this advice… just book it. You will be very happy that you did.

- Alan Lesse NY | USA

The Art of the Puffin Portrait: Shallow Depth of Field and Perfect Exposure

There's a unique satisfaction in capturing a wildlife portrait that goes beyond simply documenting a subject. It's about crafting an image and using technical skills to create an image with visual impact. I achieved this while photographing an Atlantic Puffin, focusing on the interplay of shallow depth of field and precise exposure during my Deluxe Atlantic Puffin Lighthouse Adventure Workshop.

Using my Sony a9 III and the 600mm lens with a 2X teleconverter, I worked at the lens's minimum focusing distance, wide open, creating a beautifully shallow field depth, rendering the foreground and background grass as a soft, out-of-focus frame. With its head sticking out, the Puffin became the sharp, captivating focal point.

The cloudy, bright conditions made finding an angle with the perfect foreground, background, and Puffin pose easy without being concerned about harsh shadows spoiling the image. I aimed to capture rich detail in the highlights – the intricate details of the Puffin's feathers – while minimizing noise in the shadows, so careful attention to the exposure and histogram was key. The result is an image that showcases the Puffin's beauty and demonstrates the power of technical knowledge in wildlife photography.

Atlantic Puffin Portrait (Fratercula arctica, Macareux moine, Frailecillo atlántico, Frailecillo atlántico, ATPU) from my Deluxe Puffins Galore Workshop Mingan Archipelago National Park Reserve, Quebec, Canada. Image Copyright ©Christopher Dodds. Sony Alpha 1 Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens with Sony FE 2X Teleconverter @1,200mm ISO 5,000, f/5.6 @ 1/2,500s Manual exposure. Full frame image.

Northern Gannets Lovers

Sitting quietly and observing a colony of Northern Gannets interact is a magical gift. On a foggy morning in a sea of white, I picked out this loving couple with my telephoto lens, gently greeting one another after the closest bird returned from a fishing trip at sea. These beautiful birds pair for life (with frequent “out-of-nest” encounters - smile). Each season, they travel hundreds of miles to come together like long-lost lovers, to rekindle their commitment to one another before nesting. This was photographed in Eastern Quebec during my recent Gannets Galore and so much more workshops. I have pre-visualized this image for over a decade and come close several times, but the isolated subjects, eye contact and ethereal, diffused, low-contrast light make this one special for me; a favourite from the trip!

Northern Gannets Fencing (Morus bassanus, Fou de Bassan, NOGA) from my GANNETS GALORE WORKSHOP at Bonaventure Island, Quebec, Canada ©Christopher Dodds All Rights Reserved. Sony Alpha a9 III Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens & Sony 1.4X Tele-extender @840mm. ISO 1,250, f/6.3 @ 1/5,000s Manual exposure. Full frame image.

Wood Duck in a berry tree at first light

The last morning of my Better than Bosque workshop was cold, windy and cloudy. We drove to Albuquerque to broaden our portfolio and look for ducks. A few Wood Ducks flew up into this tree to eat the berries as the sun broke through the clouds. I was lucky to get a few frames of a beautiful drake clear from the branches and obstructions before it flew off in the wrong direction. Reminds me of an ornament in a Christmas Tree - smile.

Wood Duck in berry tree at first light (Aix sponsa, Canard branchu, WODU). Photographed on the last morning (Dec. 9, 2023) of my Better than Bosque workshop on Dec. 9, 2023, in Albuquerque, New Mexico, USA. Image Copyright ©Christopher Dodds. Sony Alpha alpha 1 Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens with Sony FE 2X Teleconverter @1,200mm ISO 4,000, f/8 @ 1/5,000s. Full frame image. Manual exposure.

Join me in New Mexico Dec. 5-9, 2024 for my Better than Bosque workshop

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Join me in New Mexico Dec. 5-9, 2024 for my Better than Bosque workshop 🦆