The Art of the Puffin Portrait: Shallow Depth of Field and Perfect Exposure

There's a unique satisfaction in capturing a wildlife portrait that goes beyond simply documenting a subject. It's about crafting an image and using technical skills to create an image with visual impact. I achieved this while photographing an Atlantic Puffin, focusing on the interplay of shallow depth of field and precise exposure during my Deluxe Atlantic Puffin Lighthouse Adventure Workshop.

Using my Sony a9 III and the 600mm lens with a 2X teleconverter, I worked at the lens's minimum focusing distance, wide open, creating a beautifully shallow field depth, rendering the foreground and background grass as a soft, out-of-focus frame. With its head sticking out, the Puffin became the sharp, captivating focal point.

The cloudy, bright conditions made finding an angle with the perfect foreground, background, and Puffin pose easy without being concerned about harsh shadows spoiling the image. I aimed to capture rich detail in the highlights – the intricate details of the Puffin's feathers – while minimizing noise in the shadows, so careful attention to the exposure and histogram was key. The result is an image that showcases the Puffin's beauty and demonstrates the power of technical knowledge in wildlife photography.

Atlantic Puffin Portrait (Fratercula arctica, Macareux moine, Frailecillo atlántico, Frailecillo atlántico, ATPU) from my Deluxe Puffins Galore Workshop Mingan Archipelago National Park Reserve, Quebec, Canada. Image Copyright ©Christopher Dodds. Sony Alpha 1 Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens with Sony FE 2X Teleconverter @1,200mm ISO 5,000, f/5.6 @ 1/2,500s Manual exposure. Full frame image.

Bald Eagle in flight Sony a9III with Sony 300 f/2.8 and doubler

Here is another Bald Eagle from my recently concluded Eagles Galore Workshop in Alaska. I used the new Sony a9III paired with the new Sony 300 f/2.8 and the Sony 2X tele-extender. My settings were wide open at f/5.6, ISO 6,400 and 1/5,000 of a second shutter speed.

When I picked up the Sony a9 Mark III for the first time, I noticed how fast the autofocus was. I didn’t expect much, as the Sony a1 has worked flawlessly for me since its release in January 2021. The new a9 mark III acquires autofocus quicker and reacts to unpredictable movement even better than expected; it is faster and more capable than the Sony a1.

The new Sony 300 f/2.8 lives up to my expectations. It has faster autofocus than the 400 f/2.8 and incredible edge-to-edge image sharpness. It is also light, compact, and easy to hold.

I was blown away by the autofocus and image quality when paired with the Sony 2X tele-extender. This full-frame image is a good example of how well the autofocus of the combined lens and tele-extender works; captured at the near end of the autofocus limit, this is the point where auto-focus usually fails.

I am so impressed that I am considering selling off my Sony a1 inventory!

Bald Eagle in flight (Haliaeetus leucocephalus, Pygargue à tête blanche, BAEA) March 11, 2024 near Homer, Alaska. Image copyright ©Christopher Dodds Sony Alpha a9 III Mirrorless camera & Sony FE 300mm f/2.8 G Master OSS Lens with Sony 2X @600mm ISO 6,400, f/5.6 @ 1/5,000s. Manual Exposure mode. Full frame image. Join me for my Eagles Galore workshop next March. To learn more, CLICK HERE.

Bald Eagle Portrait a la Sony a9III

What a nightmare! The new Sony a9III, at 120 frames per second, offers incredible choice, but the subtle differences between images are an absolute nightmare to edit after each of the four-hour action-filled sessions that we have had with the Eagles so far. The autofocus is even more impressive than the Sony a1, so there is no easy way to rule out anything that is not tack-sharp. A great problem to have - smile!

Since it is a lot easier to choose a portrait, here is one of the last images I made yesterday using the new Sony a9III dialled down to only 30 FPS (I like some choice to get the best head and eye position - smile. I used my Sony 600mm f/4 lens paired with the Sony 2X tele-extender and stopped down to f/20 while the camera easily focused on the eye.

Bald Eagle Portrait (Haliaeetus leucocephalus, Pygargue à tête blanche, BAEA) near Homer, Alaska. Image copyright ©Christopher Dodds Sony Alpha a9 III Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens with Sony 2X Tele-extender @1,200mm ISO 1,000, f/20 @ 1/160s. Manual Exposure mode. Full frame image. Join me for my Eagles Galore workshop next March. To learn more, CLICK HERE.