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Least Auklet in breeding plumage standing upright on a rock on Saint Paul Island in Alaska’s Pribilof Islands.

Least Auklet (Aethia pusilla) — Saint Paul Island, Pribilof Islands, Alaska. At about 15 centimetres long and weighing roughly 86 grams, the Least Auklet is the smallest member of the auk family. From my Saint Paul Island Wildlife Photography Workshop. Image Copyright ©Christopher Dodds. 600mm lens with 2X teleconverter at 1,200mm, ISO 6,400, f/8 at 1/5,000s. Manual exposure. Full-frame image.

Least Auklet: The World’s Smallest Auklet on Saint Paul Island

Christopher Dodds October 8, 2026

There is nothing in this photograph to provide a sense of scale. Enlarged on a screen, this Least Auklet could easily pass for a much bigger seabird.

In front of me on Saint Paul Island, it was scarcely larger than a sparrow.

At about 15 centimetres (six inches) long and weighing roughly 86 grams (three ounces), the Least Auklet is the smallest member of the auk family. Its relatives include puffins, murres, guillemots and razorbills.

A tiny seabird with plenty of character

Least Auklets spend most of their lives at sea in the North Pacific and Bering Sea, returning to remote rocky islands to breed.

This bird stood upright on an exposed rock long enough for me to make a clean portrait. The simple background and full side profile show the details that can easily be missed when these tiny birds are moving through the rocks: the pale eye, reddish-orange bill, white plume behind the eye and heavily mottled breast.

The amount of white and dark spotting on the underparts varies considerably from one Least Auklet to another. Some are almost white below, while others are much darker than this bird.

Least Auklets on Saint Paul Island

Least Auklets nest inside cracks and crevices among the boulders and broken volcanic rock of Saint Paul Island. They do not build a conventional nest. A single egg is laid on bare rock, soil or pebbles inside the protected cavity.

They feed at sea by diving for tiny marine crustaceans, primarily copepods, along with krill and other small invertebrates. Productive currents and upwellings concentrate that food around the Pribilof Islands.

The Least Auklet may not have the immediate star appeal of a Horned or Tufted Puffin, but spending time with one changes that quickly. There is an extraordinary amount of detail packed into a bird weighing only three ounces.

Photographing the world’s smallest auklet at 1,200mm

For me, the successful photograph was not about action. It was simply a matter of waiting for one bird to stand alone on the right rock, with a clean background and a head position that showed the eye, bill and facial plume.

I used a 600mm lens with a 2X teleconverter for a focal length of 1,200mm. That reach filled the frame with this tiny bird while the distant background dissolved into a soft wash of colour.

My exposure was ISO 6,400, f/8 at 1/5,000s. The fast shutter speed preserved the fine feather detail and eliminated any movement from the bird.

That brief opportunity produced one of my favourite portraits from Saint Paul Island.

Photograph Least Auklets on Saint Paul Island

Join me on Saint Paul Island to photograph Least, Crested and Parakeet Auklets, Horned and Tufted Puffins, Red-faced Cormorants, Red-legged Kittiwakes, Northern Fur Seals, Arctic Foxes and the many other species that gather on this remote island in the Bering Sea.

My July 1–8, 2027 Saint Paul Island Wildlife Photography Workshop has only one place remaining. The July 2–9, 2028 workshop has also been announced.

Join Me on Saint Paul Island
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In Bird Photography, Bird Photography Workshop, Wildlife Photography Tags Least Auklet, Aethia pusilla, world’s smallest auklet, smallest auklet, Saint Paul Island, Pribilof Islands, Alaska bird photography, Bering Sea seabirds, auklet photography, seabird photography, 1200mm bird photography, wildlife photography workshop
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Northern Fur Seal lifting its muzzle and scenting the air near an observation blind on Saint Paul Island, Alaska.

Northern Fur Seal (Callorhinus ursinus) Scenting the Air — Saint Paul Island, Pribilof Islands, Alaska. Photographed from one of Saint Paul Island’s specially constructed observation blinds as this Northern Fur Seal raised its muzzle and sampled the air—probably after catching our scent on the wind. From my Saint Paul Island Wildlife Photography Workshop. Image Copyright ©Christopher Dodds. 560mm, ISO 10,000, f/8 at 1/5,000s. Manual exposure. Full-frame image.

Can Northern Fur Seals Smell? A Close Encounter on Saint Paul Island

Christopher Dodds October 7, 2026

While we were photographing Northern Fur Seals from one of the observation blinds on Saint Paul Island, this seal stopped, raised its muzzle and sampled the air.

I’m fairly sure the wind had carried our scent.

The specially constructed blinds allow us to watch and photograph the seals without walking among them or disturbing the rookery. They conceal us remarkably well, but they don’t stop the wind from giving us away.

Can Northern Fur Seals smell?

Yes. Northern Fur Seals have a well-developed sense of smell, although hearing and vision are usually more obvious to anyone watching them around a busy rookery.

Studies of fur seals and other pinnipeds suggest that scent plays a role in recognizing individuals and gathering information about nearby animals. On a crowded breeding colony filled with movement, noise and thousands of seals, every available sense has value.

Looking at this photograph without knowing what happened, it would be easy to interpret the lifted muzzle, open mouth and visible teeth as aggression.

It wasn’t.

The seal remained calm as it tested the air, trying to locate the unfamiliar scent that had reached it. I had enough time to recognize what it was doing and make a few photographs before it carried on.

Photographing Northern Fur Seals on Saint Paul Island

Access to Northern Fur Seal rookeries is strictly controlled. On Saint Paul Island, we photograph from authorized observation blinds positioned to provide excellent views while keeping people out of the colony.

That controlled access is essential. A disturbed seal can rush into the rookery and cause panic among nearby animals, placing small pups at risk.

The blinds also give us the chance to watch natural behaviour unfold. There are territorial males, females returning from the sea, nursing pups, young seals playing and individuals resting only a short distance away. Sometimes the most interesting photograph comes from a small gesture, such as a seal pausing to investigate a scent on the wind.

Saint Paul Island is one of very few places where visiting photographers can reliably photograph wild Northern Fur Seals at an active rookery from purpose-built observation blinds.

What the photograph does not tell you

A still photograph removes everything that happened immediately before and after the shutter was released.

This seal was not challenging me or reacting aggressively. It was scenting the air, and our position in the blind happened to be upwind.

Knowing what I was watching made all the difference. Instead of concentrating only on the open mouth and visible teeth, I waited for the raised muzzle and direct head position that best described the behaviour.

Join me on Saint Paul Island

If photographing Northern Fur Seals from these observation blinds—along with Tufted and Horned Puffins, Crested Auklets, Red-faced Cormorants, Arctic Foxes and the rest of Saint Paul Island’s remarkable wildlife—sounds like your kind of trip, join me for seven full days of photography in the Pribilof Islands.

My July 1–8, 2027 Saint Paul Island Wildlife Photography Workshop has only one place remaining. The July 2–9, 2028 workshop has also been announced.

Saint Paul Island Wildlife Photography Workshop

In Wildlife Photography
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Coastal brown bear walking along exposed tidal flats while clamming in Kuliak Bay, Katmai National Park, Alaska, with its reflection in still water amid soft greens and golds.

Coastal Brown Bear (Ursus arctos) Clamming and Reflection — Kuliak Bay, Katmai National Park, Alaska. Photographed while this bear searched for clams on the exposed tidal flats. From my recent Ultimate Alaska Bear Boat Trip. Image Copyright ©Christopher Dodds. 400mm ISO 1,000, f/4.5 @ 1/5,000s Manual exposure.

Reflections from Kuliak Bay: Brown Bear Photography in Katmai

Christopher Dodds October 5, 2026

Low tide meant a predawn hike into Kuliak Bay in Katmai National Park. We followed a bear trail through frost-dusted vegetation, watching the first rays of sunlight illuminate the mountain peaks around us. Above the still-shadowed coast, the summits began to glow. It is an incredibly beautiful walk, and one I always look forward to.

That morning, I reflected on how fortunate I am to keep returning to this wild stretch of Alaska’s coast. After more than forty years behind the lens, I still get excited about heading out before dawn, wondering what the day might bring.

We can prepare carefully, draw on years of experience and put ourselves in promising places, but Mother Nature has the final say.

Late September on the Katmai Coast

Late September has usually given me the best opportunities to photograph the biggest coastal brown bears, looking magnificent after a summer of feeding on rich, oily salmon. We are usually among the very last people on the Katmai Coast, and it is a moment I look forward to every year.

This year, however, was an exception. There were fewer fish and bears than on previous visits. Usually, at this time of year, the stream banks are littered with partially eaten salmon, with bears seemingly around every bend. This September stood in stark contrast.

Finding photographic opportunities required more searching, more waiting and the willingness to work with whatever unfolded.

I have hopes for every trip, too. Returning to a place I know and love brings memories of extraordinary encounters and the anticipation of seeing them again. But experience can only guide us. It cannot tell the salmon when to arrive or the bears where to be.

Mother Nature’s Consolation Prizes

Then there are moments like this.

This coastal brown bear was clamming on the exposed tidal flats at first light. As it moved along the water’s edge, its reflection stretched below it, surrounded by soft greens and golds. I love the strength in its stride and the scene’s quiet feel.

If this is one of Mother Nature’s consolation prizes, I’ll happily accept it.

The photograph you hoped to make may never happen, while another opportunity becomes one of your favourites. Being there, watching carefully and staying ready gives you the chance to recognize it when it comes.

This trip brought some amazing adventures and incredible moments. This image is one I am particularly happy to have brought home. Looking at it takes me straight back to Kuliak Bay—to the frost along the bear trail and the first light on the mountains as we walked in.

In Wildlife Photography, Alaska Wildlife Photograp Tags Kuliak Bay, Katmai National Park, coastal brown bears, brown bear photography, bears clamming, Alaska wildlife photography, wildlife reflections
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Red-morph Kodiak fox with dark-backed ears looking through long golden grass on Kodiak Island, Alaska.

Red-Morph Kodiak Fox — Kodiak Island, Alaska (Vulpes vulpes harrimani) photographed in a meadow on Kodiak Island, Alaska. Image Copyright ©Christopher Dodds. 600mm with 2X teleconverter @1,200mm. ISO 5,000, f/8 @ 1/10,000s, manual exposure. Full frame from top to bottom; cropped only on the left and right.

A Quiet Encounter with a Red-Morph Kodiak Fox

Christopher Dodds September 19, 2026

Julie and I were exploring Kodiak Island, Alaska, when this red-morph Kodiak fox wandered into a roadside meadow, watched the long grass and eventually settled down for a nap. A brief opening through the grass gave me a portrait that has quickly become one of my favourites. The story behind the photograph, with a closer look at Kodiak foxes and their colour morphs.

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In Wildlife Photography, Alaska Wildlife Photograp Tags Kodiak Fox, Red Fox, Kodiak Island, Alaska Wildlife, Wildlife Photography
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Close portrait of a wet and muddy Polar Bear opening its mouth and exposing two curved canine teeth in Wapusk National Park, Manitoba.

Polar Intensity: A Wet and Muddy Polar Bear in Wapusk National Park (Ursus maritimus, Ours Blanc). Wapusk National Park along western Hudson Bay in northern Manitoba, Canada. Image Copyright ©Christopher Dodds. 600mm with 2X teleconverter @1,200mm. ISO 10,000, f/8 @ 1/5,000s, manual exposure. Full-frame image.

Polar Intensity: The Polar Bear and the Two Cashews

Christopher Dodds September 9, 2026

Two curved teeth that remind me of cashews give this Polar Bear portrait its intensity—but the bear had been peacefully grazing on berries. Here’s the story behind the photograph from Wapusk National Park, Manitoba, and the approaching bear it detected before I did.

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In polar bears, Wildlife Photography Tags Polar Bear, Polar Bear behaviour, Polar Bear sense of smell, Polar Bear teeth, Polar Bear portrait, Wapusk National Park, Hudson Bay, Manitoba wildlife, Arctic wildlife, wildlife photography
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Wet Polar Bear with dark, mud-covered legs walking across golden autumn tundra in Wapusk National Park, Manitoba, Canada.

Polar Bear Walking Across the Autumn Tundra in Wapusk National Park (Ursus maritimus, Ours Blanc). Wapusk National Park along western Hudson Bay in northern Manitoba, Canada. Image Copyright ©Christopher Dodds. 600mm with 2X teleconverter @1,200mm. ISO 10,000, f/8 @ 1/5,000s, manual exposure. Full-frame image.

Why Are Polar Bears White? The Truth About Their Fur and Colour

Christopher Dodds September 8, 2026

Why are Polar Bears white—and why does this one look so muddy? During a rain-soaked September trip into Wapusk National Park, Manitoba, I photographed a bear whose dark, mud-covered legs contrasted with its creamy head and shoulders. A closer look at how transparent fur, light and the landscape shape a Polar Bear’s colour.

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In Wildlife Photography, polar bears Tags Polar Bear, Polar Bear fur, why are Polar Bears white, Wapusk National Park, Hudson Bay, Manitoba wildlife, autumn tundra, Arctic wildlife, wildlife photography, nature photography
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Arctic Fox photographed at eye level against dark volcanic rock and sand on Saint Paul Island in Alaska's Pribilof Islands, with soft rim light outlining its ears and fur.

Arctic Fox (Vulpes lagopus) — Saint Paul Island, Pribilof Islands, Alaska, from my Saint Paul Island, Alaska Workshop. Image Copyright ©Christopher Dodds. Sony Alpha 1 Mirrorless camera & Sony FE 200-600mm f/5.6-6.3 G OSS Lens @ 600 mm. ISO 10,000, f/6.3 @ 1/5,000s, manual exposure. Full-frame image.

An Arctic Fox Encounter on Saint Paul Island, Alaska

Christopher Dodds August 31, 2026

An Arctic Fox on remote Saint Paul Island, Alaska, provided a wonderful opportunity to slow down, work with the light and create an intimate wildlife portrait.

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In Wildlife Photography, Workshop Report Tags Arctic Fox, Arctic Fox Photography, Saint Paul Island, Saint Paul Island Alaska, Pribilof Islands, Alaska Wildlife, Alaska Wildlife Photography, Wildlife Photography, Wildlife Photography Tips, Wildlife Composition, Bering Sea, Nature Photography, Saint Paul Island Photography Workshop, Christopher Dodds
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Crested Auklet portrait showing its pale eye, orange bill and distinctive crest against dark rocks on Saint Paul Island in Alaska's Pribilof Islands.

Crested Auklet Portrait — Saint Paul Island, Alaska (Aethia cristatella, Starique cristatelle, Mérgulo empenachado, CRAU) from my Saint Paul Island, Alaska Workshop. Image Copyright ©Christopher Dodds. Sony a1 Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens and Sony 2X Teleconverter @ 1,200 mm. ISO 16,000, f/8 @ 1/5,000s, manual exposure. Full-frame image.

An Hour With a Crested Auklet on Saint Paul Island: Making a Bird Portrait

Christopher Dodds August 27, 2026

Sometimes wildlife photography happens in seconds. Sometimes nature gives you an hour. During my Saint Paul Island photography workshop, we spent nearly an hour with this remarkable Crested Auklet—time to look, see, learn and work toward a better bird portrait.

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In Wildlife Photography, Bird Photography Tags Crested Auklet, Crested Auklet Photography, Saint Paul Island, Saint Paul Island Alaska, Pribilof Islands, Alaska Bird Photography, Alaska Wildlife Photography, Bird Photography, Bird Portrait, Seabird Photography, Wildlife Photography, Bird Photography Workshop, Alaska Photography Workshop
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Razorbill flying low over the calm Gulf of St. Lawrence with its reflection visible below in Quebec's Mingan Archipelago.

Razorbill Flying Over the Gulf of St. Lawrence (Alca torda, Petit pingouin, Alca común, RAZO) from my Deluxe Puffins Galore Workshop, Mingan Archipelago National Park Reserve, Quebec, Canada. Image Copyright ©Christopher Dodds. Sony a9 Mark III Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens @600mm. ISO 4,000, f/4 @ 1/8,000s, manual exposure. Full-frame image.

Beyond the Bird: Razorbill Photography and Seeing the Whole Picture

Christopher Dodds August 25, 2026

Sometimes the bird is only part of the photograph. A Razorbill flying low over an amazingly calm Gulf of St. Lawrence becomes a lesson in space, reflection and seeing the whole photograph.

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In Bird Photography, Wildlife Photography, Photography Workshops, Photography Tips Tags Razorbill, Razorbill Photography, Bird Photography, Wildlife Photography, Wildlife Photography Composition, Bird Photography Tips, Mingan Archipelago, Gulf of St. Lawrence, Île aux Perroquets, Quebec Wildlife Photography, Atlantic Puffin, Puffin Photography, Photography Workshops, Christopher Dodds
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Atlantic Puffin flying directly toward the camera with fish in its bill, photographed full frame at 1200mm by Christopher Dodds on Île aux Perroquets, Quebec.

Atlantic Puffin in Flight with Fish at 1200mm— Île aux Perroquets, Québec (Fratercula arctica, Macareux moine, Frailecillo atlántico, ATPU) from my Deluxe Puffins Galore Workshop, Mingan Archipelago National Park Reserve, Quebec, Canada. Image Copyright ©Christopher Dodds. Sony a9 Mark III Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens and Sony 2X Teleconverter @1,200mm. ISO 8,000, f/8 @ 1/5,000s, manual exposure. Full-frame image.

How to Photograph Atlantic Puffins in Flight — Especially When They're Flying Straight at You

Christopher Dodds August 21, 2026

Photographing an Atlantic Puffin flying directly toward the camera is one of the toughest challenges in bird photography. Christopher Dodds explains the autofocus technology, tracking technique and 1/5,000-second shutter speed behind this full-frame image made at 1200mm.

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In Bird Photography, Wildlife Photography, Photography Tips & Techni, Atlantic Puffins Tags Atlantic Puffin, Atlantic Puffin Photography, Puffin Photography, Birds in Flight, Bird Photography, Bird in Flight Photography, Wildlife Photography, Bird Photography Tips, Autofocus, Bird Eye Autofocus, Sony a9 III, Sony 600mm f4 GM, Sony 2x Teleconverter, 1200mm Bird Photography, High ISO Photography, Île aux Perroquets, Mingan Archipelago, Quebec Wildlife Photography, Christopher Dodds, Puffins Galore
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Atlantic Puffin Returning With Fish — Île aux Perroquets, Québec (Fratercula arctica, Macareux moine, Frailecillo atlántico, ATPU) from my Deluxe Puffins Galore Workshop, Mingan Archipelago National Park Reserve, Quebec, Canada. Image Copyright ©Christopher Dodds. Sony a9 Mark III Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens @600mm. ISO 4,000, f/4 @ 1/5,000s Manual exposure. Full-frame image.

Atlantic Puffins Galore: Thank You for Another Incredible Season on Île aux Perroquets

Christopher Dodds August 13, 2026

Five groups, countless puffins and another remarkable season on Île aux Perroquets. A huge thank you to everyone who joined my 2026 Deluxe Atlantic Puffins Galore Photography Workshops—and a look ahead to 2027.

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In Workshop, Wildlife Photography, Wildlife Photography Work Tags Atlantic Puffin, Atlantic Puffin Photography, Puffin Photography, Puffin Photography Workshop, Atlantic Puffin Workshop, Île aux Perroquets, Mingan Archipelago, Quebec Wildlife Photography, Bird Photography, Birds in Flight, Wildlife Photography, Sony a9 III, Sony 600mm f4, Christopher Dodds, Nature Photography Workshop
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Sea Otter Resting in a Kelp Bed, Antoine Larson Bay, Kodiak Island, Alaska (Enhydra lutris) From my Ultimate Alaska Bear Boat Trip. Image Copyright ©Christopher Dodds. Sony Alpha 1 Mark II Mirrorless camera & Sony FE 100-400mm F4.5 GM OSS @400mm ISO 1,600, f/4.5 @ 1/5,000s Manual exposure. Full-frame image. Join me in Alaska for the Ultimate Brown Bears Galore Workshop Adventure. LEARN MORE HERE.

Photographing Sea Otters in Antoine Larson Bay, Kodiak Island, Alaska

Christopher Dodds July 22, 2026

Before my annual Coastal Brown Bear workshop begins, I always try to spend a few days exploring Kodiak Island. One of my favourite stops is Antoine Larson Bay, where Sea Otters drift through lush kelp beds, offering wonderful opportunities for intimate wildlife photography before the adventure with the bears even begins.

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In Wildlife Photography Tags Sea Otter, Sea Otters, Enhydra lutris, Alaska, Kodiak Island, Antoine Larson Bay, Alaska Wildlife, Wildlife Photography, Nature Photography, Marine Mammals, Kelp Forest, Wildlife Portrait, Sony Alpha, Sony a9 III, Sony FE 100-400mm GM, Sony Photography, Alaska Photography, Coastal Brown Bears, Katmai Coast, Christopher Dodds
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Storm Light Over Douglas Glacier (Ursus arctos, Coastal Brown Bear, Oso pardo, Ours brun) Hallo Bay, Katmai National Park & Preserve, Alaska, USA. Image Copyright © Christopher Dodds. Hasselblad X2D II 100C medium format mirrorless camera with Hasselblad XCD 35–100mm E Lens @ 75mm (59mm full-frame equivalent). ISO 50, f/20 @ 1/13 sec. Photographed handheld while field testing the remarkable image stabilization of the Hasselblad X2D II. Manual exposure.

Beyond the Bears: Seeing the Bigger Picture at Hallo Bay

Christopher Dodds July 20, 2026

When the bears remained distant at Hallo Bay, I looked beyond the obvious. Instead of reaching for a longer lens, I photographed the landscape with the Hasselblad X2D II, creating an environmental portrait of a lone coastal brown bear beneath Douglas Glacier while putting the camera's remarkable handheld image stabilization to the test.

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In Wildlife Photography, Landscape Photography Tags Alaska, Katmai National Park, Hallo Bay, Douglas Glacier, Mount Douglas, Aleutian Range, Coastal Brown Bear, Brown Bear, Environmental Wildlife Photography, Landscape Photography, Wildlife Photography, Hasselblad, Hasselblad X2D II 100C, Hasselblad XCD 35-100mm E, Sony Alpha, Medium Format Photography, Fine Art Photography, Nature Photography, Alaska Photography, Storm Landscape, Wilderness, Christopher Dodds
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Orange-crowned Warbler in flight photographed in warm evening light on Kodiak Island, Alaska. The tiny songbird is captured with wings fully raised against a soft golden background, showcasing its agile flight and delicate plumage.

Orange-crowned Warbler in Flight (Leiothlypis celata, Paruline verdâtre, Reinita coroninaranja, OCWA) Kodiak Island, Alaska, USA. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera with the new Sony FE 100-400mm f/4.5 GM OSS Lens & Sony 2X teleconverter @800mm ISO 5,000, f/9 @ 1/5,000s. Manual exposure.

Orange-crowned Warbler in Flight on Kodiak Island, Alaska

Christopher Dodds June 29, 2026

While exploring Kodiak Island, Alaska, an Orange-crowned Warbler suddenly took flight, providing a perfect opportunity to test the new Sony FE 100–400mm GM, Sony a9 III, and 2X Teleconverter. Fast autofocus, incredible frame rates, and a little luck came together to capture this fleeting moment.

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In Bird, Bird Photography, Workshop Report, Wildlife Photography Tags Orange-crowned Warbler, Orange-crowned Warbler in flight, Kodiak Island, Kodiak Island Alaska, Alaska birds, Alaska bird photography, warbler photography, bird in flight, Sony a9 III, Sony FE 100-400mm GM, Sony 100-400 review, Sony teleconverter, 2X Teleconverter, wildlife photography, bird photography, Christopher Dodds, Nature Photography Blog, Alaska wildlife, songbirds, spring migration
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Golden-crowned Sparrow stretching after a shake while perched on the tip of a spruce tree in Alaska. Its wings are fully extended, revealing the bright yellow crown against a soft golden background. Photograph by Christopher Dodds.

Golden-crowned Sparrow Landing on a Spruce Tip (Zonotrichia atricapilla, Bruant à couronne dorée, Chingolo coronidorado, GCSP) Kodiak Island, Alaska, USA. Image Copyright ©Christopher Dodds. Sony a1 II Mirrorless camera & the new Sony FE 100-400mm f/4.5 GM OSS Lens & Sony 2X teleconverter @800mm ISO 10,000, f/9 @ 1/5,000s. Manual exposure.

Golden-crowned Sparrow Stretching After a Shake on a Spruce Tree on Kodiak Island, AK

Christopher Dodds June 26, 2026

While exploring the backroads of Kodiak Island, Alaska, Julie and I watched a Golden-crowned Sparrow perform a quick stretch after a shake, briefly revealing the bright golden crown that gives the species its name. Moments like this last only an instant, reminding us why patience—and being ready—are so important in wildlife photography.

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In Bird, Bird Photography, Workshop Report, Wildlife Photography Tags Golden-crowned Sparrow, Kodiak Island, Alaska, Bird Photography, Wildlife Photography, Songbird Photography, Sony 100-400mm GM, Sony 2X Teleconverter, Bird Behaviour, Nature Photography, Alaska Birds, Spruce Tree, Christopher Dodds, Dodds Visuals, Sony Alpha, Wildlife Behaviour, Sony a1 II
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Townsend's Warbler in Fresh Spring Foliage (Setophaga townsendi, Paruline de Townsend, Reinita de Townsend, TOWA) Near Anchorage, Alaska, USA. Image Copyright ©Christopher Dodds. Sony α1 II Mirrorless Camera Body & the new Sony FE 100-400mm F4.5 GM OSS & Sony 2X Teleconverter @800mm ISO 20,000, f/9 @ 1/5,000s. Manual exposure. Full-frame image.

Photographing a Townsend's Warbler Near Anchorage, Alaska in Early June

Christopher Dodds June 25, 2026

A colourful Townsend's Warbler greeted Julie and me shortly after arriving in Anchorage, Alaska. Early June is a wonderful time for spring migration, and this handsome bird provided the perfect reminder that sometimes the best wildlife photographs are waiting just beyond the parking lot.

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In Bird Photography, Wildlife Photography Tags Townsend's Warbler, Townsend's Warbler photography, Alaska bird photography, Anchorage Alaska, spring migration, warbler photography, bird photography tips, Alaska wildlife, songbirds, boreal forest, North American warblers, birdwatching Alaska, wildlife photography, Chris Dodds, nature photography, bird photography workshop, Alaska birds, June birding, migration photography, Sony Alpha
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Pacific Wren Singing on a Cold Morning at Sunrise on Kodiak Island (Troglodytes pacificus, Troglodyte de Baird, Chochín del Pacífico, PAWR) Kodiak Island, Alaska, USA. Image Copyright ©Christopher Dodds. Sony a1 II Mirrorless camera & the new Sony FE 100-400mm f/4.5 GM OSS Lens & Sony 2X teleconverter @800mm ISO 10,000, f/9 @ 1/5,000s. Manual exposure. Full frame image.

Pacific Wren Singing in the Cold Morning Air on Kodiak Island

Christopher Dodds June 24, 2026

On a cool Kodiak Island morning, a Pacific Wren perched atop a spruce tree and filled the air with its surprisingly powerful song. Backlit by the rising sun, each note briefly revealed wisps of visible breath, creating a fleeting photographic moment that combined behaviour, light, and a little bit of Alaskan magic.

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In Bird Photography, Wildlife Photography Tags Pacific Wren, Pacific Wren Photography, Pacific Wren Alaska, Kodiak Island, Kodiak Island Alaska, Alaska Bird Photography, Alaska Wildlife Photography, Songbird Photography, Bird Photography, Wildlife Photography, Birding Alaska, Spruce Tree, Backlit Bird, Sunrise Photography, Nature Photography, Alaska Birds, Bird Song, Singing Bird, Coastal Alaska, Christopher Dodds, Sony Alpha, Sony A1 II, Wildlife Photographer, Birdwatching, Alaska Travel Photography
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American Bittern swimming low in calm water near the Marsh Boardwalk at Point Pelee National Park, Ontario, creating a reflection and wake as it crosses open water.

American Bittern Swimming Through the Marsh at Point Pelee (Botaurus lentiginosus, Butor d'Amérique, Avetoro lentiginoso, AMBI) Image created while scouting for my Songbirds of Pelee Workshop at Point Pelee National Park of Canada. Image Copyright ©Christopher Dodds. Sony a1 Mark II Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens with Sony FE 2X Teleconverter @1,200mm. ISO 8,000, f/8 @ 1/5,000s. Manual exposure. Full frame image.

American Bittern Swimming at Point Pelee: A Rare Marsh Photography Moment

Christopher Dodds June 3, 2026

Most photographers are thrilled just to see an American Bittern. Watching one swim across open water is even rarer. This unusual behaviour photographed from the Marsh Boardwalk at Point Pelee offered a glimpse into a secretive marsh bird that spends most of its life hidden among reeds and cattails.

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In Bird Photography, Workshop Report, Wildlife Photography Tags American Bittern, American Bittern Swimming, Bittern, Point Pelee, Point Pelee National Park, Marsh Boardwalk, Bird Photography, Wildlife Photography, Ontario Birding, Wetland Birds, Marsh Birds, Bird Behaviour, Nature Photography, Spring Migration, Canadian Wildlife, Water Birds, Secretive Birds, Birding Ontario, Wildlife Photography Workshop, Christopher Dodds, Nature Photography Blog, Point Pelee Bird Photography, American Bittern Behaviour, Swimming Birds, Wetland Wildlife, Ontario Wildlife Photography, Marsh Ecology, Birders of Ontario, Spring Birding, Bird Photography Canada
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Two young coastal brown bear cubs playfighting in a green meadow in early summer, mouths open and wrestling in soft light, Katmai coast Alaska wildlife behaviour photograph

Play Fighting Coastal Brown Bear Cubs (Ursus arctos) Hallo Bay, Katmai National Park, Alaska. From my Ultimate Alaska Bear Boat Trip. Image Copyright ©Christopher Dodds. Sony Alpha a1 Mark II Mirrorless camera & Sony FE 400mm f/2.8 G Master OSS Lens with Sony FE 2X Teleconverter @800mm ISO 1,250, f/5.6 @ 1/2,500s Manual exposure. Full Frame. Join me in Alaska for the Ultimate Brown Bears Galore Workshop Adventure. LEARN MORE HERE.

Coastal Brown Bear Cubs Playfighting in Golden Light | Katmai Alaska Wildlife Photography

Christopher Dodds March 31, 2026

When the Fog Lifted — Katmai Spring Cubs at Play

There are moments in wildlife photography that stay with you long after the shutter stops.

After breakfast, we slipped quietly into the skiff and moved through thick coastal fog, the kind that muffles sound and softens everything around you. A short walk brought us onto the meadow just as the first warm light began to push through.

Then it happened.

As the fog slowly lifted, two spring cubs emerged right in front of us — already engaged, already full of energy. Wrestling. Testing each other. Completely unaware of us.

It was one of those emotional moments in the field where everything aligns — light, behaviour, proximity.

We sat with them for nearly an hour, photographing as they playfought in that beautiful, diffused golden light. No chaos. No rush. Just pure, natural behaviour unfolding in front of us.

This is early June on the Katmai coast.

When the grass is still low, the cubs are visible, and moments like this are possible — but never guaranteed. That’s the reality of working with truly wild bears, and exactly what makes it so rewarding when it comes together.

If experiencing moments like this is why you photograph wildlife, you’ll understand why this place is so special.

👉 Join me this June 12-19, 2026.

Experience Katmai’s Coastal Brown Bears — Where Wild Moments Like This Happen

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Experience Katmai’s Coastal Brown Bears — Where Wild Moments Like This Happen 🐻 Experience Katmai’s Coastal Brown Bears — Where Wild Moments Like This Happen 🐻

In Workshop, Wildlife Photography Tags coastal brown bears, grizzly bears, bear cubs, Katmai Alaska, Alaska wildlife photography, brown bear cubs, bear behaviour, playfighting bears, wildlife photography workshop, Katmai coast, Alaska photo tour, bear photography, spring cubs, ethical wildlife photography
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Two young coastal brown bear cubs play fighting in lush green grass after heavy rain along the Katmai coast in Alaska

Play Fighting Coastal Brown Bear Cubs (Ursus arctos) Hallo Bay, Katmai National Park, Alaska. From my Ultimate Alaska Bear Boat Trip. Image Copyright ©Christopher Dodds. Sony Alpha a1 Mark II Mirrorless camera & Sony FE 400mm f/2.8 G Master OSS Lens with Sony FE 2X Teleconverter @800mm ISO 1,250, f/5.6 @ 1/2,500s Manual exposure. Full Frame. Join me in Alaska for the Ultimate Brown Bears Galore Workshop Adventure. LEARN MORE HERE.

Coastal Brown Bear Cubs Play Fighting in Katmai | Alaska Bear Photography Workshop

Christopher Dodds March 24, 2026

There’s always a moment after the action.

After a morning of torrential rain along the Katmai coast, the weather finally eased, and the bears began to emerge. These two spring cub siblings didn’t waste any time — tumbling, sparring, and chasing each other through the fresh green growth.

Full of energy.
Relentless.
Exactly what you hope to witness.

And then… it stopped.

Just as quickly as it began, the intensity faded. The bursts of energy gave way to fatigue, and within minutes, both cubs settled down side by side and face to face.

This moment.

Not the chaos — but the quiet after.

You could see it in their posture. Heads lowering. Eyes softening. The last flickers of play giving way to rest. Completely at ease in each other’s presence.

It’s easy to focus on the action, but these quieter moments often tell the deeper story — trust, comfort, and the bond between siblings learning the world together.

From a photographic standpoint, this is where everything comes together:
Soft post-storm light, clean green tones, low shooting angle, and behaviour that feels real.

No drama. No force. Just authenticity.

An Immersion in Bears — Not Just a Sighting

This image was created during my eight-day Coastal Brown Bear Workshop in Alaska — built around time, access, and real behaviour.

We begin with a scenic floatplane flight from Kodiak along the Katmai coast, landing to meet our vessel. After lunch, we’re out photographing bears that very first afternoon.

From there:

Days 2–7 — full days with bears.

No long drives.
No crowds.
No pressure.

Just time to let moments like this unfold naturally.

On Day 8, we photograph bears once more after breakfast before boarding our return floatplane flight back to Kodiak.

Why Early June Matters

These are spring cubs, and timing is everything.

Early June offers:

  • Cubs that are still small, curious, and highly interactive

  • Frequent bursts of play followed by moments like this

  • Open visibility before the sedge grass grows too tall

It’s one of the few times you can consistently photograph both behaviour and emotion in the same sequence.

Join Me in Alaska

If you want more than just action shots — if you want to capture the full story of wildlife behaviour, from intensity to quiet — this is where it happens.

👉 Full details:
https://www.chrisdoddsphoto.com/bear-boat-coastal-brown-bears-of-alaska

Small group.
Eight days.
Real moments like this.

Photograph Coastal Brown Bears in Alaska — Eight Days of Unmatched Wildlife Access

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Photograph Coastal Brown Bears in Alaska — Eight Days of Unmatched Wildlife Access 〰️ Photograph Coastal Brown Bears in Alaska — Eight Days of Unmatched Wildlife Access 〰️

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In Nature Photography, Workshops, Workshop, Wildlife Photography Tags coastal brown bear, brown bear cubs, katmai alaska, alaska bear photography, wildlife photography workshop, bear cub behaviour, play fighting bears, chris dodds wildlife, alaska photo tour, bear photography tour, katmai coast bears, wildlife photography alaska
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