Say’s Phoebe in Flight in Golden Light: A Golden New Mexico Welcome

After the long RV drive from Montreal down to New Mexico, Julie and I were more than ready to finally get out, breathe, and enjoy some real light again. We arrived a few days early ahead of my sold-out Better Than Bosque Workshop, using the extra time to scout all the best locations before greeting the participants when the workshop kicks off on December 5. And New Mexico wasted no time reminding us why this place is so special.

This beautiful Say’s Phoebe floated in and gave us the perfect welcome on November 29, 2025. The bird hovered right in front of us in that incredible New Mexico evening glow—soft golden light, a light breeze, and a clean background that looked like it was designed for this shot. After days on the road, it felt like the universe was tossing us a little reward.

Say’s Phoebes are one of those birds that don’t scream for attention, but once you spend a moment with them, you appreciate their quiet elegance. Soft warm tones, calm personality, and that classic flycatcher hunting style—launching out, grabbing insects mid-air, and drifting back like it’s nothing. They’re right at home in open country, ranchlands, and desert edges, which makes New Mexico prime territory for them.

This simple, beautiful encounter was exactly what I needed after all the miles. Sometimes you step out of the RV, and the shot just finds you.

Say’s Phoebe in Flight in Golden Light (Sayornis saya, Moucherolle à ventre roux, Mosquero llanero, SAPH) Photographed on November 29, 2025, while scouting for my Better than Bosque workshop. Albuquerque, New Mexico, USA. Image Copyright ©Christopher Dodds. Sony a9 Mark III Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens with Sony FE 2X Teleconverter @1,200mm ISO 3,200, f/8 @ 1/6,400s. Full frame image. Manual exposure.

Snowy Owl Activity Rises Across North America: A Promising Winter Ahead for Owl Photography Workshops

Here’s another recent frame of the male Snowy Owl I found earlier this month in the fresh snow — snow that’s now mostly gone. When I saw him, he was half-tucked into the snow, looking as relaxed as a bird can be in a November wind. What really caught my attention, though, was what had his attention: a Rough-legged Hawk perched on a lone tree nearly a kilometre away.

Watching the Dialogue Between Two Arctic Hunters

I love interactions like this — subtle, quiet, nothing dramatic, but full of meaning if you watch closely. Snowy Owls and Rough-legged Hawks share the same winter spaces and, at times, the same menu. Both are Arctic hunters that drift south when food gets tight up north. They aren’t competing in any dramatic way; they’re simply reading each other the way predators do. A shift in posture, a slight tightening of feathers, a long stare — it’s a silent language that’s been passed down through generations.

At one point, the hawk shuffled its wings, and the owl narrowed his eyes just a touch. That was the whole interaction, but it said plenty. These tiny moments are why I love photographing in winter — the landscape is quieter, and the stories stand out.

The Owl That Forgot I Existed

And the best part? He wasn’t paying any attention to me at all. That’s always my favourite thing — when the bird forgets I’m there and I get to watch real behaviour, not reactions to my presence.

A fun bit of trivia while we’re here: Rough-legged Hawks are one of the only hawk species with feathers right down to their toes — just like Snowy Owls.

Strong Early-Winter Snowy Owl Numbers

New Snowy Owl sightings continue to indicate a strong winter ahead. In Chicago, there were two confirmed at Montrose Point Bird Sanctuary.

And what’s more, the wider pattern this winter is looking really good: Snowy Owls aren’t just turning up in Chicago. There are at least four around MSP Airport in Minnesota, and dozens across Wisconsin — with the DNR reporting 84 so far. Up into Alberta, birders are seeing Snowies spread throughout more open country than usual. When Snowies show up early and in numbers like this across their winter range, it’s a strong signal that this could be a very good season.

Looking Ahead

With a bit of luck, this male will stick around. He’s already given me more than a few memorable moments, and winter hasn’t even settled in properly yet.

If you want a chance at encounters like this, I still have a few openings left in my Winter Owl Workshops this January and February. No guarantees, of course — nature decides what we see — but the way things are unfolding, it could be a very special year.

Wildlife Photography in Katmai: How Subtle Backlight Transformed a Brown Bear Cub Portrait

One thing Katmai never fails to teach—no matter how many years I spend guiding workshops —is the value of patience and respect. We don't chase photographs there; we wait for them. We stay seated, calm, and predictable so the bears can go about their lives without a second thought about us. And it's often in that stillness that the most intimate moments appear.

This young brown bear cub had been exploring and moving away from its mother, carrying that wonderful mix of caution and curiosity you only see in bears discovering the world for the first time. The light that afternoon wasn't dramatic or golden—it was clean, soft, and just bright enough to create a gentle backlit edge on the cub's wet fur. Subtle light like this is often my favourite to work with. It doesn't shout drama; it whispers intimacy.

Because we remain seated when bears come close, I couldn't reposition or search for a "better angle." Instead, I embraced the one I had. That limitation—ironically—can be a gift. When you can't move, you start paying closer attention to small shifts: the direction of the bear's gaze, the texture in the coat, the separation between subject and background. You begin crafting the image with what the bear offers you, not what you wish you had.

Technically, I stayed in manual mode, as I always do. It gives me complete control over how the mid-tones fall and how much detail I keep in those fur highlights. With a lightly backlit subject, I exposed carefully to retain the texture of the wet fur. The light wasn't dramatic, but it had shape—and that's what makes an intimate portrait possible.

What I hope participants take home from My Ultimate Brown Bears of Katmai Workshop is this: intimacy comes from respect, patience, and working with the conditions you're given. You don't always get spectacular light or dramatic behaviour. But when you stay present, grounded, and ready, even a quiet moment with a curious cub can become a portrait that stays with you long after you leave Alaska's rugged coast.

If you’re looking to strengthen your wildlife photography, refine your use of natural light, and work closely with bears in a respectful and ethical setting, consider joining my next Ultimate Brown Bears of Katmai workshop. Only two spaces remain, and they won’t last long.

OFF TOPIC: STREET PHOTOGRAPHY Distant Gaze

Every now and then, street photography hands you a moment you never actually set out to capture—it just unfolds in front of you. This frame was one of those chance encounters, grabbed from the hip while wandering through Old Montreal on October 31.

The rain had slicked the cobblestones, and that soft, gray, late-October light gave everything a quiet, muted mood. Amid the cars rolling by and the faint streaks of falling rain, she was perfectly still—half tucked into the shadows, eyes somewhere far beyond the street. It wasn’t about the direction of her gaze, but the feeling of absence behind it, as if she was standing in two places at once.

Shot in the wide, cinematic X-pan aspect ratio, the scene stretches out just enough to let you breathe in the atmosphere. The extended frame gives the moment space—space to wonder, space to imagine, space to linger in whatever story might be unfolding just outside the edges.

It’s one of those images that offers more questions than answers, a reminder of how powerful the quiet, ambiguous corners of everyday life can be. Sometimes the most compelling photos are the ones that simply let us look, pause, and drift for a moment.

First Snowy Owl of the Season: A Winter Encounter to Remember

Still out exploring, riding the post-bunting excitement from my last post (Ghosts of the Snow: The Return of the Snow Buntings), a pale shape in a snowy field made me slow down. At first, I thought I was imagining it — my eyes strained by the glare — but then it moved. Sitting out in the open was a nearly pure-white male Snowy Owl, sitting on the fresh blanket of snow.

I eased the car forward and let it act as my hide. With my Sony a1 Mark II and the 600mm f/4 with 1.4X in hand, I slowly raised the camera out the window. The owl didn’t seem bothered at all — he sat tall, calm, and beautifully relaxed, watching the landscape as if he owned it.

For the next 40 minutes, he barely shifted. Snow drifted around him, the light softened, and the afternoon slowly faded toward evening. To see Snow Buntings and a Snowy Owl on the same day — and during the first real snow of the season — felt like an incredible gift.

One interesting thing about Snowy Owls: they don’t migrate south because of the cold. They are well-suited for Arctic winters. Instead, they move south when their summer food source — mainly lemmings — becomes scarce. A drop in prey can send these big white owls wandering far beyond their usual range, sometimes thousands of kilometres.

As dusk settled in, I backed away and left him exactly where I found him. No guarantees he’ll stay — these birds follow their own rules, and the males often get chased off by the larger females — but fingers crossed he hangs around for the winter.

If you’d like the chance to experience moments like this, I still have a few spaces left in my Winter Owl Workshops this January and February. No guarantees, of course, but with the way this season has begun, it could be a truly special year.

“I recently participated in my second trip with Christopher Dodds to find and photograph the beautiful snowy owls. It was an amazing experience. Not only was Christopher able to find these owls due to his extensive experience and knowledge of the owl’s behavior but I expanded my skills in capturing stunning birds in flight photography. Not only did we see and photograph snowy owls but also short-eared owls, harriers, a screech owl and some absolutely stunning early morning photos of a barred owl hunting along the snow-covered ground. Christophers’ knowledge of how to photograph these magnificent birds honed over decades of wildlife photography was well worth the cost for my second trip. Chris was able to assist me in the optimal settings for my Canon gear. Very worthwhile!”

— Wayne Ferch | Oregon |USA

Ghosts of the Snow: The Return of the Snow Buntings

Winter has arrived in Québec much earlier than in recent years, and with it came one of my favourite sights of the season — the first flocks of Snow Buntings swirling through a surprise snowstorm. Julie and I were out exploring the countryside when we spotted them: hundreds of small white birds flashing in unison above the fields, rising and settling like drifting snowflakes come to life.

There’s something almost supernatural about these birds. The imagery of white birds on snow or frost‐covered ground gives them a kind of ghost-bird quality in folklore — fleeting, ethereal, and perfectly at home in the storm. Because the Snow Bunting appears often only in cold, snowy fields or shortly after storms, it has long been seen as a harbinger of winter and cold weather, a living symbol of the frozen north returning for another season.

And this winter seems determined to make an entrance. Alongside the buntings, reports are already coming in of Snowy Owls in Québec and pushing far south — some as distant as Nebraska and Illinois. Other recent reports indicate a large number of snowy owls in Kansas, suggesting a winter irruption is occurring across North America; this could be an incredible year for owl sightings across eastern Canada and the northern United States.

For me, photographing a Snow Bunting in flight amid falling snow feels like capturing the essence of winter itself — fragile, fierce, and fleeting all at once.

If you’d like to experience this magic for yourself, I still have a few remaining spots open for my Winter Owls Workshops this January and February. Join me in the field and witness these arctic wanderers up close — from the ghostly buntings to the majestic Snowy Owls that follow them south.

👉 Reserve your spot now — and let’s chase winter’s light together. CLICK HERE TO SIGN UP!

“ I couldn’t have asked for a better experience while participating in one of Chris Dodds’ Snowy Owl workshop in February 2025. Chris is a photographer’s photographer! His meticulous field preparation and expert understanding of owl behavior and natural habitats are unmatched. While in the field, Chris is always on hand, offering tailored advice on camera settings, lens choices, and technical matters —no matter what gear you’re using. His approachable nature and years of guiding photographers to hidden, exceptional wildlife hotspots make his workshops stand out, ensuring an unforgettable experience that goes above and beyond what most photographers have encountered.”

— Wink Gaines | North Carolina | USA | www.winkgainesphoto.com

Portrait on the Edge: Photographing a Horned Puffin in Alaska’s Mist

There’s something about sitting on the edge of a cliff in Alaska that rearranges your sense of scale. The ocean below breathes in slow, deep rhythms as waves roll in. Fog drifts in and out, and the world feels pared down to sound, salt, and stillness. It can be incredibly quiet — almost entirely free of artificial sound.

That’s where I was — legs hanging over the edge, camera in hand — when a Horned Puffin landed on a ledge just a few meters away. No fanfare, no warning. One moment it wasn’t there, the next it was, standing calm and alert, perfectly at home in the damp, gray air.

I froze, not out of fear of spooking it, but out of awe and respect. Puffins always look a little improbable — that bold colourful bill and those crisp black-and-white feathers, like something painted too brightly for the subdued northern palette. Yet here, in the mist, it fit. The colours softened, the edges blurred, and it became part of the landscape rather than decoration upon it.

What struck me most was the light — that soft, ethereal kind of light that only shows up on overcast days—the type of light that I love. It’s a gift, really—no harsh shadows, no blown highlights. The mist acted like the world’s biggest diffuser, wrapping the scene in a kind of even softness. Every fine line of the puffin’s plumage was visible, every subtle shift of tone across its feathers. The black wasn’t just black; it had depth, warmth, and texture.

The bird didn’t seem bothered by me at all. I moved slowly, barely breathing, taking a few careful frames. It preened a little, looked toward the open water, then settled again, entirely at ease. That kind of trust — or maybe just mutual stillness — is something I never take for granted. You can’t make it happen; you have to be quiet and still long enough for wildness to stop seeing you as a threat.

When the puffin finally lifted off, disappearing into the fog like a thought half-remembered, I realized I hadn’t checked my camera once. The images would be there, sure, but the moment itself — the sound of waves below, the smell of sea and moss, that shared calm — that’s what stays with me.

It’s funny how sometimes the most satisfying photographs are the ones that almost don’t feel like photographs at all. They feel like thank-you notes to the world for letting you in for a minute — and for reminding you how small and lucky you are.

Sunset Shilouette @65X24 Jackfish Lake, Dinowic, Ontario, Canada

Off Topic – Jackfish Lake, Ontario
As the sun dipped below the horizon at Jackfish Lake, near Dinowic, Ontario, the world turned to quiet silhouettes and warm orange light. Julie and I had pulled over on a whim during the last leg of our cross-country RV trip, drawn by the glow on the water. Standing there, watching the colours fade, we were reminded how much beauty hides in the spaces between destinations. It’s so easy to chase the miles and miss the moments—but evenings like this make slowing down feel like the real journey.

Brown Bear Fishing: Face to Face in the Wild

Face to Face with a Brown Bear — An Unforgettable Moment in the Wild

There are moments in wildlife photography that remind you exactly why you do this — why you wake before dawn, brave the elements, and wait for hours in silence.

I was out in the field with my workshop group, cameras ready, the cool morning mist hanging low over the landscape. Suddenly, out of the stillness, this magnificent brown bear came charging — not at us, but directly toward us, powerful and focused, every muscle in motion.

For a brief second, time seemed to slow. The bear’s eyes locked ahead, paws thundering across the water, droplets flying in every direction. The adrenaline surged through all of us — an exhilarating and humbling reminder that we were witnessing raw nature in its purest form.

In reality, the bear wasn’t charging at us at all — it was chasing a salmon cutting through the shallows just in front of us. What looked like a dramatic head-on rush was actually a perfectly timed hunting move, a burst of precision and power honed by instinct. Watching that unfold at such close range was both breathtaking and unforgettable.

Our position was safe, our guide experienced, and the bear continued on its way after its brief pursuit — a reminder that we were merely visitors in its world.

Moments like these stay with you forever. They teach respect — not just for the animals, but for the wild spaces they inhabit and the delicate balance that allows encounters like this to happen safely and ethically.

This image captures just a fraction of what it felt like to be there — the power, energy, and sheer presence of one of nature’s most incredible creatures. It reminds me that in wildlife photography, the best moments aren’t just about the shot — they’re about connection, respect, and the shared experience of being truly alive in the wild.

Join Me in the Field

If experiences like this ignite your sense of adventure, consider joining one of my upcoming brown bear photography workshops. Together, we’ll spend time in the heart of bear country — capturing unforgettable moments, learning about behaviour, technique, and ethical field practices, and building a portfolio of powerful images.

There are only two spots left for both my June and September 2026 Ultimate Brown Bears of Alaska Adventure workshops — so if you’ve ever dreamed of photographing brown bears up close (safely and respectfully), now’s the time to make it happen.

📸 Learn more and reserve your spot here: https://www.chrisdoddsphoto.com/bear-boat-coastal-brown-bears-of-alaska

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More Kudos

“Thank you for another amazing workshop (Ultimate Brown Bears of Alaska)! Although this was my fifth trip with you, it was the ultimate workshop for me, as I had dreamt about it for years. This adventure was truly above and beyond my wildest dreams! Every aspect of this trip was perfect, and made it a life-changing experience for me. Thank you for the incredible organization and guidance (before and during the trip). Like always, I felt confident that you would make sure we were safe, happy and learning tons! There is no doubt that the level of planning and dedication toward ensuring the best trips for your clients is bar none. I came back with my head full of great memories and a hard drive overflowing with beautiful pictures of those gorgeous Brown Bears.”

- Louise Bertrand Québec │ Canada

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ProFusion Expo 2025 — What an Incredible Experience! 🇨🇦📸

ProFusion Expo in Toronto was an absolute blast! All of my presentations were standing-room-only — thank you to everyone who came out, asked questions, and shared so much great energy. It’s always inspiring to connect with such a passionate community of photographers, filmmakers, and creators.

This year marked my 11th consecutive year presenting and 9th year representing Sony, and it was amazing to see how the event continues to grow and evolve. The conversations, creativity, and sense of community are what make ProFusion so special.

A huge thanks to the entire @ProFusionExpo @Vistek @SonyCanada teams for another fantastic show, and to my friends Rafa Reyes, Matthew Oakes, and Matt Gabrie for capturing and sharing some great moments of me in action — you guys rock! 🙌

Until next time, Toronto — keep creating, keep inspiring, and see you again in 2026!

A Bumper Crop of Cubs Coming Soon: Alaska’s Brown Bears and the Incredible Salmon Run

A dripping wet Coastal Brown Bear watches a salmon that escaped her lunge! This year’s September Ultimate Brown Bears of Alaska Workshop was absolutely unforgettable. We witnessed one of the strongest salmon runs in decades, and it showed — the rivers were boiling with fish, and the bears were feasting like royalty.

Everywhere we turned, the bears were massive, healthy, and focused on fattening up for winter. With so much food available, the mothers will head into their dens well-prepared — and that means we can likely expect a bumper crop of cubs emerging next June!

Coastal Brown Bears (Ursus arctos gyas) depend heavily on salmon to build the fat reserves that carry them through hibernation. When salmon runs are strong, females have more energy to conceive and raise multiple cubs — and their chances of survival skyrocket. Cubs are actually born in the den in midwinter, usually around January or February, and don’t make their first public appearance until late spring.

It’s a powerful reminder that healthy salmon runs ripple through the entire ecosystem. Those nutrients brought upstream by spawning salmon feed everything from bears to eagles — even the forests themselves. This year’s abundance of fish doesn’t just feed today’s bears; it helps shape the next generation of Alaska’s magnificent brown bears.

If you’ve ever dreamed of photographing mothers and cubs in the wild, now’s your chance! My Ultimate Brown Bears of Alaska: Mothers and Cubs Edition runs June 12–19, 2026, and there are only two spots left. Join me for an unforgettable week of wildlife, wilderness, and world-class bear photography in the heart of Alaska.

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OFF TOPIC…

Oil Slick. Kodiak Harbour, Kodiak, Alaska.

Sometimes the best images are the ones you stumble upon while simply paying attention. This oil slick was photographed during a slow walk around Kodiak Harbour in Kodiak, Alaska, before my Ultimate Bears of Alaska Workshop — a day spent chatting with local fishermen, meeting their dogs and crews, and taking in the quiet beauty of working boats and weathered docks, while seeking images of the fishermen whose weathered faces so often tell the tale of a life well lived and a living hard-earned. It’s a reminder that taking the time to look closely usually reveals moments of colour, texture, and reflection hiding in plain sight — even on an overcast, grey day.

Join Me in Toronto at ProFusion Expo 2025! 🇨🇦📸

Join Me in Toronto at ProFusion Expo, November 5 & 6, 2025! 🇨🇦📸
I’m honoured to be presenting again, marking my 11th consecutive year presenting at the show and my 9th year representing Sony!

ProFusion Expo is Canada’s largest photo and video event, and after a decade of success, it’s the must-attend gathering for photographers, videographers and content creators at every level. Whether you’re a seasoned pro, a passionate enthusiast, or an emerging creator — this is your chance to learn, connect and be inspired.

🎤 Event Dates & Hours:
📅 Wednesday, November 5, 2025 — 12:00 in the Sony Booth & 15:30 on the Main Stage.
📅 Thursday, November 6, 2025 — 11:30 on the Main Stage & 13:00 in the Sony Booth.

Don’t miss my free seminar, where I’ll share insights from my imaging journey and you’ll have the opportunity to ask questions and say hello in person.

👉 Register now for free and be sure to stop by & say hello! — I’d love to see you there!

Algonquin Moose Photography & Conservation: Why Moose Are Harder to Find — and How to Capture Them Responsibly

This is another Bull Moose captured during one of my recent visits to Algonquin Park. I find myself both drawn to and uncertain about this image in equal measure. I love the way the moose emerges from the thick foliage, with its eye subtly illuminated between the shadow cast by its antlers in harsh light—a quiet moment of contrast and texture. I’d love to hear what you think.

Moose (Alces alces, orignal, élan) Ontario, Canada. Image Copyright ©Christopher Dodds. Sony A1 Mark II Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens @800mm ISO 1,000, f/8 @ 1/5,000s. Manual exposure. Full frame image.

“Hi Chris - Love your photos and a question- why are there such fewer moose in Algonquin now as compared with years ago do you think?” - Ashley Hockenberry

Where Have All the Moose Gone?

Understanding Algonquin’s Changing Moose Population

In my last post, I shared a favourite moose encounter from Algonquin’s misty wetlands. Many readers asked the same question:

“Why are there so many fewer moose in Algonquin now than there used to be?”

It’s something I’ve noticed too on those quiet dawn drives when the roadsides seem empty. The truth is, there’s no single reason. The decline of Algonquin’s moose population — and across much of Ontario — is the result of several overlapping pressures: climate, parasites, habitat change, and human activity.

1. Climate Change and Parasites

Warmer winters and shorter snow seasons have allowed winter ticks (Dermacentor albipictus) to thrive. A single moose can carry tens of thousands of ticks, leading to blood loss, hair loss, and sometimes death — especially for calves.

Hotter summers add stress too: moose overheat easily, rest more, and feed less, entering winter with lower fat reserves and reduced survival odds.

2. Brainworm from Expanding Deer Populations

As white-tailed deer move north, they bring brainworm (Parelaphostrongylus tenuis), a parasite harmless to deer but fatal to moose. The growing overlap between deer and moose ranges in Algonquin has increased the risk of infection, further straining the herd.

3. Habitat Changes

Moose depend on young, regenerating forests full of birch, aspen, and willow shoots. Early logging and natural fires once created this type of habitat.

Today, Algonquin’s forests are maturing under selective management — beneficial for many species, but offering less prime browse for moose. Beyond the park, large-scale clearcutting and fragmented landscapes have also reduced food availability and safe travel corridors.

4. Past Overharvesting

Earlier wildlife policies once allowed calf hunting and issued higher tag numbers. These practices contributed to declines across several regions. Ontario has since tightened hunting regulations, but recovery is slow, and occasional poaching near the park boundaries continues to raise concern.

5. Predation and Population Health

Wolves and bears remain vital parts of Algonquin’s ecosystem. While predation is natural, moose weakened by ticks, heat stress, or poor nutrition become easier prey, especially calves. These interactions can magnify the effects of other stressors.

6. Human Disturbance: The Problem with Calling-In Moose

A newer issue is the use of moose calls by photographers hoping for a closer shot. While often well-intentioned, this can harm the animals. Responding to calls forces moose — especially bulls during the rut — to waste precious energy and move away from feeding or resting areas. It can also lead them toward roads or confuse them during the breeding season.

“A bull chasing a phantom call isn’t resting or tending to actual cows,” notes one park warden.

Frequent exposure to artificial calls can habituate moose to people, increasing the risk of vehicle collisions. Algonquin staff strongly encourage passive, respectful viewing instead.

📸 Ethical Moose Photography: 3 Quick Tips

1. Keep Your Distance – Use a long lens; let the moose control the space.

2. No Calls or Bait – Avoid techniques that alter natural behaviour.

3. Be Patient – Early mornings and quiet observation often lead to the best shots.

“Patience always pays off — the wild moments come to those who wait.”

Working Toward Balance

The picture isn’t all bleak. Researchers, Indigenous knowledge holders, and park staff are studying these challenges together. A more holistic management approach — one that considers climate, disease, habitat, and cultural perspectives — offers hope for a sustainable moose population in Algonquin and beyond.

A Personal Reflection

Even with fewer sightings, every moose encounter in Algonquin still feels like a gift. They’re out there — deep in the spruce, wading through dawn mist, quietly living the rhythms of a changing forest.

“The forest is never static — it’s a living system, always in motion. Moose reminds us of that.”

If you’ve noticed changes in moose activity or have stories from your own Algonquin visits, I’d love to hear them in the comments below.

Join Me in Toronto at ProFusion Expo 2025! 🇨🇦📸

Join Me in Toronto at ProFusion Expo November 5 & 6, 2025! 🇨🇦📸
I’m honoured to be presenting again, marking my 11th consecutive year presenting at the show and my 9th year representing Sony!

ProFusion Expo is Canada’s largest photo and video event, and after a decade of success, it’s the must-attend gathering for photographers, videographers and content creators at every level. Whether you’re a seasoned pro, a passionate enthusiast, or an emerging creator — this is your chance to learn, connect and be inspired.

🎤 Event Dates & Hours:
📅 Wednesday, November 5, 2025 — 12:00 in the Sony Booth & 15:30 on the Main Stage.
📅 Thursday, November 6, 2025 — 11:30 on the Main Stage & 13:00 in the Sony Booth.

Don’t miss my free seminar, where I’ll share insights from my imaging journey and you’ll have the opportunity to ask questions and say hello in person.

👉 Register now for free and be sure to stop by — I’d love to see you there!

Bull Moose! Full Circle: Beginning and Ending Our Cross-Canada Journey at Algonquin Park

Our Cross-Canada road trip began and ended at Algonquin Park, Ontario, with a few quiet days on each end to reconnect with the landscape that first inspired my love of nature photography nearly fifty years ago.

Over the decades, I’ve spent countless hours hiking the park’s longer trails, camera in hand, hoping to encounter wildlife. In the 1970s and 80s, it seemed almost inevitable — moose were abundant, and every trip promised new encounters. But times have changed. Wildlife sightings have become rarer, and recent hikes are often more about soaking in the atmosphere — the scent of pine and spruce, the soft light filtering through the forest, and the meditative rhythm of the trails — than about the animals themselves.

As always, this year I heard the familiar refrain from fellow visitors and friends texting: “A friend saw a moose just yesterday — over by [somewhere else].” I’ve learned not to chase those leads. I prefer to trust the process, stick to my plans, and take whatever nature offers along the way.

On one of those quiet mornings, patience paid off. In a remote, seldom-visited area, I came across a mature bull moose standing motionless on the edge of a still pond — a scene straight out of Algonquin’s timeless wilderness.

For this image, I used the Sony α1 II paired with the Sony 400–800mm zoom, shooting at 800mm, f/8, ISO 16,000, and 1/5000 sec. The fast shutter speed ensured I’d be ready for any sudden movement — a head shake, a step into the water, or the flick of an ear catching light. Despite the high ISO, the α1 II handled the low light beautifully, preserving fine detail in the moose’s dark coat and the rich texture of the antlers.

From a biological standpoint, it’s difficult to determine a moose’s exact age by sight. But this bull’s broad, deeply palmated antlers, muscular frame, and darkened antler coloration suggest a fully mature individual — likely five to eight years old, in the prime of his life.

Encounters like this are rare and deeply rewarding. They remind me why I keep returning to Algonquin — not just for the wildlife, but for those quiet moments of connection with a place that continues to shape my photography and perspective after all these years.

Merlin in Flight: Capturing the Perfect Dorsal View in Cypress Hills Provincial Park, Alberta

Continuing the story from my previous post — Full-Frame Merlin: Birds-in-Flight Photography Adventure in Cypress Hills, Alberta — this next moment unfolded just seconds after takeoff.

After launching from its perch, the Merlin began circling my RV in a graceful clockwise loop toward another fence post further down the road. Before long, the bird’s path put me in a bit of a photographer’s dilemma: the physics simply stopped working in my favour. With my super-telephoto Sony 600mm f/4 (paired with an extender on the Sony a1 II), there was only so much twisting I could manage — especially with my seatbelt still on (I’d pulled over, engine off, for the shot).

At that point, instinct and experience took over. I pulled my face away from the viewfinder, extended the camera out the window, and continued tracking the Merlin purely by feel and intuition. Decades of practice — forty years’ worth of bird photography muscle memory — came together in that split second.

The result: a full-frame, perfectly timed dorsal view of the Merlin banking against a soft, pastel sky. A fleeting instant, beautifully frozen in motion — and a reminder that sometimes, the best shots happen when physics gives way to pure experience.

Full-Frame Merlin: Birds-in-Flight Photography Adventure in Cypress Hills, Alberta.

We were deep into an extended cross-Canada road trip, winding our way through the remote backroads near the Alberta–Saskatchewan border, heading toward Cypress Hills Provincial Park. Julie (my wife) and I had been on the lookout for raptors all morning, slowly cruising along, scanning fenceposts and treetops for any sign of movement.

Suddenly, Julie pointed out the window on my side of the RV and shouted, “Raptor!”

Adrenaline kicked in. My heart pounded as I hit the brakes and threw the RV into reverse, hoping—really hoping—that the bird hadn’t flown off. There it was: perched perfectly on a weathered fencepost, a Merlin, calmly surveying its surroundings. It had clearly just finished a meal—there were still furry leftovers clinging to its talons.

I maneuvered carefully to get the RV into the best position for a full-frame shot. And just as I started snapping, the rumble of an approaching tractor trailer echoed down the road. A massive truck hauling cows thundered past us, shaking the RV and dusting the scene with gravel.

But the Merlin didn’t budge.

We spent nearly ten magical minutes with that bird, capturing an incredible sequence of close-up images. The soft, diffused overcast light, the setting, the subject—it all came together in one of those rare moments that makes birding (and photography) so rewarding.

This one sighting made the whole day unforgettable. And the photos? Let’s just say they’re smile-worthy.

Brown Bear Cub of the Year Showing Off Freshly Caught Huge Salmon

Why This COY (Cub of the Year) Stole the Show – And Why You Should Join Us Next Time

If you've been following my recent posts, you've probably seen this little star already — this year’s COY (Cub of the Year) from my Ultimate Brown Bears of Alaska Workshop. And if you're considering joining a future trip, this moment is a perfect example of what makes these workshops so unforgettable.

During one of our incredible outings, this young bear proudly showed off a freshly caught salmon, right in front of our group. It was as if the cub was performing just for us — a rare and thrilling display that had every camera firing.

The image you see here was captured full-frame using my Sony a1 II with the ultra-versatile Sony 400–800mm zoom lens at 584mm. This setup allowed me to isolate the moment cleanly, even from a safe distance — and our participants captured equally impressive shots with their own gear.

Beyond the technical side, it’s these kinds of intimate, once-in-a-lifetime wildlife encounters that define the Ultimate Brown Bears of Alaska experience. You’ll have front-row access to wild behaviour, personalized instruction in the field, and the opportunity to hone your skills in one of the most photogenic locations on the planet.

Thinking about joining us on the next adventure? This COY — and many unforgettable moments like this — are waiting.

More Kudos

“I honestly can’t thank you enough for all the work you put into the Katmai trip. I loved it and so appreciate knowing that when I commit to going with you, I know you offer a high-level experience and care to pass on your incredible knowledge of photography. Brown Bears in Alaska was my third trip with you, Puffins and Gannets previously. Each trip, I have returned nourished by nature, richer for the experience, and learned more about photography. Thank you for your hard work during the trip to stay on top of all the variables and make good decisions for your clients’ enjoyment and good pictures.”

- Sarah MacDonald, British Columbia | Canada

I'm proud to have my photo of a Prothonotary Warbler featured on the cover of This May Be The Year by Canadian poet Carole Giangrande.

This thoughtful collection explores both the beauty and the challenges of our world. Through poems about birds, seasons, memory, and loss, Giangrande finds moments of hope and wonder — even in the most difficult times. Her writing is honest, gentle, and deeply connected to nature.

These poems reflect the uncertainty many of us feel today, but also remind us of the comfort we can find in the natural world. It’s a moving and timely book, and I’m honoured that my image is part of it.

Prothonotary warbler (Protonotaria citrea, Pauline orangée, PROW) from mySONGBIRDS OF PELEE WORKSHOP at Point Pelee National Park of Canada in Leamington, Ontario, Canada ©Christopher Dodds All Rights Reserved. Sony Alpha a9 III Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens with Sony FE 2X Teleconverter @1,200mm. ISO 20,000, f/8 @ 1/5,000s Manual exposure.

Coastal Brown Bear Cub Catches Salmon | Tight 800mm horizontal with Splashing Water

There are moments in the field when instinct takes over. One of those moments happened recently as I watched a Coastal Brown Grizzly Bear COY (Cub of the year) playing by the water's edge, tossing around a freshly caught salmon during my recently concluded Ultimate Brown Bears of Alaska Workshop. Glaucous-winged Gulls lined the water’s edge, circled and called in the background, hoping for scraps, but I locked my focus on the bear—and had the feeling that something was about to happen while trying to keep the distracting gulls out of the image.

Sure enough, the bear cub suddenly stood up, salmon still in its mouth. Without thinking twice, I zoomed all the way to 800mm with the new Sony 400-800mm lens on the Sony a1 II and framed a tight, horizontal head-and-shoulders composition. It was a split-second decision, but the kind that comes from time in the field—watching, waiting, and knowing when and how to make images with visual impact. The bear's posture, the glint in its eye, the fish in its mouth and claws extended with the trailing water for dramatic effect—it all lined up in an image full of drama.

At this time of year, the rivers are teeming with salmon as they return to spawn. It's a feast for the bears, who gorge on these fish to build fat reserves for the winter. But many of the salmon are reaching the end of their lives—scarred, discoloured, and barely holding together after completing their incredible journey upstream. They may not be the pristine, silver fish we imagine, but in their worn-out state, they're arguably even more beautiful—symbols of endurance and the cycle of life.

While adult bears waste no time tearing into their meal, the cubs approach things with a bit more curiosity (and comedy). Watching young brown bears figure out what to do with a slippery salmon is pure entertainment. They chase them, chew the wrong end, toss them in the air, and sometimes forget why they were holding them in the first place. But every awkward step is practice for the future—and fun to witness through the lens.

Wildlife photography is about patience, timing, and the ability to react when instinct says "now." That brief moment when the bear stood tall with its ragged prize was one of those times—and one I won't forget anytime soon.

Coastal Brown Grizzly Bear Cub Bunny Hop

Earlier this month, while leading my Ultimate Brown Bears of Alaska workshop, I had the privilege of witnessing one of those unforgettable moments that remind you just how exceptional wildlife photography can be.

We were sitting quietly along the river's edge, giving the bears plenty of space and observing respectfully, when a curious Coastal Brown Bear cub took a keen interest in us. It was fascinating to watch as it cautiously crept a little closer—eyes wide—clearly trying to figure out what we were.

Just a few metres away, Mom was observing the situation with a mix of patience and purpose. She kept a close eye on her cub while simultaneously teaching it a vital life lesson: curiosity is fine—but know your limits. When she gave a subtle signal (a soft huff), the cub instantly responded and scampered back to her side. It was a beautiful display of both natural behaviour and strong maternal instinct.

I managed to capture a few frames of that moment using the Sony 50–150mm at 148mm, shooting vertically to emphasize the cub's upright posture and attentiveness.

Did You Know?

One little-known fact about brown bear behaviour is that cubs often learn by mimicking their mother's every move—from how to fish, to how to interact with other bears, and even how to assess potential threats (like humans). These lessons are learned through observation, subtle communication, and, at times, gentle correction. It's an incredible process to witness in the wild.

Moments like these serve as a powerful reminder of the importance of observing wildlife ethically and with care. When we respect their space, we are often rewarded with authentic glimpses into their world.

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Off the Trail: Stories from Jr. of Kodiak Harbour

Sometimes, the most memorable encounters during a wildlife photography trip don't involve wildlife at all—but the people you meet along the way.

While wandering through the working harbour of Kodiak, Alaska, I met a character I won't soon forget: Jr.

From the moment we crossed paths on the deck of a well-worn fishing vessel, it was clear that Jr. had seen a thing or two. He gave me a quick once-over, then, with a half-smile and a pointed finger, offered a firm, gruff warning: "Just don't point that camera at me." Fair enough.

But as it turns out, Jr. wasn't camera-shy—just particular. As we got talking, he relaxed, and what followed was nearly an hour of rich, animated storytelling. He told me about every bear he'd ever seen near his home at the southern end of Kodiak Island, recounting encounters in vivid detail—some hair-raising, some oddly funny, and all deeply personal.

His voice rose and fell with the rhythm of the ocean, and the stories flowed like the tide. In that moment, Jr. wasn't just a fisherman on a break—he was a storyteller, a steward of local lore, and someone who clearly carried deep respect for the wild places around him.

While he spoke, I carefully moved around the deck, framing a few quiet portraits as he stood in front of the coiled fishing net near the stern. I was drawn to the circular pattern in the orange fishing floats beside him—a visual echo of the rhythm in his storytelling. It added a beautiful compositional element to the scene, and the resulting images feel less like posed portraits and more like moments borrowed from real life.

After the stories wound down, I thanked Jr. for the time, the conversation, and the unexpected glimpse into Kodiak life beyond the trail. As I stepped off the boat and back onto the dock, I offered one last nod: "Calm seas and full nets, my friend."

Behind the Frame:

These off-the-cuff portraits are some of my favourites—not just for the composition, but for the experience that led to them. Photography, after all, isn't always about chasing subjects. Sometimes, it's about listening long enough for a story to reveal itself.

Proud Catch, Perfect Frame: Coastal Brown Grizzly Bear with Fresh Salmon

There are moments in wildlife photography when you can't help but feel a connection with your subject—a sense that they're almost performing for you. I'm convinced that sometimes, just sometimes, bears know when they've landed a prize, and they absolutely show it off. It's in the way they shake a freshly caught salmon, eyes glancing towards yours, like a playful puppy proud of its favourite toy.

For a split second, I almost regretted my gear setup—shooting with the Sony a1 II and the 400-800mm lens, vertically framed at the full 800mm focal length. The action happened so fast, I was sure I'd clip the salmon's tail right out of the frame. But that's the thrill of it, isn't it? Being ready for anything, anticipating the moment, and trusting your instincts to compose in-camera rather than relying on massive crops later.

This coastal brown bear, salmon dripping in mid-shake, gave me that moment. Every water droplet, every scale, frozen in a tight vertical frame that tells the whole story: a successful hunt, and a proud—maybe even theatrical—display.

Here's to those fleeting encounters that remind us why we wait, why we prepare, and why we keep coming back for more.

More Kudos

“Thank you for an amazing trip (Sept. 2025 Ultimate Brown Bears of Alaska). The preparation and years of experience made my investment a life-changing event.  I have dreamt of doing a trip like this and always worry that what is marketed on a website is what you will actually experience.  Every single piece of this trip was perfect.  I can’t imagine how much work you put into every big moment and every single small moment that added up.  I have already told so many people about my trip and told them they would have nothing to worry about if they booked with you.  Look forward to seeing you on some of your upcoming trips.  Puffins are on my shortlist!

Thank you very much for being so professional and a great guide and mentor.”

Mike McGugan Ontario | Canada 

Chasing Salmon in Katmai: Up Close with Coastal Brown Bears

One of the most unforgettable moments from my recently concluded Ultimate Brown Bears of Katmai workshop came when a massive Coastal Brown Bear charged through the water in hot pursuit of a salmon. The power, speed, and sheer determination on display were nothing short of awe-inspiring.

We were treated to countless close encounters like this throughout our time in Katmai National Park — and honestly, we couldn’t have asked for better weather. Overcast skies, soft light, and active bears made for a photographer’s dream.

This image was captured using the Sony A1 II paired with the Sony 300mm f/2.8 lens. The settings were: ISO 4000, f/2.8, 1/5000s. Shooting wide open with a fast shutter speed was key to freezing the action and creating a sense of intensity and motion — while still isolating the bear beautifully from the background.

Getting low, staying patient, and being ready made all the difference. It’s these split-second movements — the spray of water, the focus in the bear’s eyes — that turn a photo into a story with high visual impact.

Huge thanks to everyone who joined me on this wild adventure. Can’t wait to share more images and memories from the trip soon!

Coastal Brown (Grizzly) Bear Charging Salmon (Ursus arctos, ours brun) from my Ultimate Coastal Brown Bears of Katmai adventure workshop in Alaska. Image Copyright ©Christopher Dodds. Sony Alpha 1 Mark II Mirrorless camera & Sony FE 300mm f/2.8 GM OSS lens. ISO 4,000, f/2.8 @ 1/5,000s Manual exposure. Full frame image.

Off the Trail: Meet William from Kodiak

Sometimes, the most memorable parts of a trip have nothing to do with itineraries or camera gear — they’re the people you meet along the way.

While wandering the harbour in Kodiak, Alaska (something I love to do whenever I visit a new place), I met William — a seasoned fisherman and the personality behind Happy Hookers Fishing Charters (or, perhaps, William was a deckhand for the season after a few similar gigs in Florida). With decades of stories etched into his expression, he welcomed me into a conversation like we’d known each other for years.

William has been running charters out of Kodiak for some time, taking folks out on the water to experience the incredible fishing this part of Alaska has to offer. But now, he’s gearing up for a new kind of journey — setting his sights on Central America for his next chapter.

We talked about travel, life on the ocean, and the kind of freedom that comes with following your own tide. It was one of those unexpected encounters that stays with you.

Thanks for the conversation and the friendship, William. Wishing you smooth sailing and great stories ahead — wherever the next harbour may be.

Back from Alaska: Brown Bears, Big Moments, and One Adorable Little Rock Star

After 24 hours of travel, I’m finally home—shaking off the jet lag, but still completely immersed in the wild, breathtaking beauty of Alaska. I’ve just returned from leading my Ultimate Brown Bears of Alaska Workshop, and all I can say is… wow. What an experience.

We were incredibly lucky with the weather on the Katmai Coast. While it rained during our travel days in and out, we had just a couple of brief sprinkles during our eight full days in the field. For coastal Alaska, that’s nothing short of miraculous!

The group this year was absolutely wonderful—curious, adventurous, supportive of one another, and full of great energy. And my crew? Truly exceptional. Captain Angus kept us safe and steady at sea. Ruben expertly handled the skiff—getting us out to the bears and back to the ship safely—while keeping everyone entertained throughout. Joan worked culinary magic from dawn to dusk, and James was a tremendous help assisting our legendary bear guide and long-time friend, Brad Josephs. As always, Brad’s deep knowledge of both the bears and the landscape kept us safe and made every encounter more meaningful.

And the bears? They exceeded every expectation. Bigger, bolder, and more photogenic than ever. I came home with memory cards absolutely overflowing—intimate moments, golden light, misty mornings, and scenes that looked like they were highlights from a wildlife documentary.

But among all those moments, there was one tiny rock star who stole the show—and our hearts.

Meet this little “COY” (Cub of the Year)—a playful, curious, and slightly clumsy bundle of energy. Watching this cub explore the world was pure joy. Every tumble, head tilt, and wide-eyed stare reminded us of just how magical and fragile these early moments of life in the wild can be. It’s encounters like this that keep me coming back to Alaska year after year.

I captured this image with the Sony a1 II mirrorless body paired with the phenomenal Sony 300mm f/2.8 lens. The combination delivered stunning clarity and detail, allowing me to freeze a perfect moment that still makes me smile.

There are so many more stories and images to share—from quiet bear interactions to epic landscapes and the beautiful chaos of life on the Katmai Coast—but for now, I’ll leave you with this first favourite.

Stay tuned—more bears (and bear stories!) coming soon.

Coastal Brown (Grizzly) Bear Cub of the Year Shaking (Ursus arctos, ours brun) from my Ultimate Coastal Brown Bears of Katmai adventure workshop in Alaska. Image Copyright ©Christopher Dodds. Sony Alpha 1 Mark II Mirrorless camera & Sony FE 300mm f/2.8 GM OSS lens. ISO 1,600, f/2.8 @ 1/5,000s Manual exposure.

Louise, Chris Dodds, Jos, Kristy, Sarah, Mike, Janice, David and James. Image courtesy of Brad Josephs (Thanks, Brad).

How I Captured a White-winged Crossbill Portrait: Eye-Level Bird Photography with a High-Key Background

Before photographing the White-winged Crossbill framed by soft yellow buttercups during my Deluxe Atlantic Puffin Workshops (featured in an earlier blog post), I had an unexpected and fleeting opportunity to create something even more intimate—a clean headshot of the bird perched quietly on a signpost.

White-winged Crossbills are usually restless, so when this one sat still—relaxed, elevated, and unbothered—I knew I had a rare chance. Rather than go wide, I went close, focusing on the fine feather detail, the distinctive crossed bill, and that soft, alert eye. I also made a point to get slightly below eye level—a minor adjustment that goes a long way toward creating a more intimate and engaging portrait.

The signpost itself wasn't ideal visually (dark green, with a "Do Not Disturb the Nesting Birds" message), but the overcast sky above provided the perfect high-key background. I used the soft, even overcast light to isolate the subject, allowing its subtle tones and textures to stand out without distraction.

Sometimes the best portraits don't come from hours of waiting—they appear in a blink, if you're ready and paying attention to the details.

👉 See how the rest of the encounter unfolded:

A Rare Treat: White-winged Crossbill on L’île aux Perroquets

White-winged Crossbill (Loxia leucoptera, Bec-croisé bifascié, Piquituerto aliblanco, WWCR) from my Deluxe Puffins Galore Workshop, Mingan Archipelago National Park Reserve, Quebec, Canada. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens @500mm ISO 40,000, f/8 @ 1/5,000s. Manual exposure. Full frame image.