Saint Paul Island, Alaska Horned Puffin Head On Portrait

There are moments in a photographer's life when everything aligns. The light, the subject, the location – it all conspires to create something truly unforgettable. For me, one such moment unfolded on the rugged cliffs during my Saint Paul Island Workshop in Alaska, on a speck of land in the vast, wild expanse of the Bering Sea. It's a place so remote and untouched that it feels like stepping onto another planet. And amidst its dramatic volcanic landscapes, I found myself face-to-face with this entertaining and charismatic Horned Puffin.

I have travelled to Saint Paul Island over the last few decades with a singular purpose: to capture the essence of its incredible seabird colonies. But nothing quite prepares you for the sheer abundance and proximity of these creatures. Sitting precariously on a cliff edge, the wind whipping around me, I was eye-level with a pristine and curious Horned Puffin; they don't see many people in this remote part of the world.

My objective was clear: to create intimate portraits that went beyond a simple record shot. I wanted to convey the magic of being so close, to feel their presence, to see the intricate details of their plumage and the spark in their intelligent eyes. For this, I relied on my trusty Sony a9 Mark II, paired with the Sony 400mm f/4 GM lens and my 2x teleconverter. This combination provided an effective focal length of 800mm, enabling me to fill the frame, even from a respectful distance. This puffin, seemingly unfazed by my presence, settled on a rock just within my minimum focusing distance. It was the perfect opportunity. As I framed the shot, this charming individual looked directly at me, offering an ideal angle for a head-on portrait. To ensure maximum sharpness on the puffin while still rendering the background into a beautiful, ethereal blur, I made a deliberate aperture choice. I stopped down to f/16. However, in this instance, with the 2x teleconverter on and at such close quarters, I wanted to maximize the depth of field on the puffin – from the tip of its bill to the back of its head. The goal was absolute sharpness on my subject. The background was composed of dark volcanic rocks, as the lingering sea foam retreated with the waves, lightening the background tonality with each wave. By stopping down to f/16, combined with the extreme magnification, these dark, textured forms melted away into a rich, out-of-focus tapestry.

Join Me on Your Own Saint Paul Island Adventure!

Imagine being eye-level with a horned puffin, the wind in your hair, and the wild beauty of the Bering Sea surrounding you. You can experience this magic firsthand! I'm leading a photography workshop on Saint Paul Island in July 2026, where you'll have the incredible opportunity to capture intimate portraits of these charismatic seabirds. While I finalize the charter flight and other complex logistics, you can add your name to the interest list today. You'll be the first to know the moment all the details are in place, ensuring you don't miss out on this unforgettable adventure.

Horned Puffin Head On Portrait (Fratercula corniculata, Macareux cornu, Frailecillo corniculado, HOPU) Saint Paul Island, AK ©Christopher Dodds Sony Alpha a9 Mark II Mirrorless Camera & Sony FE 400 f/2.8 GM OSS with Sony FE 2X Teleconverter @800mm. ISO 1,600, f/16 @ 1/800s Manual Exposure mode. Full frame image. Join me for my workshop in Saint Paul Island, AK, next July. CLICK HERE to learn more.

Shoot Vertical

Parakeet Auklet DORSAL VIEW (Fratercula cirrhata, Macareux huppé, TUPU) Saint Paul Island, The Pribilof Islands in the Bering Sea, Alaska. Image Copyright ©Christopher Dodds. Canon 1DX, 600mm F4 L IS II USM Handheld. Full Frame. ISO 800 f/4.5 @ 1/4,000s Manual Mode. PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION HERE.

Here's another image from my Saint Paul Island Expedition; A Parakeet Auklet against the pastel Bering Sea. Shooting small birds in flight while holding the camera vertically is quite a challenge; shooting over the top of a cliff while pointing down and looking at the Bering Sea below adds a whole new dimension and is not for the faint of heart. As always, practice is the key to success and best done in excess well before your departure to any exotic location.

Northern Fur Seal Pups of Saint Paul Island

Northern Fur Seals NEW FRIENDS (Callorhinus ursinus, L’otarie à fourrure du Nord) Saint Paul Island, The Pribilof Islands in the Bering Sea, Alaska. Image Copyright ©Christopher Dodds. Canon 1DX, 600mm F4 L IS II , 2X Teleconverter III, Jobu Designs Algonquin Tripod & Jobu Jr. 3 ISO 4,000 f/8 @ 1/1,6000s Manual Mode.  PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION HERE.

Here's a couple of Northern Fur Seal pups from my Saint Paul Island workshop. Seals only have one baby at a time, so these two are neighbors meeting for the first time. They are fascinating to watch, and their calls sound very much like a barn full of baby sheep. I shot this image with my Canon 600mm f/4 IS II and 2X Teleconverter wide open at f/8 to isolate the subjects from the volcanic rocks, and used a shutter speed of 1/1,600 of a second to be sure to freeze the rapidly vibrating mouth and teeth while they were calling.

Creating Intimate bird portraits

Crested Auklet Portrait (Aethia cristatella, CRAU) Saint Paul Island, The Pribilof Islands in the Bering Sea, Alaska. Image Copyright ©Christopher Dodds. Canon 1DX, 600mm F4 L IS II , 2X Teleconverter III & 25mm Extension Tube, Jobu Designs Algonquin Tripod & Jobu Jr. 3 ISO 2,500 f/16 @ 1/500s Manual Mode.  PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION HERE.

Here's an intimate portrait (of what has to be my favorite bird) from my recent Saint Paul Island Workshop; the Crested Auklet. Getting close and isolating the subject against the dark cliffs requires lots of patience, but the real secret is simply approaching the cliff edge slowly so they don't flush before you even know they are there. Always remember to use a small enough aperture to maximize the depth of field, which is extemely narrow at the lens/extender/extension tube minimum focusing distance. Choose your shutter speed to freeze the birds sudden movements and any feathers blown around by the wind if there are any.

Using a sturdy tripod with a good tripod head and micro-calibrating your camera are, of course, the foundation to crisp and sharp images.

Canon 7D Firmware V2.0 Available NOW

Horned Puffin PORTRAIT (Fratercula corniculata, Macareux cornu, HOPU) Saint Paul Island, The Pribilof Islands in the Bering Sea, Alaska. Image Copyright ©Christopher Dodds. Canon 1D MK IV, 500mm F4 L IS , 2X Teleconverter III, Tripod & Jobu Jr. 3 ISO 800 f/16 @ 1/250s Manual Mode. PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION HERE.

Canon EOS 7D Firmware V2.0 Available NOW

Canon has finally made the new firmware V2.0 for the Canon EOS 7D that we told you about HERE back in June available for FREE download. With improved buffer size increase to a whopping 25, this will be like getting a whole new camera upgrade free. For a list of features, simply follow THIS LINK to my blog post where I shared the Canon Press Release. To Download the free update, simply click the link below:

DOWNLOAD CANON EOS 7D FIRMWARE V2.0 HERE

Tufted Puffin Safari Workshop Update

 

Tufted Puffin PORTRAIT (Fratercula cirrhata, Macareux huppé, TUPU) Saint Paul Island, The Pribilof Islands in the Bering Sea, Alaska. Image Copyright ©Christopher Dodds. Canon 1D MK IV, 500mm F4 L IS , 1.4X Teleconverter III & 25mm Extension Tube, Tripod & Jobu Jr. 3 ISO 400 f/9 @ 1/400s Manual Mode. Fill flash Canon Speedlite 580EX II with Better Beamer in manual mode. PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION HERE.

 

Upcoming workshops:  http://bit.ly/X7GaVv