How I Captured a White-winged Crossbill Portrait: Eye-Level Bird Photography with a High-Key Background

Before photographing the White-winged Crossbill framed by soft yellow buttercups during my Deluxe Atlantic Puffin Workshops (featured in an earlier blog post), I had an unexpected and fleeting opportunity to create something even more intimate—a clean headshot of the bird perched quietly on a signpost.

White-winged Crossbills are usually restless, so when this one sat still—relaxed, elevated, and unbothered—I knew I had a rare chance. Rather than go wide, I went close, focusing on the fine feather detail, the distinctive crossed bill, and that soft, alert eye. I also made a point to get slightly below eye level—a minor adjustment that goes a long way toward creating a more intimate and engaging portrait.

The signpost itself wasn't ideal visually (dark green, with a "Do Not Disturb the Nesting Birds" message), but the overcast sky above provided the perfect high-key background. I used the soft, even overcast light to isolate the subject, allowing its subtle tones and textures to stand out without distraction.

Sometimes the best portraits don't come from hours of waiting—they appear in a blink, if you're ready and paying attention to the details.

👉 See how the rest of the encounter unfolded:

A Rare Treat: White-winged Crossbill on L’île aux Perroquets

White-winged Crossbill (Loxia leucoptera, Bec-croisé bifascié, Piquituerto aliblanco, WWCR) from my Deluxe Puffins Galore Workshop, Mingan Archipelago National Park Reserve, Quebec, Canada. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens @500mm ISO 40,000, f/8 @ 1/5,000s. Manual exposure. Full frame image.

Beyond the Puffin: A Merlin's Visit to Île aux Perroquets during my Deluxe Atlantic Puffin Workshops

During my recent Deluxe Atlantic Puffin Workshops on Île aux Perroquets, we got a bonus challenge that was as rewarding as it was difficult: a visit from a Merlin. These small falcons are incredible hunters, capable of stunning aerial maneuvers while preying on small birds and insects. Capturing one in action required a completely different approach than photographing the more predictable Puffins.

To get the shot, I relied on my go-to setup for wildlife: the new Sony a9 Mark III paired with the Sony 400-800mm zoom lens. The Merlin was a blur of motion, making a single-shot approach nearly impossible. This is where the camera's incredible technology shone.

I used two key features to get this shot:

  • Fast Burst Rate: At 120fps, the a9 Mark III allowed me to capture the entire arc of the Merlin's flight, from a series of near-misses to a clean, sharp pass. I knew that even a split second could mean the difference between a great shot and a missed opportunity.

  • Autofocus Tracking: With the Merlin's erratic flight, a reliable autofocus system was non-negotiable. The camera's tracking held on to the falcon, ensuring each frame in the burst was in sharp focus.

This photo is a single frame from that high-speed sequence. It's proof that sometimes, the best way to capture a fleeting moment isn't by trying to anticipate it, but by trusting your gear to freeze time for you. While our primary focus was the Puffins, this surprise encounter was a great lesson in being ready for anything.

Merlin Emerging from the Fog (Falco columbarius, Faucon émerillon, Esmerejón, MERL) from my Deluxe Puffins Galore Workshop, Mingan Archipelago National Park Reserve, Quebec, Canada. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens @800mm ISO 6,400, f/8 @ 1/5,000s. Manual exposure.

A Rare Treat: White-winged Crossbill on L’île aux Perroquets

After our lobster supper on August 9th (the last night of the fourth of five Deluxe Atlantic Puffin Workshops), we had an absolute blast photographing a remarkably cooperative White-winged Crossbill that stayed low and slow—perfect conditions for a dream shoot. I was ready, armed with my Sony a1 Mark II and the stellar Sony 400–800mm zoom lens. Earlier in the day, we had already seen a few fleeting glimpses of a Bay-breasted and a Yellow-rumped Warbler, but the crossbill was the clear highlight.

What made this encounter so special wasn't just the bird's behaviour—it was where it happened. White-winged Crossbills are nomadic finches typically associated with boreal coniferous forests, where they feed almost exclusively on the seeds of spruce and pine cones. So to find one on L’île aux Perroquets, a small treeless island off Quebec's North Shore with no coniferous trees in sight, was truly unexpected. During my decades of leading the Deluxe Atlantic Puffin Workshop here, I've heard their calls in the distance but never witnessed one landing—let alone offering such a perfect photographic opportunity with such a colourful background. Moments like this are a reminder of nature's unpredictability and the rewards of always being prepared.

White-winged Crossbill (Loxia leucoptera, Bec-croisé bifascié, Piquituerto aliblanco, WWCR) from my Deluxe Puffins Galore Workshop, Mingan Archipelago National Park Reserve, Quebec, Canada. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens @705mm ISO 40,000, f/8 @ 1/2,500s. Manual exposure. Full frame image.

Unblinking Majesty: Overcast Bald Eagle Portrait

After what felt like an endless journey to my Ultimate Brown Bears of Alaska Workshop—from Montreal to Vancouver, then on to Anchorage, and finally touching down in Kodiak, Alaska—I was more than ready to settle into my hotel room. The travel day had been long, but the crisp Alaskan air beckoned. A brisk 45-minute walk to the grocery store seemed like a good way to stretch my legs and grab some essentials.

Bags in hand, I made the 45-minute trek back, eager to unwind. As I closed the curtains, a fresh cup of hot ginger tea in hand, I spotted a magnificent bald eagle perched regally on a garbage dumpster behind the hotel. What struck me immediately was its pristine condition; most city eagles look dirty and ratty.

My fatigue instantly vanished, replaced by a surge of excitement. I quickly grabbed my camera, knowing this was a moment I couldn't miss with the soft, overcast evening light. I spent a few minutes patiently waiting, hoping for that perfect shot with the Eagle staring directly at me. I made sure to stop down to f/22 to ensure both its piercing eyes and powerful beak were tack sharp. It was an incredible welcome to Kodiak, a truly unforgettable start to my Alaskan adventure.

American Bald Eagle UNBLINKING MAJESTY (Hailiaeetus leucocephalus, Pygarge a tete blanche, Pigargo americano BAEA) from my Ultimate Coastal Brown Bears of Katmai adventure workshop in Alaska. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens @800mm ISO 6,400, f/22 @ 1/640s. Manual exposure. Full frame image.

Red-necked Phalarope in flight

We had settled into a quiet spot on the edge of a stream in Kukak Bay, surrounded by the sweeping beauty of Katmai National Park during my Ultimate Coastal Brown Bears of Alaska workshop. In front of us, a male and female Coastal Brown Bear—two massive Grizzlies—grazed peacefully on coastal sedge grass.

But as the group focused intently on the bears, my attention drifted between a Greater Yellowlegs feeding along the stream's edge, a Savannah Sparrow that kept darting around in the long grass nearby, and a Golden-crowned Sparrow foraging on the top of a big rock. I found myself trying to get the workshop group excited about these little creatures—the shorebirds, the sparrows, the quiet moments in between the big-action shots. But, unsurprisingly, the bears were the stars of the show. I kept pointing out the smaller birds, hoping someone would catch my enthusiasm, but they were more fixated on the Grizzlies. It's hard to compete when you're in bear country.

And then, just as I was trying (unsuccessfully) to get someone else excited about the Savannah Sparrow, a Red-necked Phalarope appeared out of nowhere. It made a single, swift pass behind the group, flying in a perfect line parallel to us. I snapped off a quick burst of eight frames before it disappeared, never to be seen again. Of those eight shots, only one had a clear view without part of the bird covered by an out-of-focus person.

The Red-Necked Phalarope (Phalaropus lobatus) is a fascinating and often overlooked resident of the Alaskan coast, including the rich ecosystems of Katmai National Park. The females are the more colourful of the two sexes, and it's the males who do all the incubating and chick-rearing. They're not common in this part of Alaska, but during migration, you sometimes get lucky. These small, elegant shorebirds are particularly interesting for their unique foraging behaviour, often seen spinning rapidly on the water's surface to create a vortex that brings small invertebrates closer to the surface for easier feeding.

In Katmai National Park, the presence of Red-Necked Phalaropes is a testament to the park's incredible biodiversity and the health of its coastal and freshwater habitats. Their migratory journeys are epic, often travelling vast distances from their Arctic breeding grounds to warmer ocean waters for the winter. 

Red-necked Phalarope in Flight (Phalaropus lobatus, Phalarope à bec étroit, Falaropo picofino, RNPH) from my Ultimate Coastal Brown Bears of Katmai adventure workshop in Alaska. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens @800mm ISO 3,200, f/8 @ 1/5,000s. Manual exposure.

Used Sony 400mm f/2.8 for sale!

Two friends/clients have mint condition (like new) Sony 400mm f/2.8 lenses for sale:

Vancouver, BC area: Wynne (wynnepowell@hotmail.com) is asking CAD $12,900 but open to reasonable offers.

Burlington, ON area: Mike (mmcgugan2@icloud.com) is asking CAD $12,000.00 and including the 1.4 and 2X teleconverters in the deal.

Coastal Brown (Grizzly) Bear Spring Cub: Mama's Little Shadow

Day two of my Ultimate Brown Bears of Alaska Workshop brought another incredible moment, highlighting the harsh realities and tender care within the bear world. We spotted a sow with her three cubs, and one, in particular, caught our attention: the smallest of the triplets, a tiny "runt" nestled securely beneath its mother.

There was a quiet discussion among the group about the survival chances of this little one. It's a harsh world out there for bear cubs, and the smallest often face an uphill battle. However, observing this particular mother, my doubts began to fade. She was incredibly attentive, constantly watchful, and incredibly protective of her offspring; all qualities of an experienced and capable mother.

Witnessing such devoted maternal care, it wouldn't surprise me one bit if this little runt beats the odds and thrives. It's a powerful reminder that even in the wild, the bond between a mother and her young can be a formidable force against the challenges of nature.

Coastal Brown (Grizzly) Spring Cub Hiding(Ursus arctos, ours brun) from my Ultimate Coastal Brown Bears of Katmai adventure workshop in Alaska. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens @800mm ISO 3,200, f/8 @ 1/5,000s. Manual exposure.

Beyond Bears: The Greater Yellowlegs of Katmai National Park

When you think of Katmai National Park, your mind likely conjures images of majestic brown bears - and rightfully so! They are an incredible sight to behold, and our Ultimate Brown Bears of Alaska Workshop certainly delivers on that front. But to truly experience the wild heart of Katmai, you need to look beyond the obvious. This park is a vibrant ecosystem teeming with life, and sometimes, the most surprising encounters come from its smaller, feathered residents.

While the bears certainly provided us with countless photographic opportunities, we had some absolutely fantastic opportunities with a variety of avian species, showcasing the incredible biodiversity of Katmai.

Among the most memorable were the Greater Yellowlegs. These elegant shorebirds, with their strikingly long yellow legs and distinctive calls, were actively on nests during our visit, and they put on quite an aerial display! Every time a bear lumbered too close to their precious babies, these dedicated and protective parents would launch into the air, swooping and diving with incredible precision, seemingly "attacking" the much larger predator. It was a testament to the fierce loyalty and courage of these small birds. To witness such a size difference and see the sheer determination of these parents defending their young against a creature as formidable as a bear was simply amazing.

So, while the "Ultimate Brown Bears of Alaska Workshop" certainly lives up to its name, remember that Katmai offers so much more. From the delicate dance of a Greater Yellowlegs defending its nest to the intricate tapestry of its diverse flora and fauna, every moment in this incredible park is an opportunity to connect with the wild in a profound way. Come for the bears, but stay for the unexpected wonders that truly make Katmai an unforgettable experience!

Greater Yellowlegs (Tringa melanoleuca, Grand Chevalier, Archibebe patigualdo grande, GRYE) from my Ultimate Coastal Brown Bears of Katmai adventure workshop in Alaska. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens @800mm ISO 8,000, f/8 @ 1/5,000s. Manual exposure. Full frame image.

The Elusive Jewel: Photographing the Ruby-Crowned Kinglet at Point Pelee National Park

As a bird photographer and workshop leader, few places on Earth are as magical as Point Pelee National Park during spring migration. And among the countless avian jewels that pass through this birding mecca, one tiny dynamo consistently presents immense challenge and reward: the Ruby-crowned Kinglet.

I've just wrapped up another incredible "Songbirds of Pelee" workshop, and as always, the kinglets were a significant topic of conversation – and often, a source of frustration! These little bundles of energy, barely larger than a hummingbird, are constantly in motion. They flit, hop, and dart through the foliage with a seemingly endless supply of caffeine. One moment, they're there; the next, they've vanished, only to reappear a few feet away, meticulously gleaning insects from every crevice.

This constant movement is precisely what makes them so incredibly difficult to photograph. You need fast shutter speeds, quick reflexes, and a healthy dose of patience. Just when you think you've got them in your viewfinder, they've moved on. It's a dance of anticipation and split-second decisions, and every sharp shot feels like a hard-won victory.

I always emphasize an ethical and respectful approach to bird photography during my workshops, especially during migration. We are keenly aware that these birds are expending tremendous energy on their incredible journeys. Therefore, our philosophy is firmly rooted in documenting their lives as they naturally unfold, without any intervention. This means we never use setups. There's no food, no water drip or bird bath, no artificial perches, and no callback to attract them to a "designed" scene.

Our goal is to be observers, to capture the raw beauty and resilience of these creatures as they fuel up and rest before continuing their arduous migrations. We rely on our field skills, understanding of bird behaviour, and ability to anticipate their movements in their natural habitat. When you finally capture that elusive Ruby-crowned Kinglet, perhaps with a hint of that fiery crown peeking through, you know it's a genuine moment, a testament to the bird's natural behaviour and your perseverance.

And what a feeling it is to get that shot! That tiny, bright ruby patch, often hidden, is a testament to their vibrant life force. Photographing the Ruby-crowned Kinglet at Point Pelee isn't just about getting a good image; it's about connecting with the sheer determination of these incredible migrants and appreciating the wild beauty of their journey. It's a humbling reminder of the delicate balance of nature and our role in respecting it.

You know the challenge if you've ever tried photographing these little gems. But for those of us who love it, it's a challenge we eagerly embrace, year after year, here in the avian paradise that is Point Pelee.

Ruby-crowned Kinglet (Regulus calendula, Roitelet à couronne rubis, Reyezuelo rubí, RCKI). From my Songbirds of Pelee Workshop, May 2025, at Point Pelee National Park of Canada. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens @720mm ISO 10,000, f/8 @ 1/5,000s. Manual exposure.

The Ultimate Guide to Spotting Prothonotary Warblers in Ontario

Hi Chris! I'm a regular follower of your blog and recently saw your stunning Prothonotary Warbler with a reflection image. I have tried for years to see and photo of one without success. I understand why you may not answer, but are there any particular spots you can share? - Marc H, Toronto | Canada

I'm thrilled you enjoyed that Prothonotary Warbler shot with its reflection. It was a truly magical moment, and I completely understand your frustration about missing them at Pelee. These stunning, golden jewels of the warbler world can be elusive, and despite their vibrant plumage, it often seems like they are invisible!

While Point Pelee National Park is undoubtedly a hotspot during migration, and you can see them there, it's not always a guaranteed sighting. Prothonotary Warblers are particular about their breeding habitat; favouring flooded bottomland forests and swamps with standing water and decaying trees for nesting cavities. This specialized preference means they aren't as widespread as other warbler species.

So, if you're like me and want to stack the odds in your favour for a reliable Prothonotary Warbler encounter in Ontario, here are a few spots that have a strong track record:

The Best Bets for Prothonotary Warblers in Ontario:

  1. Hillman Marsh Conservation Area (near Point Pelee): Often overlooked by those rushing straight to Pelee, Hillman Marsh is arguably the most reliable spot in Ontario for breeding Prothonotary Warblers. The extensive flooded woodlands and marshy areas here provide an ideal nesting habitat.

    • Tips for viewing: Focus your efforts along the dike trails, particularly in the sections bordering the wet woodlands. Listen for their loud, ringing "sweet-sweet-sweet-sweet" song. Early mornings are best.

  2. Rondeau Provincial Park: Located on the north shore of Lake Erie, Rondeau boasts significant tracts of Carolinian forest and extensive wetlands, making it prime Prothonotary Warbler territory.

    • Tips for viewing: Explore the various trails, especially those that venture into wetter, swampier areas. The Tulip Tree Trail and the South Point Trail can be productive. Again, listen to their distinctive song as they hide high in the canopy.

  3. Long Point Causeway and Provincial Park: The Long Point region, a UNESCO Biosphere Reserve, is a significant bird migration corridor and also offers suitable breeding habitat for Prothonotaries, particularly in the more secluded wet woodlands.

    • Tips for viewing: While you can find them within the provincial park, check out some less-trafficked areas along the causeway and adjacent conservation areas with flooded timber.

When to Look:

The key to spotting Prothonotary Warblers is timing. They typically arrive in Ontario in late April to early May and breed through the summer. Your best chances for seeing them, and especially hearing their unmistakable song, are from mid-May through June. By July, they can become quieter as the breeding season winds down, and by August, they begin their southward migration.

A Few Prothonotary Warbler Tips:

  • Listen for the song: Their loud, clear "sweet-sweet-sweet-sweet" is often your first clue to their presence, especially when hiding in the dense foliage.

  • Focus on habitat: Look for areas with standing water, dead trees, and dense undergrowth in a flooded woodland environment.

  • Be patient: Like all good birding, patience is key. Find a promising spot, sit quietly, and let the birds come to you.

  • Bring bug spray: These wet environments are also mosquito heaven, so come prepared!

So, while Point Pelee will always hold a special place in our birding hearts, I recommend expanding your search to Hillman Marsh and Rondeau if you're serious about adding the Prothonotary Warbler to your Ontario life list.

Prothonotary warbler (Protonotaria citrea, Pauline orangée, Protonotaria citrea, PROW). From my Songbirds of Pelee Workshop, May 2025, at Point Pelee National Park of Canada. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens @800mm ISO 10,000, f/8 @ 1/5,000s. Manual exposure.

Nectar, Pollen, and Warblers: A Tennessee Warbler in Prickly Gooseberry at Point Pelee

We witnessed a truly captivating moment during my recent Songbirds of Pelee workshop at Point Pelee National Park of Canada. A Tennessee Warbler, its bill dusted with yellow pollen, was busily foraging for nectar on an Eastern Prickly Gooseberry. It put on quite a show!

A prickly gooseberry patch is an excellent spot to pause and observe birds if the park is quiet. While warblers primarily eat insects, they often supplement their diet with nectar, especially when insects are scarce or during migration. Nectar offers a readily available source of energy, which is incredibly beneficial for birds with high metabolisms, like warblers that have just expended a tremendous amount of energy migrating across Lake Erie.

Interestingly, some warblers, such as the Cape May Warbler, have specialized tongues designed for sipping nectar, highlighting a natural adaptation to this food source. It's a reminder that the natural world is full of amazing adaptations and unexpected sights!

Tennessee Warbler in Prickly Gooseberry (Leiothlypis peregrina, Paruline obscure, Reinita de Tennessee, TEWA) During my Songbirds of Pelee Workshop at Point Pelee National Park of Canada. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens @800mm ISO 10,000, f/8 @ 1/5,000s. Manual exposure.

Northern Waterthrush Photography: Patience Pays Off During Spring Migration

The recent Sony Photo walks and my Songbirds of Pelee Workshop coincided with the peak of spring migration, and the Northern Waterthrush was a frequent sight. While these small birds reliably foraged along the water's edge, capturing a good photograph proved difficult. They often perched hidden behind branches, turning potential clear shots into frustrating tangles of twigs. Therefore, when this particular waterthrush appeared in the open against a clean background, it felt like a real victory. Out of 187 images made in the 1.5 seconds spent on this perch, this single frame was the only one where I was satisfied with the head angle. I had waited at this location, hoping a bird would descend from a group of warblers moving through the trees above. This experience underscores that patience is key when photographing migrating birds in a National Park.

Interestingly, despite their name, Northern Waterthrushes are not true thrushes. They belong to the New World warbler family (Parulidae). Their name likely stems from their somewhat thrush-like size and similar foraging behaviours.

In conclusion, this encounter illustrates that successful nature photography often requires knowing the right locations, considerable patience, and a bit of luck. When a challenging subject like the Northern Waterthrush finally presents that perfect photographic opportunity, it feels like a significant accomplishment.

Northern Waterthrush (Parkesia noveboracensis, Paruline des ruisseaux, Reinita charquera norteña, NOWA). During my Songbirds of Pelee Workshop at Point Pelee National Park of Canada. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens @790mm ISO 6,400, f/8 @ 1/5,000s. Manual exposure.

Cerulean Warbler from Point Pelee

Despite the heavy rain on May 4th at Point Pelee, I found peace in the quiet solitude and the rhythmic sound of the heavy rain on my hood as I scouted for my Sony Photo Walks that would start the next day. This stunning Cerulean Warbler, usually a high-canopy dweller, rewarded my patience shortly after the rain stopped. It's incredibly vibrant colours reminded me of Fuji Velvia film from the 1990s and my old Nikon FM II camera, which I had bought from a long-time Montreal Gazette photojournalist, Allen McInnis. The intense downpour had surprisingly brought this high-foraging bird down to eye level in search of insects to refuel after a long migration. My new favourite lens, the portable and hand-holdable Sony 400-800mm zoom, allowed me the freedom to quickly move and find an unobstructed view through the early spring foliage.

This endangered and brightly coloured warbler makes an incredible journey to the cloud forests of South America, a habitat increasingly threatened by deforestation. This close encounter emphasized the crucial importance of protected areas like Point Pelee for the survival of these long-distance migrants. That rainy morning provided more than just a photograph; it highlighted the delicate beauty of this species and the urgent need to protect its habitat across continents. The peaceful solitude and the jewel-toned bird were a powerful reminder of nature's resilience and the unexpected treasures it can offer.

Cerulean Warbler (Setophaga cerulea, Paruline azurée, Reinita cerúlea, CERW). May 4, 2025, while scouting for my Songbirds of Pelee Workshop at Point Pelee National Park of Canada. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens @800mm ISO 10,000, f/8 @ 1/5,000s. Manual exposure.

Swainson's Thrush in First Light at Point Pelee

Our mornings during my Songbirds of Pelee workshop begin before the sun even thinks about waking and painting the eastern horizon with golden light. After a short tram ride to the tip, we navigate the quiet paths, the air thick with the promise of new arrivals. The dawn chorus is just beginning to build, a symphony of unseen voices. And then, perhaps a subtle, fluting call cuts through the other sounds – the telltale sign of a Swainson's Thrush nearby.

More often than not, the bird remains a phantom, its presence only betrayed by its melodic song. But the challenge isn't just in seeing the thrush; it's in finding that magical combination of factors that allows for a photograph. The light, still soft and golden from the rising sun, must penetrate the foliage layers just so. The bird needs to perch, even for a fleeting second, in a spot that offers a relatively unobstructed view. And then, of course, there's the angle of view, the bird's pose and the direction of light – maneuvering ourselves to photograph the bird without disturbing it, ensuring the light graces its features in the most flattering way.

There are moments of intense focus, heartbeats suspended as a potential shot aligns, only to be thwarted by a shift in the bird's position or a stray leaf or branch stubbornly obscuring the view. These near misses are part of the adventure, the moments that make the eventual success all the more rewarding.

And when it finally happens – that moment when the Swainson's Thrush pauses on a decent perch, bathed in the soft glow of first light, with a clean enough line of sight, with a flattering pose and angle…and a catchlight in the eye – it's pure magic. The click of the shutter feels significant, a small victory hard-earned: We learn the patience of a hunter, the art of observation and the importance of tenacity.

Did you know that the Swainson's Thrush undertakes truly epic nocturnal migrations, sometimes flying thousands of kilometres? Even more fascinating is that they primarily navigate using celestial cues – the stars – to guide their journey across continents. Imagine this small, elusive bird using the vastness of the night sky as its map!

If the magic of a Pelee dawn chorus and the rewarding challenge of capturing these fleeting beauties during migration resonates with you, perhaps you're ready to experience it firsthand. Our Songbirds of Pelee workshop offers an immersive opportunity to learn the art of bird photography in one of North America's premier migration hotspots. Click here to visit our workshop page, explore upcoming dates, and discover how you can join us on the tip as the sun rises, chasing those unforgettable moments with the songbirds of Pelee.

Swainson’s Thrush (Catharus ustulatus, Grive à dos olive, Zorzalito quemado, SWTH). From my Songbirds of Pelee Workshop at Point Pelee National Park of Canada. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens @800mm ISO 5,000, f/8 @ 1/5,000s. Manual exposure.

Blue-gray Gnatcatcher in Golden Light at Point Pelee

My annual "Songbirds of Pelee" workshop recently concluded at Point Pelee National Park of Canada, and as always, the park's remarkable birdlife provided ample photographic opportunities. Among the many fascinating species encountered, the Blue-Gray Gnatcatcher presented a particular test of skills.

We frequently observed these tiny birds during the early morning as the sunlight cast a warm, golden glow across the rapidly emerging foliage. Their subtle blue-gray plumage and constantly flicking tails are distinctive features. However, capturing a clear photograph proved to be demanding due to their energetic and restless nature. They seldom remain stationary for more than an instant, scurrying through the foliage in search of insects. The challenge lay in achieving sharp focus and a pleasing composition amidst their constant activity.

Despite the difficulty, the reward of a well-captured image of a Blue-Gray Gnatcatcher in the soft, golden light was considerable. Their delicate beauty, though fleetingly observed, is truly captivating.

An interesting aspect of this species is its nest construction. Blue-Gray Gnatcatchers incorporate spiderwebs into the fabric of their small, cup-shaped nests. This material provides structural integrity and aids in camouflage within its environment.

Photographing the Blue-Gray Gnatcatcher at Point Pelee requires patience and persistence. While their constant movement presents a challenge, the opportunity to observe and document these tiny birds in their natural habitat, particularly during the beautiful light of the early or late day, is a worthwhile pursuit for any nature photographer.

Blue-gray Gnatcatcher in Golden Light (Polioptila caerulea, Gobemoucheron gris-bleu, Perlita grisilla, BGGN). From my Songbirds of Pelee Workshop at Point Pelee National Park of Canada. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens @800mm ISO 5,000, f/8 @ 1/5,000s. Manual exposure.

Join me at Point Pelee for my Songbirds of Pelee Workshop May 7-11, 2026 CLICK HERE TO LEARN MORE

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Join me at Point Pelee for my Songbirds of Pelee Workshop May 7-11, 2026 CLICK HERE TO LEARN MORE |

Point Pelee Vesper Sparrow

The day before my Sony photo walks began (May 4, 2025), while scouting the tip of Point Pelee National Park, I bumped into old friends John Reaume and Scott Fairbairn. We were making our way towards the tip tram stop when we noticed a cluster of photographers lying prone on the wet gravel parking lot. Naturally, we went to investigate what had captured their attention.

Migration at Point Pelee always promises exciting avian encounters, but this year delivered a particularly special treat: a Vesper Sparrow. Commonly seen by avid birders at Point Pelee, it was a rare opportunity to photograph one out in the open; they are usually found in open grassy areas, making it difficult to get a clear, unobstructed view through the lens.

Capturing this image required a bit of strategic maneuvering. This Vesper Sparrow preferred to stay in front of the cement parking curbs placed to define the edge of the parking spots. It would flit and run between these concrete dividers, almost as if following an invisible pathway, never stopping in front of a decent natural-looking background.

To get the low angle I desired and isolate the bird against the greenery, I carefully positioned myself, holding my camera just off the ground by the lens foot of my new Sony 400-800mm zoom rotated to the top, the articulating rear LCD of my Sony a9 III proved invaluable, allowing me to comfortably compose the shot without lying prone on the wet gravel, unlike some other photographers we had encountered.

It's crucial to remember that while the desire to photograph these beautiful migrants is strong, our priority must always be their well-being. Finding and photographing them ethically during this critical period is paramount, ensuring we observe without causing any disturbance to their vital journey. This rare sighting is a gentle reminder of the delicate beauty that passes through places like Point Pelee and the importance of responsible nature photography.

Vesper Sparrow Running (Pooecetes gramineus, Bruant vespéral, Chingolo coliblanco, VESP). From my Songbirds of Pelee Workshop on May 8, 2025, at Point Pelee National Park of Canada. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens @800mm ISO 20,000, f/8 @ 1/5,000s. Manual exposure.

A Golden Glimpse of Pink Amidst the Storm: Roseate Spoonbill Cover Image

The first day (April 8) of the second Florida Workshop certainly threw us a curveball! Mother Nature decided to put on a dramatic show: It rained, the wind howled, and the sky crackled with thunder and lightning. Not exactly ideal conditions for Osprey photography from an open, aluminum pontoon boat in a lake!

Undeterred, we pivoted and made our way to the Roseate Spoonbill rookery, hoping for a break in the weather. As they say, patience is a virtue, especially for wildlife photographers. For a good portion of our time there, the skies remained stubbornly grey, the air thick with humidity.

But then the clouds parted. A glorious golden light bathed the scene for just a few fleeting moments: The kind of light that transformed the ordinary into the extraordinary, painting the lush green foliage in warm hues and illuminating the delicate pink of the Roseate Spoonbills.

And that's when Mother Nature offered her prize – a reward for those who had braved the weather and remained vigilant. In that brief window of golden light, the rookery came alive. It was a breathtaking spectacle, a reminder that even amidst the harshest conditions, beauty can emerge if you are simply present and ready to witness it.

This image, captured during that precious interlude, serves as a testament to the power of perseverance and the unexpected gifts that nature can bestow. It wasn't the day we had initially envisioned, but it was truly memorable, filled with the raw energy of a storm and the delicate beauty of the Spoonbills bathed in golden light. Sometimes, the most rewarding moments are the ones you least expect.

Roseate Spoonbill landing in Dramatic First Light (Platalea ajaja, Spatule rosée, Espátula rosada, ROSP). Image made April 4, 2025, while scouting for my Ospreys of Florida Workshop. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens @400mm ISO 3,200, f/6.3 @ 1/5,000s. Manual exposure.

Perfect Portraits of Black Vultures on a Stormy Day

Nature photography rarely goes exactly as planned, and the first day of the second workshop (April 8) proved that point! The forecast was a dramatic mix of thunderstorms, lightning, and blustery winds – not the ideal conditions for a peaceful pontoon boat cruise on the lake. Safety first, of course, so we headed off for Spoonbills and kept a close eye on the weather radar, hoping for a break in the weather.

Our patience paid off. Amidst the swirling weather patterns, the radar hinted at a window of opportunity; a hidden surprise awaited us after the first wave of rain! A significant gathering of Black Vultures had congregated around a large puddle. These birds might not be everyone's idea of a glamorous subject, but their dark plumage holds a unique beauty and intricate detail.

This unexpected gathering presented a fantastic opportunity. The low, diffused light following the rain was perfect for photographing their deep black feathers. Forget harsh shadows that can obscure detail; this soft, even illumination allowed us to truly capture the subtle textures and nuances within their dark plumage.

While the vultures were constantly moving, their temporary focus on the puddle allowed for a close approach until a few other photographers decided to approach from different angles, a la stalking wolf pack and scared them off. This proximity and the exceptional lighting conditions yielded a few precious moments to capture striking portraits. It was a masterclass in seizing the opportunity and understanding how specific weather conditions can dramatically enhance the final image, revealing the often-overlooked beauty in even the darkest subjects. Sometimes, the most rewarding shots come when you least expect them!

Black Vulture Portrait (Dendrocygna autumnalis, Dendrocygne à ventre noir, Suirirí piquirrojo, BLVU). From my recent Ospreys Galore Workshop Lake Blue Cypress on April 8, 2025, at Fellsmere, Florida, USA. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens @790mm. ISO 20,000, f/8 @ 1/2,500s. Manual exposure. Full frame image.

The Magic of Bokeh: Elevating Your Bird Photography

Bokeh, that dreamy blur, that soft kiss of out-of-focus foreground and background. It is not just about aesthetics; it is a powerful tool.

Take this willet I photographed during my recent Florida Workshop. If I lowered the camera far enough, I created a soft & dreamy out-of-focus foreground. Some might see that as an obstacle or something to avoid. But for me, it became an advantage. That smooth, blurred foreground acted like a natural frame, drawing your eye inexorably to the sharp detail of the bird itself. It created a sense of depth, almost like the willet was emerging from a gentle mist or sandstorm.

And that is the magic. When you intentionally let the foreground and background melt away into a creamy bokeh, you are not just making a pretty picture; you are isolating your subject, stripping away distractions, and allowing its form, posture, and essence to take center stage. That soft blur can whisper of the environment without shouting, providing context without clutter.

It is about guiding the viewer's gaze, telling a story with selective focus. It transforms a simple snapshot into something more evocative that resonates with the quiet beauty of the natural world. So the next time you're out there, don't shy away from that out-of-focus element. Embrace it. It is the secret ingredient to elevating your bird photography.

Willet Portrait (Tringa semipalmata, Chevalier semipalmé, Playero aliblanco, WILL). From my recent Ospreys Galore Workshop Lake Blue Cypress on April 9, 2025 at Sebastien, Florida, USA. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens with Sony 1.4X Teleconverter @71,120mm ISO 10,000, f/11 @ 1/2,500s. Manual exposure.

Osprey in flight with Black Crappie in Golden Light

That early morning mist hanging over Lake Blue Cypress, the sun just kissing the tips of the ancient, water-bound cypress trees... there's a magic to it, especially when the air fills with the triumphant cries of Ospreys. One particular moment stands out during my recent "Ospreys Galore & so much more" workshop. Clutching a fresh catch (Black Crappie. Alternate names for the species include calico bass, speck, speckled perch, speckled bass, moonfish, grass bass, strawberry bass, shiner, crawpie, oswego bass, sac-a-lait, and marigane noire). This magnificent bird called out to its mate in the soft, golden light. Our trusty Captain Don maneuvered the pontoon perfectly, allowing us to capture a series of images before letting the Osprey deliver the black crappie to its nest for its chicks to enjoy their breakfast in peace.

Moments like these demand gear that can keep up with the speed and spontaneity of nature, and let me tell you, the new Sony 400-800mm zoom lens paired with the Sony a9 mark III and the Sony 1.4x teleconverter is an absolute game-changer for wildlife photography.

Think about it: a single lens that effortlessly transitions from a generous 400mm reach to a staggering 800mm, and then, with the seamless addition of the 1.4x teleconverter, stretches all the way to 1120mm! This versatility is pure gold in dynamic environments like Blue Cypress. One moment, you're framing a wider scene of the Osprey in its watery habitat; the next, you're zoomed in tight, capturing the intricate details of its plumage or the glint in its eye. No more fumbling with lens swaps and potentially missing that crucial shot.

But reach is only half the story. What truly elevates this combination is the blazing speed and pinpoint accuracy of the a9 III's autofocus system. With its global shutter, the camera locks onto subjects instantaneously, and the Real-time Tracking keeps even erratic flyers like Ospreys locked in focus as they soar and dive. Adding the 1.4x teleconverter introduces more glass into the equation, but I was genuinely impressed by how little it impacted the autofocus performance. The lens and camera communicated flawlessly, delivering sharp, in-focus results even at those extreme focal lengths.

OSPREY in flight with a Black Crappie (Pandion haliaetus, Balbuzard pêcheur, Águila pescadora, OSPR) from my Ospreys Galore Workshop at Lake Blue Cypress near Vero Beach, Florida, USA. Image copyright ©Christopher Dodds Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens with Sony 1.4X Teleconverter @1,120mm ISO 8,000, f/13 @ 1/5,000s. Manual Exposure mode. Join me for my Ospreys Galore workshop every April. To learn more, CLICK HERE.

Dancing with the Wind and a Willet: Willet in flight a la Sony a9 Mark III and the new Sony 400-800mm Zoom Lens

The stage was the wild, windswept beach at Sebastian, Florida, and the star? A stunning willet in striking plumage. If you've ever tried to lock focus on a shorebird in flight, you know they're not exactly known for their predictable flight patterns. Add gale-force wind into the mix, and you've got yourself a real avian acrobat. Tracking that kind of erratic movement, especially when aiming for tack-sharp focus, can sometimes feel impossible.

This is where the magic happened. I had the remarkable Sony a9 Mark III in my hands, paired with the brand-spanking-new Sony 400-800mm zoom, and to reach out and touch those distant subjects, I had the 1.4X teleconverter attached. This combination is a game-changer.

That incredible autofocus system on the a9 III was crucial, with its pre-capture and real-time recognition. It kept me locked onto that willet even as it twisted and turned in the wind. And the 400-800mm zoom, with the added reach of the teleconverter, gave me the flexibility I desperately needed. One moment, the bird was relatively close, buffeting in the wind; the next, it was soaring further out to sea. Instead of fumbling with prime lenses, I could smoothly and quickly adjust my focal length (the lens adjusts from minimum to maximum zoom in 1/4 turn of the zoom ring) while keeping the willet perfectly framed.

The sheer capability of this Sony setup transformed a potentially frustrating experience into an exhilarating one. It allowed me to react instantly to the bird's unpredictable movements, to frame those fleeting moments of beauty against the dramatic backdrop of the windy beach.

Walking away from Sebastian that day, my memory card filled with images that I was truly excited about, I was reminded once again of the incredible advancements in camera technology. This Sony combo isn't just about megapixels or fancy features; it's about empowering photographers to capture the wild beauty of our world, even when nature throws us a curveball – or in this case, a gale-force gust!

Willet in Flight Dorsal View (Tringa semipalmata, Chevalier semipalmé, Playero aliblanco, WILL). From my recent Ospreys Galore Workshop Lake Blue Cypress on April 9, 2025 at Sebastien, Florida, USA. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens with Sony 1.4X Teleconverter @770mm ISO 3,200, f/11 @ 1/5,000s. Manual exposure.