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Horned Puffin Portrait (Fratercula corniculata, Macareux cornu, Frailecillo corniculado, HOPU) Saint Paul Island, AK ©Christopher Dodds Sony Alpha a1 Mark II Mirrorless Camera & Sony FE 600 f/4 GM OSS with Sony FE 2X Teleconverter @1,200mm. ISO 12,800, f/10 @ 1/3,200s Manual Exposure mode. Full frame image. Join me for my workshop in Saint Paul Island, AK, next July. CLICK HERE to learn more.

Portrait on the Edge: Photographing a Horned Puffin in Alaska’s Mist

Christopher Dodds November 11, 2025

There’s something about sitting on the edge of a cliff in Alaska that rearranges your sense of scale. The ocean below breathes in slow, deep rhythms as waves roll in. Fog drifts in and out, and the world feels pared down to sound, salt, and stillness. It can be incredibly quiet — almost entirely free of artificial sound.

That’s where I was — legs hanging over the edge, camera in hand — when a Horned Puffin landed on a ledge just a few meters away. No fanfare, no warning. One moment it wasn’t there, the next it was, standing calm and alert, perfectly at home in the damp, gray air.

I froze, not out of fear of spooking it, but out of awe and respect. Puffins always look a little improbable — that bold colourful bill and those crisp black-and-white feathers, like something painted too brightly for the subdued northern palette. Yet here, in the mist, it fit. The colours softened, the edges blurred, and it became part of the landscape rather than decoration upon it.

What struck me most was the light — that soft, ethereal kind of light that only shows up on overcast days—the type of light that I love. It’s a gift, really—no harsh shadows, no blown highlights. The mist acted like the world’s biggest diffuser, wrapping the scene in a kind of even softness. Every fine line of the puffin’s plumage was visible, every subtle shift of tone across its feathers. The black wasn’t just black; it had depth, warmth, and texture.

The bird didn’t seem bothered by me at all. I moved slowly, barely breathing, taking a few careful frames. It preened a little, looked toward the open water, then settled again, entirely at ease. That kind of trust — or maybe just mutual stillness — is something I never take for granted. You can’t make it happen; you have to be quiet and still long enough for wildness to stop seeing you as a threat.

When the puffin finally lifted off, disappearing into the fog like a thought half-remembered, I realized I hadn’t checked my camera once. The images would be there, sure, but the moment itself — the sound of waves below, the smell of sea and moss, that shared calm — that’s what stays with me.

It’s funny how sometimes the most satisfying photographs are the ones that almost don’t feel like photographs at all. They feel like thank-you notes to the world for letting you in for a minute — and for reminding you how small and lucky you are.

Sunset Shilouette @65X24 Jackfish Lake, Dinowic, Ontario, Canada

Off Topic – Jackfish Lake, Ontario
As the sun dipped below the horizon at Jackfish Lake, near Dinowic, Ontario, the world turned to quiet silhouettes and warm orange light. Julie and I had pulled over on a whim during the last leg of our cross-country RV trip, drawn by the glow on the water. Standing there, watching the colours fade, we were reminded how much beauty hides in the spaces between destinations. It’s so easy to chase the miles and miss the moments—but evenings like this make slowing down feel like the real journey.

In Bird Photography, Landscape Photography Tags Fratercula corniculata, Macareux cornu, Frailecillo corniculado, HOPU, Horned Puffin, Alaska, Saint Paul Island, Workshop, Photo tour, Jackfish Lake, Ontario, Canada, Silhouette
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