The Art of the Puffin Portrait: Shallow Depth of Field and Perfect Exposure

There's a unique satisfaction in capturing a wildlife portrait that goes beyond simply documenting a subject. It's about crafting an image and using technical skills to create an image with visual impact. I achieved this while photographing an Atlantic Puffin, focusing on the interplay of shallow depth of field and precise exposure during my Deluxe Atlantic Puffin Lighthouse Adventure Workshop.

Using my Sony a9 III and the 600mm lens with a 2X teleconverter, I worked at the lens's minimum focusing distance, wide open, creating a beautifully shallow field depth, rendering the foreground and background grass as a soft, out-of-focus frame. With its head sticking out, the Puffin became the sharp, captivating focal point.

The cloudy, bright conditions made finding an angle with the perfect foreground, background, and Puffin pose easy without being concerned about harsh shadows spoiling the image. I aimed to capture rich detail in the highlights – the intricate details of the Puffin's feathers – while minimizing noise in the shadows, so careful attention to the exposure and histogram was key. The result is an image that showcases the Puffin's beauty and demonstrates the power of technical knowledge in wildlife photography.

Atlantic Puffin Portrait (Fratercula arctica, Macareux moine, Frailecillo atlántico, Frailecillo atlántico, ATPU) from my Deluxe Puffins Galore Workshop Mingan Archipelago National Park Reserve, Quebec, Canada. Image Copyright ©Christopher Dodds. Sony Alpha 1 Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens with Sony FE 2X Teleconverter @1,200mm ISO 5,000, f/5.6 @ 1/2,500s Manual exposure. Full frame image.

Deluxe Atlantic Puffin Workshop Update

Beyond Your Wildest Dreams: Photograph Atlantic Puffins on an Exclusive Island Escape!

Have you ever dreamt of capturing that iconic shot – an Atlantic Puffin, beak overflowing with fish, returning to its hungry chick? Imagine yourself not just seeing it but mastering every aspect of bird photography. If this sounds like your ultimate photographic adventure, get ready because I'm thrilled to share an unparalleled opportunity: my Deluxe Atlantic Puffins & So Much More Workshop!

Decades in the Making: An Unrivaled Puffin Experience

For decades, I've had the immense privilege of guiding hundreds of participants to the magical L'île aux Perroquets in the Mingan Islands, nestled in the stunning Gulf of St. Lawrence. Over the years, I've poured my heart and soul into refining this workshop, transforming it into an experience beyond photography.

Way back when we'd make daily treks from the mainland to the island. But that all changed with the magnificent renovation of the lighthouse on L'île aux Perroquets. Now, we don't just visit – we live the dream on the island! I have total exclusivity for these cozy lighthouse accommodations at the peak time for Puffins returning with the most fishto feed their growing babies for two weeks every year, ensuring that my group are the only overnight guests on the island.

Your Island Paradise: Photography, Luxury, and Learning

Not just a trip; it's an immersion. The island is a photographer's dream – a mere 1 kilometre (.6 mile) in circumference. And here's the best part: all of your puffin photography takes place a breathtaking 200 meters from our cozy lighthouse accommodations.  Are you scared of heights? It's not an issue here; most photography takes place on the beach at sea level. Imagine waking up to the calls of seabirds, stepping out, and being instantly immersed in the heart of the action!

But it's not just about proximity. My Deluxe Atlantic Puffins & So Much More Workshop is meticulously designedto help you build an incredible portfolio of puffin images while simultaneously learning to master every aspect of bird photography. From understanding light and composition to perfecting your camera settings and mastering birds-in-flight photography, I'll be there every step of the way, sharing insights gleaned from my forty years of experience.

And let's not forget the "so much more" part! This refined offering now includes gourmet food – because an extraordinary photographic adventure deserves equally extraordinary culinary delights.

Ready to Capture the Magic?

If you're serious about elevating your bird photography and capturing truly iconic images of Atlantic Puffins in their natural habitat, this is the workshop you've been waiting for. Spaces are limited and fill up quickly, so don't let this incredible opportunity fly by!

Are you ready to create the puffin portfolio of your dreams?

Atlantic Puffin in flight with fish (Fratercula arctica, Macareux moine, Frailecillo atlántico, Frailecillo atlántico, ATPU) from my Deluxe Puffins Galore Workshop Mingan Archipelago National Park Reserve, Quebec, Canada. Image Copyright ©Christopher Dodds. Sony Alpha 1 Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens with Sony FE 1.4X Teleconverter @840mm ISO 1,000, f/5.6 @ 1/5,000s Manual exposure. Full frame image.

Northern Gannet Dreamy Landing in the fog Last minute openings for Gannets Galore Workshop

In a world softened by ethereal light, a magnificent gannet descends from the fog with its wings outstretched. With eyes fixed on its mate below, it glides with a grace that transcends the ordinary, a ballet of feathers and devotion. Around them, a dreamlike gathering of their kind, softly blurred, forms a gentle chorus, emphasizing the singular, poignant moment of connection.

This is more than just a spectacle; it's a photographer's dream. The air vibrates with the cacophony of 64,000 nesting pairs. The noise is incredible, a constant, roaring chorus of calls. Amidst this chaos, each gannet recognizes its mate by sound.

The sheer scale of the colony is astounding. Thousands upon thousands of gannets fill every available space, their white forms creating a striking contrast against the rugged landscape. The foggy landscape adds an ethereal quality, perfect for crafting breathtaking images.

LAST MINUTE AVAILABILITY! Join my photography workshop and learn to capture the magic of Bonaventure Island!

  • Master bird photography: Master exposure and learn techniques to capture stunning images of gannets in their natural habitat, from portraits to action shots.

  • Birds in flight photography: Discover the secrets to freezing the dynamic movements of these magnificent birds as they soar and dive.

  • Unlock your creative vision: Develop your artistic eye and learn to craft compelling compositions that tell a story.

  • Daily Zodiac excursion: Start each morning under the Gannetry to get close to Murres, Razorbills, Guillemots, Seals, Whales and many other species, including Harlequin Ducks (weather permitting).

  • Gear transportation: I have arranged for the park service to haul our gear to the colony, so we don’t have to carry it!

Join the adventure! LEARN MORE HERE

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Join the adventure! LEARN MORE HERE 〰️

Northern Gannet Landing (Morus bassanus, Fou de Bassan, Alcatraz atlántico, NOGA) from my GANNETS GALORE WORKSHOP at Bonaventure Island, Quebec, Canada ©Christopher Dodds All Rights Reserved. Sony Alpha a9 III Mirrorless camera & Sony FE 200-600mm f/5.6-6.3 G OSS Lens @433mm. ISO 1,000, f/6.3 @ 1/5,000s Manual exposure. Full-frame image.

Last minute openings for Gannets Galore Workshop on Bonaventure Island

Imagine salty air, a Zodiac (boat), and witnessing nature's spectacular show. That's what my "Gannets Galore" workshop on Bonaventure Island delivers.

The adventure began with a thrilling Zodiac excursion, hugging the cliffs for glimpses of Common Murres, Black Guillemots, Harlequin Ducks and Razorbills, plus whales and Gray Seals. We even saw gannets plunge-diving—a breathtaking display!

As fog rolled in, it created an ethereal backdrop. Then, hundreds of Northern Gannets returned to their nests. It was a photographic feast as they reunited and tended to their young. The fog, far from a hindrance, enhanced the birds' beauty.

After the Zodiac, we explored the heart of the world's largest Northern Gannet colony, over 64,000 nesting pairs. The air vibrated with their calls; the sheer scale was overwhelming in the best way. Being so close to these magnificent birds is an unforgettable experience.

Don't Miss Your Chance!

I've had last-minute cancellations for my Gannets Galore workshops on June 2-4 and June 5-7. This is your chance to join me for an incredible adventure: a four-hour Zodiac trip to photograph diverse seabirds, whales, and seals, followed by an immersive experience within the world's largest gannet colony. Imagine being surrounded by 64,000 pairs just feet from your lens!

If you dream of capturing these magnificent birds, now's your moment. These workshops offer unparalleled photographic opportunities.

Northern Gannet Landing (Morus bassanus, Fou de Bassan, Alcatraz atlántico, NOGA) from my GANNETS GALORE WORKSHOP at Bonaventure Island, Quebec, Canada ©Christopher Dodds All Rights Reserved. Sony Alpha a9 III Mirrorless camera & Sony FE 200-600mm f/5.6-6.3 G OSS Lens @275mm. ISO 640, f/6.3 @ 1/5,000s Manual exposure. Full-frame image.

From Empty Perch to Perfect Shot: A Bird Photographer's Lucky Break with a Red-bellied Woodpecker

As a bird photographer, I know the feeling all too well. You're out in the woods, camera-ready, and there it is: the perfect perch. It's got ideal lighting, a dreamy, bokeh-inducing background, and not a single distracting branch in sight. The problem? It's usually just that – an excellent bird picture missing the bird! This frustrating scenario happened repeatedly during my Songbirds of Pelee Workshop earlier this month. We were hot on the trail of a pair of stunning Rose-breasted Grosbeaks. They'd land, often on beautiful branches, but always, always, with a pesky leaf or twig obscuring a clear shot. We'd shift, we'd wait, we'd plead with them (silently, of course), but they wouldn't cooperate. Just as we gave up on the grosbeaks and turned our attention to a newly spotted Black-throated Blue Warbler – another gem of the forest – something incredible happened. With its striking red cap and zebra-striped back, a Red-bellied Woodpecker swooped in and landed squarely on my perfectly scouted, previously bird-less perch!

Despite their name, Red-bellied Woodpeckers have very little red on their bellies; the reddish wash is often challenging to see in the field, leading to frequent misidentification by novice birders.

It was one of those fleeting moments bird photographers live for. The woodpecker paused for just a fraction of a second, but it was long enough. I managed to rattle off a single, glorious frame. It was a reminder that sometimes, the magic happens when you least expect it and that patience (and a little luck) can turn a near-miss into a memorable photograph.

Do you have a similar story of a perfect perch finally meeting its perfect subject? Share your experiences in the comments below!

Red-bellied Woodpecker (Melanerpes carolinus, Pic à ventre roux, Carpintero de Carolina, RBWO). From my Songbirds of Pelee Workshop, May 2025, at Point Pelee National Park of Canada. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens @800mm ISO 8,000, f/8 @ 1/5,000s. Manual exposure.

Guest Post: In Flew Enza A brief history of bird flu by Robert Montgomerie

I have a couple of last-minute openings for my June 2-4 & 5-7, 2025 Gannets Galore Workshop in Quebec. My favourite workshop includes a daily Zodiac adventure under the seabird cliffs of Bonaventure Island before we head up to the largest Northern Gannet colony in the world.


I am sharing this blog post from the British Ornithologists’ Union blog. Please follow the link and visit the original post for more interesting visuals and further reading suggestions: CLICK HERE.

Northern Gannets Fencing. Avian flu black iris comparison to normal iris (Morus bassanus, Fou de Bassan, NOGA) from my GANNETS GALORE WORKSHOP at Bonaventure Island, Quebec, Canada ©Christopher Dodds All Rights Reserved. Sony Alpha a9 III Mirrorless camera & Sony FE 200-600mm f/5.6-6.3 G OSS Lens @600mm. ISO 1,000, f/6.3 @ 1/5,000s Manual exposure.

I had a little bird
Its name was Enza
Opened the door
And In-Flew-Enza

My dad was born just before the devastating Spanish Flu pandemic of 1918 that killed more than 50 million people worldwide. Growing up he must have heard that nursery rhyme as he often recited it to me and my sisters whenever we were sick—no matter what the cause—during the 1950s. It seemed to us that every ailment was attributed to influenza in those days. I doubt that he—nor indeed the author of that nursery rhyme in the 1800s—knew that human influenza probably came to us from birds, and that the domestication of birds probably influenced the spread and pathogenicity of avian flu.

Bird flu is all in the news these days. Just last week the United States reported the first human death attributed to it and about 500 deaths have so far been reported worldwide. Again in the United States—where reports are readily available—more than 20 million egg-laying chickens have died from the flu and possibly many more than 300 million worldwide. And some species of wild birds have suffered potentially catastrophic losses of breeding adults from the current outbreak of the avian flu variant (H5N1) that began in 2020.

In 1878, Edoardo Perroncito [1847-1936], an Italian parasitologist, was the first to describe the disease that we now call avian influenza. He was studying the causes of high mortality in domestic chickens and described various symptoms and pathologies now known to be due to avian influenza. He did not then know about viruses as they were not ‘discovered’ until 1898 by Dimitri Ivanovsky and Martinus Willem Beijerinck. In 1880, Sebastiano Rivolta and Pietro Delprato showed that the disease described by Perroncito could be distinguished from fowl cholera by its clinical and pathological properties and they called it Typhus exudatious gallinarum. In 1901 the virus was finally isolated by filtration (Lupiani & Reddi 2009).

Contagious diseases in domestic fowl were called ‘fowl plague’ as early as 1830 but this term was reserved for avian flu by the early 1900s to distinguish it from avian cholera and other diseases. Then by 1981 the virus had been identified as type A influenza, and the disease was officially renamed as Highly Pathogenic Avian Influenza (HPAI) or ‘avian influenza’ .

The current pandemic of HPAI is caused by the H5N1 variant of the virus, and was first identified in 1996 in some domestic geese in China. In the following year, there were several outbreaks in China, with almost 1000 infections in humans, half of whom died. It was not widely detected again until 2003 when there were reports of significant outbreaks in domestic fowl across Asia, eventually spreading via migratory waterfowl to the Middle East, Europe, and Africa.

Viruses evolve. By 2021, the clade 2.3.4b variant of H5N1 was detected in wild birds worldwide. The devastation of some populations of chickens, waterfowl, and seabirds had begun. That virus is now endemic in Asian birds, meaning that it is here to stay and will likely see periodic outbreaks and pandemics. The situation is ripe for movement into human populations where its effects could be disastrous until vaccines are developed and widely applied.

Although almost all instances of HPAI have occurred in bird species in the closely related (sister) orders Galliformes (land fowl) and Anseriformes (waterfowl), it has also been detected and catastrophic in a few other species of waterbirds (waders and seabirds). In the North Atlantic, seabirds probably brought the virus from Europe to the Americas (Erdelyan et al. 2024), and some of their populations have been severely impacted. By 2022, high mortality rates due to H5N1 were recorded in UK populations of Northern Gannets, Common Gillemots and Great Skuas, as well as Roseate, Sandwich, Arctic and Common Terns (Tremett et al. 2025).

H5N1 has so far been detected in about 75% of the 53 Northern Gannet breeding colonies worldwide (all in the North Atlantic), causing high levels of mortality. At the world’s largest colony, at Bass Rock in the Firth of Forth, with more than 75,000 breeding pairs, about one third of the usual breeding sites were occupied in 2022 (Lane et al. 2023). Even when those pairs did attempt to breed, fledging success dropped to about 25% of what it had been before the outbreak. Not all infected birds died. Curiously, most of the birds that survived the infection now had black irises, a useful diagnostic tool though the underlying reason is as yet unknown.

At Skomer Island, in the Irish Sea off the Pembrokeshire coast, the resighting rate of ringed (banded) adults was about 25% between 2023 and 2024 than in previous years (Birkhead and Hatchwell 2025) reflecting the substantial mortality due to avian flu. As a consequence, a higher proportion of breeding birds in 2024 were first-time breeders, though their reproductive success was relatively low.

In both gannets and guillemots, some of the breeding sites vacated when the breeders died of bird flu were occupied by younger birds that would not normally have bred. This sort of compensatory recruitment was envisioned by David Lack (1966) in his classic Population Studies of Birds, but that idea has rarely, if ever, been previously supported (or even studied) in birds. Lack postulated that such recruitment might buffer populations against catastrophic declines, allowing faster recovery. It remains to be seen how such recruitment influences both the ecologies and behaviours of gannets and guillemots.

It is tempting to see a bit of a silver lining in the recent outbreak of bird flu, despite the devastation. Certainly, as in the recent COVID pandemic, more attention needs to be paid to the protection of domesticated fowl from communicable diseases. With about 33 billion chickens worldwide, the potential for both transmission, viral evolution, and catastrophic outbreaks is alarming. Further outbreaks like the one we are now in the midst of will undoubtedly have consequences for wild birds as well as the global food supplies and economies. The current outbreak also provides us with an unprecedented opportunity to learn about the ways that bird populations respond to catastrophic declines through mechanisms like compensatory recruitment. And we might even learn something about the adaptive significance of beautiful blue-grey eyes.

The Elusive Jewel: Photographing the Ruby-Crowned Kinglet at Point Pelee National Park

As a bird photographer and workshop leader, few places on Earth are as magical as Point Pelee National Park during spring migration. And among the countless avian jewels that pass through this birding mecca, one tiny dynamo consistently presents immense challenge and reward: the Ruby-crowned Kinglet.

I've just wrapped up another incredible "Songbirds of Pelee" workshop, and as always, the kinglets were a significant topic of conversation – and often, a source of frustration! These little bundles of energy, barely larger than a hummingbird, are constantly in motion. They flit, hop, and dart through the foliage with a seemingly endless supply of caffeine. One moment, they're there; the next, they've vanished, only to reappear a few feet away, meticulously gleaning insects from every crevice.

This constant movement is precisely what makes them so incredibly difficult to photograph. You need fast shutter speeds, quick reflexes, and a healthy dose of patience. Just when you think you've got them in your viewfinder, they've moved on. It's a dance of anticipation and split-second decisions, and every sharp shot feels like a hard-won victory.

I always emphasize an ethical and respectful approach to bird photography during my workshops, especially during migration. We are keenly aware that these birds are expending tremendous energy on their incredible journeys. Therefore, our philosophy is firmly rooted in documenting their lives as they naturally unfold, without any intervention. This means we never use setups. There's no food, no water drip or bird bath, no artificial perches, and no callback to attract them to a "designed" scene.

Our goal is to be observers, to capture the raw beauty and resilience of these creatures as they fuel up and rest before continuing their arduous migrations. We rely on our field skills, understanding of bird behaviour, and ability to anticipate their movements in their natural habitat. When you finally capture that elusive Ruby-crowned Kinglet, perhaps with a hint of that fiery crown peeking through, you know it's a genuine moment, a testament to the bird's natural behaviour and your perseverance.

And what a feeling it is to get that shot! That tiny, bright ruby patch, often hidden, is a testament to their vibrant life force. Photographing the Ruby-crowned Kinglet at Point Pelee isn't just about getting a good image; it's about connecting with the sheer determination of these incredible migrants and appreciating the wild beauty of their journey. It's a humbling reminder of the delicate balance of nature and our role in respecting it.

You know the challenge if you've ever tried photographing these little gems. But for those of us who love it, it's a challenge we eagerly embrace, year after year, here in the avian paradise that is Point Pelee.

Ruby-crowned Kinglet (Regulus calendula, Roitelet à couronne rubis, Reyezuelo rubí, RCKI). From my Songbirds of Pelee Workshop, May 2025, at Point Pelee National Park of Canada. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens @720mm ISO 10,000, f/8 @ 1/5,000s. Manual exposure.

The Ultimate Guide to Spotting Prothonotary Warblers in Ontario

Hi Chris! I'm a regular follower of your blog and recently saw your stunning Prothonotary Warbler with a reflection image. I have tried for years to see and photo of one without success. I understand why you may not answer, but are there any particular spots you can share? - Marc H, Toronto | Canada

I'm thrilled you enjoyed that Prothonotary Warbler shot with its reflection. It was a truly magical moment, and I completely understand your frustration about missing them at Pelee. These stunning, golden jewels of the warbler world can be elusive, and despite their vibrant plumage, it often seems like they are invisible!

While Point Pelee National Park is undoubtedly a hotspot during migration, and you can see them there, it's not always a guaranteed sighting. Prothonotary Warblers are particular about their breeding habitat; favouring flooded bottomland forests and swamps with standing water and decaying trees for nesting cavities. This specialized preference means they aren't as widespread as other warbler species.

So, if you're like me and want to stack the odds in your favour for a reliable Prothonotary Warbler encounter in Ontario, here are a few spots that have a strong track record:

The Best Bets for Prothonotary Warblers in Ontario:

  1. Hillman Marsh Conservation Area (near Point Pelee): Often overlooked by those rushing straight to Pelee, Hillman Marsh is arguably the most reliable spot in Ontario for breeding Prothonotary Warblers. The extensive flooded woodlands and marshy areas here provide an ideal nesting habitat.

    • Tips for viewing: Focus your efforts along the dike trails, particularly in the sections bordering the wet woodlands. Listen for their loud, ringing "sweet-sweet-sweet-sweet" song. Early mornings are best.

  2. Rondeau Provincial Park: Located on the north shore of Lake Erie, Rondeau boasts significant tracts of Carolinian forest and extensive wetlands, making it prime Prothonotary Warbler territory.

    • Tips for viewing: Explore the various trails, especially those that venture into wetter, swampier areas. The Tulip Tree Trail and the South Point Trail can be productive. Again, listen to their distinctive song as they hide high in the canopy.

  3. Long Point Causeway and Provincial Park: The Long Point region, a UNESCO Biosphere Reserve, is a significant bird migration corridor and also offers suitable breeding habitat for Prothonotaries, particularly in the more secluded wet woodlands.

    • Tips for viewing: While you can find them within the provincial park, check out some less-trafficked areas along the causeway and adjacent conservation areas with flooded timber.

When to Look:

The key to spotting Prothonotary Warblers is timing. They typically arrive in Ontario in late April to early May and breed through the summer. Your best chances for seeing them, and especially hearing their unmistakable song, are from mid-May through June. By July, they can become quieter as the breeding season winds down, and by August, they begin their southward migration.

A Few Prothonotary Warbler Tips:

  • Listen for the song: Their loud, clear "sweet-sweet-sweet-sweet" is often your first clue to their presence, especially when hiding in the dense foliage.

  • Focus on habitat: Look for areas with standing water, dead trees, and dense undergrowth in a flooded woodland environment.

  • Be patient: Like all good birding, patience is key. Find a promising spot, sit quietly, and let the birds come to you.

  • Bring bug spray: These wet environments are also mosquito heaven, so come prepared!

So, while Point Pelee will always hold a special place in our birding hearts, I recommend expanding your search to Hillman Marsh and Rondeau if you're serious about adding the Prothonotary Warbler to your Ontario life list.

Prothonotary warbler (Protonotaria citrea, Pauline orangée, Protonotaria citrea, PROW). From my Songbirds of Pelee Workshop, May 2025, at Point Pelee National Park of Canada. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens @800mm ISO 10,000, f/8 @ 1/5,000s. Manual exposure.

American Bittern Photography: A Rare Encounter in the Marsh

After another successful Songbirds of Pelee workshop, and the last of my enthusiastic participants had headed home, I found myself with that familiar mix of contentment and a touch of melancholy. It's always a joy to share my passion for nature photography and witness my students' incredible progress and excitement. But, with the teaching done, my photographic itch often resurfaces with renewed vigour.

As it often does near any marsh, my mind turned to the ever-elusive American Bittern. For those of you who have tried to photograph these masters of camouflage, you know the drill. They are the true "ghosts of the marsh," with their striped plumage and remarkable "bittern stance" allowing them to melt seamlessly into the reeds. Catching one in flight is a dream, a true testament to patience and a bit of luck. And that was my sole objective as I ventured out for a quick walk before an early night to rest before my 03:00 departure the following day.

My eyes scanning the reeds, my ears tuned for that distinctive "oong-ka-choonk" call that often gives them away. I mentally prepared for the long vigil, the slow stalk, and the likely disappointment because the wind was raging. Because let's be honest, that's often the reality when pursuing such a shy and reclusive subject.

But then… my heart did that little skip, that internal flutter that only a nature photographer understands when something special unfolds before them. There it was. Not hidden, not glimpsed for a fleeting second through a gap in the foliage. No, this magnificent American Bittern was out in the open.

It was on the edge of the marsh, frozen and likely thinking it was invisible to me if it stayed motionless. My breath caught. Not the flight shot I had envisioned, but it was arguably even better. The cloudy, bright, diffused light was perfect, casting even illumination without harsh shadows and an unobstructed view of the entire bird.

I slowly, meticulously, got down to eye level. As you all know, it's a core principle of mine to get down on your subject's level whenever possible. It creates a far more intimate and engaging image, pulling the viewer directly into the bird's world. And in this instance, it made all the difference. With a clear view and that wonderfully uncluttered background, every feather, every detail of its unique form, was beautifully rendered.

It wasn't the dramatic flight shot I had hoped for when I set out, but it was far more rewarding. It was a gift to have this notoriously shy bird present itself so openly, allowing for such a clean and pleasing portrait.

Sometimes, nature has a way of surprising us, of delivering something unexpected that far surpasses our initial intentions. This American Bittern, stepping out of its hidden world and into the open, was a powerful reminder. Moments like these reinforce why we do what we do – the pursuit of the wild, the patience, the dedication, all culminating in those fleeting seconds of pure photographic magic.

American Bittern (Botaurus lentiginosus, Butor d'Amérique, Avetoro lentiginoso, AMBI). During my Songbirds of Pelee Workshop at Point Pelee National Park of Canada. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens @700mm ISO 6,400, f/8 @ 1/5,000s. Manual exposure.

Nectar, Pollen, and Warblers: A Tennessee Warbler in Prickly Gooseberry at Point Pelee

We witnessed a truly captivating moment during my recent Songbirds of Pelee workshop at Point Pelee National Park of Canada. A Tennessee Warbler, its bill dusted with yellow pollen, was busily foraging for nectar on an Eastern Prickly Gooseberry. It put on quite a show!

A prickly gooseberry patch is an excellent spot to pause and observe birds if the park is quiet. While warblers primarily eat insects, they often supplement their diet with nectar, especially when insects are scarce or during migration. Nectar offers a readily available source of energy, which is incredibly beneficial for birds with high metabolisms, like warblers that have just expended a tremendous amount of energy migrating across Lake Erie.

Interestingly, some warblers, such as the Cape May Warbler, have specialized tongues designed for sipping nectar, highlighting a natural adaptation to this food source. It's a reminder that the natural world is full of amazing adaptations and unexpected sights!

Tennessee Warbler in Prickly Gooseberry (Leiothlypis peregrina, Paruline obscure, Reinita de Tennessee, TEWA) During my Songbirds of Pelee Workshop at Point Pelee National Park of Canada. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens @800mm ISO 10,000, f/8 @ 1/5,000s. Manual exposure.

Northern Waterthrush Photography: Patience Pays Off During Spring Migration

The recent Sony Photo walks and my Songbirds of Pelee Workshop coincided with the peak of spring migration, and the Northern Waterthrush was a frequent sight. While these small birds reliably foraged along the water's edge, capturing a good photograph proved difficult. They often perched hidden behind branches, turning potential clear shots into frustrating tangles of twigs. Therefore, when this particular waterthrush appeared in the open against a clean background, it felt like a real victory. Out of 187 images made in the 1.5 seconds spent on this perch, this single frame was the only one where I was satisfied with the head angle. I had waited at this location, hoping a bird would descend from a group of warblers moving through the trees above. This experience underscores that patience is key when photographing migrating birds in a National Park.

Interestingly, despite their name, Northern Waterthrushes are not true thrushes. They belong to the New World warbler family (Parulidae). Their name likely stems from their somewhat thrush-like size and similar foraging behaviours.

In conclusion, this encounter illustrates that successful nature photography often requires knowing the right locations, considerable patience, and a bit of luck. When a challenging subject like the Northern Waterthrush finally presents that perfect photographic opportunity, it feels like a significant accomplishment.

Northern Waterthrush (Parkesia noveboracensis, Paruline des ruisseaux, Reinita charquera norteña, NOWA). During my Songbirds of Pelee Workshop at Point Pelee National Park of Canada. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens @790mm ISO 6,400, f/8 @ 1/5,000s. Manual exposure.

Cerulean Warbler from Point Pelee

Despite the heavy rain on May 4th at Point Pelee, I found peace in the quiet solitude and the rhythmic sound of the heavy rain on my hood as I scouted for my Sony Photo Walks that would start the next day. This stunning Cerulean Warbler, usually a high-canopy dweller, rewarded my patience shortly after the rain stopped. It's incredibly vibrant colours reminded me of Fuji Velvia film from the 1990s and my old Nikon FM II camera, which I had bought from a long-time Montreal Gazette photojournalist, Allen McInnis. The intense downpour had surprisingly brought this high-foraging bird down to eye level in search of insects to refuel after a long migration. My new favourite lens, the portable and hand-holdable Sony 400-800mm zoom, allowed me the freedom to quickly move and find an unobstructed view through the early spring foliage.

This endangered and brightly coloured warbler makes an incredible journey to the cloud forests of South America, a habitat increasingly threatened by deforestation. This close encounter emphasized the crucial importance of protected areas like Point Pelee for the survival of these long-distance migrants. That rainy morning provided more than just a photograph; it highlighted the delicate beauty of this species and the urgent need to protect its habitat across continents. The peaceful solitude and the jewel-toned bird were a powerful reminder of nature's resilience and the unexpected treasures it can offer.

Cerulean Warbler (Setophaga cerulea, Paruline azurée, Reinita cerúlea, CERW). May 4, 2025, while scouting for my Songbirds of Pelee Workshop at Point Pelee National Park of Canada. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens @800mm ISO 10,000, f/8 @ 1/5,000s. Manual exposure.

Swainson's Thrush in First Light at Point Pelee

Our mornings during my Songbirds of Pelee workshop begin before the sun even thinks about waking and painting the eastern horizon with golden light. After a short tram ride to the tip, we navigate the quiet paths, the air thick with the promise of new arrivals. The dawn chorus is just beginning to build, a symphony of unseen voices. And then, perhaps a subtle, fluting call cuts through the other sounds – the telltale sign of a Swainson's Thrush nearby.

More often than not, the bird remains a phantom, its presence only betrayed by its melodic song. But the challenge isn't just in seeing the thrush; it's in finding that magical combination of factors that allows for a photograph. The light, still soft and golden from the rising sun, must penetrate the foliage layers just so. The bird needs to perch, even for a fleeting second, in a spot that offers a relatively unobstructed view. And then, of course, there's the angle of view, the bird's pose and the direction of light – maneuvering ourselves to photograph the bird without disturbing it, ensuring the light graces its features in the most flattering way.

There are moments of intense focus, heartbeats suspended as a potential shot aligns, only to be thwarted by a shift in the bird's position or a stray leaf or branch stubbornly obscuring the view. These near misses are part of the adventure, the moments that make the eventual success all the more rewarding.

And when it finally happens – that moment when the Swainson's Thrush pauses on a decent perch, bathed in the soft glow of first light, with a clean enough line of sight, with a flattering pose and angle…and a catchlight in the eye – it's pure magic. The click of the shutter feels significant, a small victory hard-earned: We learn the patience of a hunter, the art of observation and the importance of tenacity.

Did you know that the Swainson's Thrush undertakes truly epic nocturnal migrations, sometimes flying thousands of kilometres? Even more fascinating is that they primarily navigate using celestial cues – the stars – to guide their journey across continents. Imagine this small, elusive bird using the vastness of the night sky as its map!

If the magic of a Pelee dawn chorus and the rewarding challenge of capturing these fleeting beauties during migration resonates with you, perhaps you're ready to experience it firsthand. Our Songbirds of Pelee workshop offers an immersive opportunity to learn the art of bird photography in one of North America's premier migration hotspots. Click here to visit our workshop page, explore upcoming dates, and discover how you can join us on the tip as the sun rises, chasing those unforgettable moments with the songbirds of Pelee.

Swainson’s Thrush (Catharus ustulatus, Grive à dos olive, Zorzalito quemado, SWTH). From my Songbirds of Pelee Workshop at Point Pelee National Park of Canada. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens @800mm ISO 5,000, f/8 @ 1/5,000s. Manual exposure.

Blue-gray Gnatcatcher in Golden Light at Point Pelee

My annual "Songbirds of Pelee" workshop recently concluded at Point Pelee National Park of Canada, and as always, the park's remarkable birdlife provided ample photographic opportunities. Among the many fascinating species encountered, the Blue-Gray Gnatcatcher presented a particular test of skills.

We frequently observed these tiny birds during the early morning as the sunlight cast a warm, golden glow across the rapidly emerging foliage. Their subtle blue-gray plumage and constantly flicking tails are distinctive features. However, capturing a clear photograph proved to be demanding due to their energetic and restless nature. They seldom remain stationary for more than an instant, scurrying through the foliage in search of insects. The challenge lay in achieving sharp focus and a pleasing composition amidst their constant activity.

Despite the difficulty, the reward of a well-captured image of a Blue-Gray Gnatcatcher in the soft, golden light was considerable. Their delicate beauty, though fleetingly observed, is truly captivating.

An interesting aspect of this species is its nest construction. Blue-Gray Gnatcatchers incorporate spiderwebs into the fabric of their small, cup-shaped nests. This material provides structural integrity and aids in camouflage within its environment.

Photographing the Blue-Gray Gnatcatcher at Point Pelee requires patience and persistence. While their constant movement presents a challenge, the opportunity to observe and document these tiny birds in their natural habitat, particularly during the beautiful light of the early or late day, is a worthwhile pursuit for any nature photographer.

Blue-gray Gnatcatcher in Golden Light (Polioptila caerulea, Gobemoucheron gris-bleu, Perlita grisilla, BGGN). From my Songbirds of Pelee Workshop at Point Pelee National Park of Canada. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens @800mm ISO 5,000, f/8 @ 1/5,000s. Manual exposure.

Join me at Point Pelee for my Songbirds of Pelee Workshop May 7-11, 2026 CLICK HERE TO LEARN MORE

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Join me at Point Pelee for my Songbirds of Pelee Workshop May 7-11, 2026 CLICK HERE TO LEARN MORE |

Barn Swallow Banking in Flight

Point Pelee National Park in Canada needs no introduction to bird photographers. Its unique location, jutting into Lake Erie, makes it a magnet for migrating birds, especially during spring and fall. While the spring migration brings a kaleidoscope of warblers and other songbirds, a resident avian acrobat provides a unique and thrilling photographic challenge throughout the breeding season: the Barn Swallow.

Recently, on the last afternoon of my Songbirds of Pelee Workshop, we spent some exhilarating hours at the Marsh Boardwalk Tower with my group practicing birds-in-flight photography. It is a fantastic vantage point overlooking the marsh, where dozens of Barn Swallows return to their nests tucked under the boardwalk tower deck. The conditions were demanding: harsh midday light and gusty winds that turned the swallows' flight paths into unpredictable ballets. It was a perfect opportunity to hone our birds-in-flight photography skills.

Success in wildlife photography, especially with challenging subjects, often involves patience and keen observation. We spent a significant amount of time simply watching the Barn Swallows. We observed their typical flight patterns as they approached their nests, how they reacted to gusts of wind, and the moments when they might briefly fly more predictably.

Barn Swallow Banking in FLight with Tail Flaired (Hirundo rustica, Hirondelle rustique, Golondrina común BARS). From my Songbirds of Pelee Workshop on May 11, 2025, at Point Pelee National Park of Canada. Image Copyright ©Christopher Dodds. Sony Alpha a1 Mark II Mirrorless camera, Sony 600mm f/4 GM OSS Lens, Sony FE 2X Teleconverter @ 1,200mm. f/8 ISO 3,200 @ 1/5,000s. Manual exposure.

Point Pelee Vesper Sparrow

The day before my Sony photo walks began (May 4, 2025), while scouting the tip of Point Pelee National Park, I bumped into old friends John Reaume and Scott Fairbairn. We were making our way towards the tip tram stop when we noticed a cluster of photographers lying prone on the wet gravel parking lot. Naturally, we went to investigate what had captured their attention.

Migration at Point Pelee always promises exciting avian encounters, but this year delivered a particularly special treat: a Vesper Sparrow. Commonly seen by avid birders at Point Pelee, it was a rare opportunity to photograph one out in the open; they are usually found in open grassy areas, making it difficult to get a clear, unobstructed view through the lens.

Capturing this image required a bit of strategic maneuvering. This Vesper Sparrow preferred to stay in front of the cement parking curbs placed to define the edge of the parking spots. It would flit and run between these concrete dividers, almost as if following an invisible pathway, never stopping in front of a decent natural-looking background.

To get the low angle I desired and isolate the bird against the greenery, I carefully positioned myself, holding my camera just off the ground by the lens foot of my new Sony 400-800mm zoom rotated to the top, the articulating rear LCD of my Sony a9 III proved invaluable, allowing me to comfortably compose the shot without lying prone on the wet gravel, unlike some other photographers we had encountered.

It's crucial to remember that while the desire to photograph these beautiful migrants is strong, our priority must always be their well-being. Finding and photographing them ethically during this critical period is paramount, ensuring we observe without causing any disturbance to their vital journey. This rare sighting is a gentle reminder of the delicate beauty that passes through places like Point Pelee and the importance of responsible nature photography.

Vesper Sparrow Running (Pooecetes gramineus, Bruant vespéral, Chingolo coliblanco, VESP). From my Songbirds of Pelee Workshop on May 8, 2025, at Point Pelee National Park of Canada. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens @800mm ISO 20,000, f/8 @ 1/5,000s. Manual exposure.

Light and Shadow: Capturing a Prothonotary Warbler's Reflection

The still water mirrored the prothonotary warbler's vibrant yellow plumage against the dark embrace of a mossy log. This perfect reflection transformed a fleeting natural moment into an artistic study of light, shadow, colour, and form. Capturing such brilliance demanded meticulous attention to detail, particularly in preserving the delicate highlights of the bird's golden feathers. In manual exposure, careful calibration of aperture, shutter speed, and ISO was essential, constantly referencing the camera's histogram and employing highlight alerts to avoid clipping. Beyond technical mastery, composition elevated the image. The log's form guided the eye towards the warbler and its ethereal reflection, while the dark backdrop intensified the bird's luminous colour. The bark's texture and subtle shadows added layers of visual depth.

Intriguingly, the "prothonotary" warbler's name echoes the bright yellow robes of Roman Catholic prothonotaries public, a historical link made unexpectedly resonant by the naming of a new Pope today.

Prothonotary warbler Reflection (Protonotaria citrea, Pauline orangée, Protonotaria citrea, PROW). From my Songbirds of Pelee Workshop on May 8, 2025, at Point Pelee National Park of Canada. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens @800mm ISO 10,000, f/8 @ 1/5,000s. Manual exposure.

Point Pelee Black-Throated Blue Warbler

The first Christopher Dodds X Sony of Canada photo walk at Point Pelee National Park was a massive success with a great group of keen photographers. Birding started a bit slow in the fog, but thankfully, the rain held off, and we had a busy afternoon with some fantastic birds. We saw many Black-throated Blue Warblers among the mix, and while they were pretty active, they did settle down and pose for pictures occasionally.

This particular Black-throated Blue Warbler paused briefly behind some thick vegetation. I quickly shifted my position to get the right light angle, pre-visualizing the perch and the light. Sure enough, the warbler landed just as I brought my camera up to my eye. Fun fact: the Black-throated Blue Warbler has a distinctive, buzzy song that some people describe as sounding like "I am so la-zee."

Black-throated Blue Warbler (Setophaga caerulescens, Paruline bleue, Reinita azulada, BTBW). From my Songbirds of Pelee Workshop on May 5, 2025, at Point Pelee National Park of Canada. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens @710mm ISO 2,500, f/8 @ 1/5,000s. Manual exposure. Full frame image.

Point Pelee Surprise: Hooded Warbler Magic and Workshop Prep

Yesterday's uneventful nine-hour pre-dawn drive delivered me to Point Pelee, where a quick scouting mission for the upcoming "Songbirds of Pelee" Workshop turned into a surprisingly fantastic afternoon despite the cloudy skies.

While the park isn't teeming with birds, the quality of species encountered was exceptional. My walk began with a Prothonotary Warbler and Northern and Louisiana Waterthrushes showcasing their distinct plumages that even ended up on the same log at one point – a photographic challenge thanks to the many obstructing branches. However, the true highlight for me was a beautiful male Hooded Warbler in fresh breeding plumage. For a full twenty minutes, I had this gem all to myself. Lost in its post-migration feeding frenzy, it remained completely oblivious to my presence. After spending most of its time amidst dense vegetation, it briefly hopped onto a characterful perch with a clean background and offered a fleeting pose. My heart skipped a beat as I gently pressed the shutter, and thanks to pre-capture, I managed a few frames as it took flight. While I prefer smaller perches for warblers, this one has enough character to work - smile!

I chose the Sony a9 mark III paired with the brand new 400-800mm Zoom, and it proved to be a perfectly portable and capable setup for wandering trails looking for migrants; I can't think of a good reason to choose to haul the 600mm around :)

Along the trails, I also enjoyed reconnecting with some old friends: great warblers and good company. The anticipation for the workshop is building! More updates from this incredible birding hotspot will follow soon.

Hooded Warbler (Setophaga citrina, Paruline à capuchon, Reinita encapuchada, HOWA). While scouting for my Songbirds of Pelee Workshop on May 3, 2025 at Point Pelee National Park of Canadaa. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens @800mm ISO 10,000, f/11 @ 1/2,500s. Manual exposure.