The Elusive Jewel: Photographing the Ruby-Crowned Kinglet at Point Pelee National Park

As a bird photographer and workshop leader, few places on Earth are as magical as Point Pelee National Park during spring migration. And among the countless avian jewels that pass through this birding mecca, one tiny dynamo consistently presents immense challenge and reward: the Ruby-crowned Kinglet.

I've just wrapped up another incredible "Songbirds of Pelee" workshop, and as always, the kinglets were a significant topic of conversation – and often, a source of frustration! These little bundles of energy, barely larger than a hummingbird, are constantly in motion. They flit, hop, and dart through the foliage with a seemingly endless supply of caffeine. One moment, they're there; the next, they've vanished, only to reappear a few feet away, meticulously gleaning insects from every crevice.

This constant movement is precisely what makes them so incredibly difficult to photograph. You need fast shutter speeds, quick reflexes, and a healthy dose of patience. Just when you think you've got them in your viewfinder, they've moved on. It's a dance of anticipation and split-second decisions, and every sharp shot feels like a hard-won victory.

I always emphasize an ethical and respectful approach to bird photography during my workshops, especially during migration. We are keenly aware that these birds are expending tremendous energy on their incredible journeys. Therefore, our philosophy is firmly rooted in documenting their lives as they naturally unfold, without any intervention. This means we never use setups. There's no food, no water drip or bird bath, no artificial perches, and no callback to attract them to a "designed" scene.

Our goal is to be observers, to capture the raw beauty and resilience of these creatures as they fuel up and rest before continuing their arduous migrations. We rely on our field skills, understanding of bird behaviour, and ability to anticipate their movements in their natural habitat. When you finally capture that elusive Ruby-crowned Kinglet, perhaps with a hint of that fiery crown peeking through, you know it's a genuine moment, a testament to the bird's natural behaviour and your perseverance.

And what a feeling it is to get that shot! That tiny, bright ruby patch, often hidden, is a testament to their vibrant life force. Photographing the Ruby-crowned Kinglet at Point Pelee isn't just about getting a good image; it's about connecting with the sheer determination of these incredible migrants and appreciating the wild beauty of their journey. It's a humbling reminder of the delicate balance of nature and our role in respecting it.

You know the challenge if you've ever tried photographing these little gems. But for those of us who love it, it's a challenge we eagerly embrace, year after year, here in the avian paradise that is Point Pelee.

Ruby-crowned Kinglet (Regulus calendula, Roitelet à couronne rubis, Reyezuelo rubí, RCKI). From my Songbirds of Pelee Workshop, May 2025, at Point Pelee National Park of Canada. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens @720mm ISO 10,000, f/8 @ 1/5,000s. Manual exposure.

The Ultimate Guide to Spotting Prothonotary Warblers in Ontario

Hi Chris! I'm a regular follower of your blog and recently saw your stunning Prothonotary Warbler with a reflection image. I have tried for years to see and photo of one without success. I understand why you may not answer, but are there any particular spots you can share? - Marc H, Toronto | Canada

I'm thrilled you enjoyed that Prothonotary Warbler shot with its reflection. It was a truly magical moment, and I completely understand your frustration about missing them at Pelee. These stunning, golden jewels of the warbler world can be elusive, and despite their vibrant plumage, it often seems like they are invisible!

While Point Pelee National Park is undoubtedly a hotspot during migration, and you can see them there, it's not always a guaranteed sighting. Prothonotary Warblers are particular about their breeding habitat; favouring flooded bottomland forests and swamps with standing water and decaying trees for nesting cavities. This specialized preference means they aren't as widespread as other warbler species.

So, if you're like me and want to stack the odds in your favour for a reliable Prothonotary Warbler encounter in Ontario, here are a few spots that have a strong track record:

The Best Bets for Prothonotary Warblers in Ontario:

  1. Hillman Marsh Conservation Area (near Point Pelee): Often overlooked by those rushing straight to Pelee, Hillman Marsh is arguably the most reliable spot in Ontario for breeding Prothonotary Warblers. The extensive flooded woodlands and marshy areas here provide an ideal nesting habitat.

    • Tips for viewing: Focus your efforts along the dike trails, particularly in the sections bordering the wet woodlands. Listen for their loud, ringing "sweet-sweet-sweet-sweet" song. Early mornings are best.

  2. Rondeau Provincial Park: Located on the north shore of Lake Erie, Rondeau boasts significant tracts of Carolinian forest and extensive wetlands, making it prime Prothonotary Warbler territory.

    • Tips for viewing: Explore the various trails, especially those that venture into wetter, swampier areas. The Tulip Tree Trail and the South Point Trail can be productive. Again, listen to their distinctive song as they hide high in the canopy.

  3. Long Point Causeway and Provincial Park: The Long Point region, a UNESCO Biosphere Reserve, is a significant bird migration corridor and also offers suitable breeding habitat for Prothonotaries, particularly in the more secluded wet woodlands.

    • Tips for viewing: While you can find them within the provincial park, check out some less-trafficked areas along the causeway and adjacent conservation areas with flooded timber.

When to Look:

The key to spotting Prothonotary Warblers is timing. They typically arrive in Ontario in late April to early May and breed through the summer. Your best chances for seeing them, and especially hearing their unmistakable song, are from mid-May through June. By July, they can become quieter as the breeding season winds down, and by August, they begin their southward migration.

A Few Prothonotary Warbler Tips:

  • Listen for the song: Their loud, clear "sweet-sweet-sweet-sweet" is often your first clue to their presence, especially when hiding in the dense foliage.

  • Focus on habitat: Look for areas with standing water, dead trees, and dense undergrowth in a flooded woodland environment.

  • Be patient: Like all good birding, patience is key. Find a promising spot, sit quietly, and let the birds come to you.

  • Bring bug spray: These wet environments are also mosquito heaven, so come prepared!

So, while Point Pelee will always hold a special place in our birding hearts, I recommend expanding your search to Hillman Marsh and Rondeau if you're serious about adding the Prothonotary Warbler to your Ontario life list.

Prothonotary warbler (Protonotaria citrea, Pauline orangée, Protonotaria citrea, PROW). From my Songbirds of Pelee Workshop, May 2025, at Point Pelee National Park of Canada. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens @800mm ISO 10,000, f/8 @ 1/5,000s. Manual exposure.

Nectar, Pollen, and Warblers: A Tennessee Warbler in Prickly Gooseberry at Point Pelee

We witnessed a truly captivating moment during my recent Songbirds of Pelee workshop at Point Pelee National Park of Canada. A Tennessee Warbler, its bill dusted with yellow pollen, was busily foraging for nectar on an Eastern Prickly Gooseberry. It put on quite a show!

A prickly gooseberry patch is an excellent spot to pause and observe birds if the park is quiet. While warblers primarily eat insects, they often supplement their diet with nectar, especially when insects are scarce or during migration. Nectar offers a readily available source of energy, which is incredibly beneficial for birds with high metabolisms, like warblers that have just expended a tremendous amount of energy migrating across Lake Erie.

Interestingly, some warblers, such as the Cape May Warbler, have specialized tongues designed for sipping nectar, highlighting a natural adaptation to this food source. It's a reminder that the natural world is full of amazing adaptations and unexpected sights!

Tennessee Warbler in Prickly Gooseberry (Leiothlypis peregrina, Paruline obscure, Reinita de Tennessee, TEWA) During my Songbirds of Pelee Workshop at Point Pelee National Park of Canada. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens @800mm ISO 10,000, f/8 @ 1/5,000s. Manual exposure.

Northern Waterthrush Photography: Patience Pays Off During Spring Migration

The recent Sony Photo walks and my Songbirds of Pelee Workshop coincided with the peak of spring migration, and the Northern Waterthrush was a frequent sight. While these small birds reliably foraged along the water's edge, capturing a good photograph proved difficult. They often perched hidden behind branches, turning potential clear shots into frustrating tangles of twigs. Therefore, when this particular waterthrush appeared in the open against a clean background, it felt like a real victory. Out of 187 images made in the 1.5 seconds spent on this perch, this single frame was the only one where I was satisfied with the head angle. I had waited at this location, hoping a bird would descend from a group of warblers moving through the trees above. This experience underscores that patience is key when photographing migrating birds in a National Park.

Interestingly, despite their name, Northern Waterthrushes are not true thrushes. They belong to the New World warbler family (Parulidae). Their name likely stems from their somewhat thrush-like size and similar foraging behaviours.

In conclusion, this encounter illustrates that successful nature photography often requires knowing the right locations, considerable patience, and a bit of luck. When a challenging subject like the Northern Waterthrush finally presents that perfect photographic opportunity, it feels like a significant accomplishment.

Northern Waterthrush (Parkesia noveboracensis, Paruline des ruisseaux, Reinita charquera norteña, NOWA). During my Songbirds of Pelee Workshop at Point Pelee National Park of Canada. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens @790mm ISO 6,400, f/8 @ 1/5,000s. Manual exposure.

Cerulean Warbler from Point Pelee

Despite the heavy rain on May 4th at Point Pelee, I found peace in the quiet solitude and the rhythmic sound of the heavy rain on my hood as I scouted for my Sony Photo Walks that would start the next day. This stunning Cerulean Warbler, usually a high-canopy dweller, rewarded my patience shortly after the rain stopped. It's incredibly vibrant colours reminded me of Fuji Velvia film from the 1990s and my old Nikon FM II camera, which I had bought from a long-time Montreal Gazette photojournalist, Allen McInnis. The intense downpour had surprisingly brought this high-foraging bird down to eye level in search of insects to refuel after a long migration. My new favourite lens, the portable and hand-holdable Sony 400-800mm zoom, allowed me the freedom to quickly move and find an unobstructed view through the early spring foliage.

This endangered and brightly coloured warbler makes an incredible journey to the cloud forests of South America, a habitat increasingly threatened by deforestation. This close encounter emphasized the crucial importance of protected areas like Point Pelee for the survival of these long-distance migrants. That rainy morning provided more than just a photograph; it highlighted the delicate beauty of this species and the urgent need to protect its habitat across continents. The peaceful solitude and the jewel-toned bird were a powerful reminder of nature's resilience and the unexpected treasures it can offer.

Cerulean Warbler (Setophaga cerulea, Paruline azurée, Reinita cerúlea, CERW). May 4, 2025, while scouting for my Songbirds of Pelee Workshop at Point Pelee National Park of Canada. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens @800mm ISO 10,000, f/8 @ 1/5,000s. Manual exposure.

Swainson's Thrush in First Light at Point Pelee

Our mornings during my Songbirds of Pelee workshop begin before the sun even thinks about waking and painting the eastern horizon with golden light. After a short tram ride to the tip, we navigate the quiet paths, the air thick with the promise of new arrivals. The dawn chorus is just beginning to build, a symphony of unseen voices. And then, perhaps a subtle, fluting call cuts through the other sounds – the telltale sign of a Swainson's Thrush nearby.

More often than not, the bird remains a phantom, its presence only betrayed by its melodic song. But the challenge isn't just in seeing the thrush; it's in finding that magical combination of factors that allows for a photograph. The light, still soft and golden from the rising sun, must penetrate the foliage layers just so. The bird needs to perch, even for a fleeting second, in a spot that offers a relatively unobstructed view. And then, of course, there's the angle of view, the bird's pose and the direction of light – maneuvering ourselves to photograph the bird without disturbing it, ensuring the light graces its features in the most flattering way.

There are moments of intense focus, heartbeats suspended as a potential shot aligns, only to be thwarted by a shift in the bird's position or a stray leaf or branch stubbornly obscuring the view. These near misses are part of the adventure, the moments that make the eventual success all the more rewarding.

And when it finally happens – that moment when the Swainson's Thrush pauses on a decent perch, bathed in the soft glow of first light, with a clean enough line of sight, with a flattering pose and angle…and a catchlight in the eye – it's pure magic. The click of the shutter feels significant, a small victory hard-earned: We learn the patience of a hunter, the art of observation and the importance of tenacity.

Did you know that the Swainson's Thrush undertakes truly epic nocturnal migrations, sometimes flying thousands of kilometres? Even more fascinating is that they primarily navigate using celestial cues – the stars – to guide their journey across continents. Imagine this small, elusive bird using the vastness of the night sky as its map!

If the magic of a Pelee dawn chorus and the rewarding challenge of capturing these fleeting beauties during migration resonates with you, perhaps you're ready to experience it firsthand. Our Songbirds of Pelee workshop offers an immersive opportunity to learn the art of bird photography in one of North America's premier migration hotspots. Click here to visit our workshop page, explore upcoming dates, and discover how you can join us on the tip as the sun rises, chasing those unforgettable moments with the songbirds of Pelee.

Swainson’s Thrush (Catharus ustulatus, Grive à dos olive, Zorzalito quemado, SWTH). From my Songbirds of Pelee Workshop at Point Pelee National Park of Canada. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens @800mm ISO 5,000, f/8 @ 1/5,000s. Manual exposure.

Blue-gray Gnatcatcher in Golden Light at Point Pelee

My annual "Songbirds of Pelee" workshop recently concluded at Point Pelee National Park of Canada, and as always, the park's remarkable birdlife provided ample photographic opportunities. Among the many fascinating species encountered, the Blue-Gray Gnatcatcher presented a particular test of skills.

We frequently observed these tiny birds during the early morning as the sunlight cast a warm, golden glow across the rapidly emerging foliage. Their subtle blue-gray plumage and constantly flicking tails are distinctive features. However, capturing a clear photograph proved to be demanding due to their energetic and restless nature. They seldom remain stationary for more than an instant, scurrying through the foliage in search of insects. The challenge lay in achieving sharp focus and a pleasing composition amidst their constant activity.

Despite the difficulty, the reward of a well-captured image of a Blue-Gray Gnatcatcher in the soft, golden light was considerable. Their delicate beauty, though fleetingly observed, is truly captivating.

An interesting aspect of this species is its nest construction. Blue-Gray Gnatcatchers incorporate spiderwebs into the fabric of their small, cup-shaped nests. This material provides structural integrity and aids in camouflage within its environment.

Photographing the Blue-Gray Gnatcatcher at Point Pelee requires patience and persistence. While their constant movement presents a challenge, the opportunity to observe and document these tiny birds in their natural habitat, particularly during the beautiful light of the early or late day, is a worthwhile pursuit for any nature photographer.

Blue-gray Gnatcatcher in Golden Light (Polioptila caerulea, Gobemoucheron gris-bleu, Perlita grisilla, BGGN). From my Songbirds of Pelee Workshop at Point Pelee National Park of Canada. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens @800mm ISO 5,000, f/8 @ 1/5,000s. Manual exposure.

Join me at Point Pelee for my Songbirds of Pelee Workshop May 7-11, 2026 CLICK HERE TO LEARN MORE

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Join me at Point Pelee for my Songbirds of Pelee Workshop May 7-11, 2026 CLICK HERE TO LEARN MORE |

Point Pelee Vesper Sparrow

The day before my Sony photo walks began (May 4, 2025), while scouting the tip of Point Pelee National Park, I bumped into old friends John Reaume and Scott Fairbairn. We were making our way towards the tip tram stop when we noticed a cluster of photographers lying prone on the wet gravel parking lot. Naturally, we went to investigate what had captured their attention.

Migration at Point Pelee always promises exciting avian encounters, but this year delivered a particularly special treat: a Vesper Sparrow. Commonly seen by avid birders at Point Pelee, it was a rare opportunity to photograph one out in the open; they are usually found in open grassy areas, making it difficult to get a clear, unobstructed view through the lens.

Capturing this image required a bit of strategic maneuvering. This Vesper Sparrow preferred to stay in front of the cement parking curbs placed to define the edge of the parking spots. It would flit and run between these concrete dividers, almost as if following an invisible pathway, never stopping in front of a decent natural-looking background.

To get the low angle I desired and isolate the bird against the greenery, I carefully positioned myself, holding my camera just off the ground by the lens foot of my new Sony 400-800mm zoom rotated to the top, the articulating rear LCD of my Sony a9 III proved invaluable, allowing me to comfortably compose the shot without lying prone on the wet gravel, unlike some other photographers we had encountered.

It's crucial to remember that while the desire to photograph these beautiful migrants is strong, our priority must always be their well-being. Finding and photographing them ethically during this critical period is paramount, ensuring we observe without causing any disturbance to their vital journey. This rare sighting is a gentle reminder of the delicate beauty that passes through places like Point Pelee and the importance of responsible nature photography.

Vesper Sparrow Running (Pooecetes gramineus, Bruant vespéral, Chingolo coliblanco, VESP). From my Songbirds of Pelee Workshop on May 8, 2025, at Point Pelee National Park of Canada. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens @800mm ISO 20,000, f/8 @ 1/5,000s. Manual exposure.

A Golden Glimpse of Pink Amidst the Storm: Roseate Spoonbill Cover Image

The first day (April 8) of the second Florida Workshop certainly threw us a curveball! Mother Nature decided to put on a dramatic show: It rained, the wind howled, and the sky crackled with thunder and lightning. Not exactly ideal conditions for Osprey photography from an open, aluminum pontoon boat in a lake!

Undeterred, we pivoted and made our way to the Roseate Spoonbill rookery, hoping for a break in the weather. As they say, patience is a virtue, especially for wildlife photographers. For a good portion of our time there, the skies remained stubbornly grey, the air thick with humidity.

But then the clouds parted. A glorious golden light bathed the scene for just a few fleeting moments: The kind of light that transformed the ordinary into the extraordinary, painting the lush green foliage in warm hues and illuminating the delicate pink of the Roseate Spoonbills.

And that's when Mother Nature offered her prize – a reward for those who had braved the weather and remained vigilant. In that brief window of golden light, the rookery came alive. It was a breathtaking spectacle, a reminder that even amidst the harshest conditions, beauty can emerge if you are simply present and ready to witness it.

This image, captured during that precious interlude, serves as a testament to the power of perseverance and the unexpected gifts that nature can bestow. It wasn't the day we had initially envisioned, but it was truly memorable, filled with the raw energy of a storm and the delicate beauty of the Spoonbills bathed in golden light. Sometimes, the most rewarding moments are the ones you least expect.

Roseate Spoonbill landing in Dramatic First Light (Platalea ajaja, Spatule rosée, Espátula rosada, ROSP). Image made April 4, 2025, while scouting for my Ospreys of Florida Workshop. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens @400mm ISO 3,200, f/6.3 @ 1/5,000s. Manual exposure.

Perfect Portraits of Black Vultures on a Stormy Day

Nature photography rarely goes exactly as planned, and the first day of the second workshop (April 8) proved that point! The forecast was a dramatic mix of thunderstorms, lightning, and blustery winds – not the ideal conditions for a peaceful pontoon boat cruise on the lake. Safety first, of course, so we headed off for Spoonbills and kept a close eye on the weather radar, hoping for a break in the weather.

Our patience paid off. Amidst the swirling weather patterns, the radar hinted at a window of opportunity; a hidden surprise awaited us after the first wave of rain! A significant gathering of Black Vultures had congregated around a large puddle. These birds might not be everyone's idea of a glamorous subject, but their dark plumage holds a unique beauty and intricate detail.

This unexpected gathering presented a fantastic opportunity. The low, diffused light following the rain was perfect for photographing their deep black feathers. Forget harsh shadows that can obscure detail; this soft, even illumination allowed us to truly capture the subtle textures and nuances within their dark plumage.

While the vultures were constantly moving, their temporary focus on the puddle allowed for a close approach until a few other photographers decided to approach from different angles, a la stalking wolf pack and scared them off. This proximity and the exceptional lighting conditions yielded a few precious moments to capture striking portraits. It was a masterclass in seizing the opportunity and understanding how specific weather conditions can dramatically enhance the final image, revealing the often-overlooked beauty in even the darkest subjects. Sometimes, the most rewarding shots come when you least expect them!

Black Vulture Portrait (Dendrocygna autumnalis, Dendrocygne à ventre noir, Suirirí piquirrojo, BLVU). From my recent Ospreys Galore Workshop Lake Blue Cypress on April 8, 2025, at Fellsmere, Florida, USA. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens @790mm. ISO 20,000, f/8 @ 1/2,500s. Manual exposure. Full frame image.

The Magic of Bokeh: Elevating Your Bird Photography

Bokeh, that dreamy blur, that soft kiss of out-of-focus foreground and background. It is not just about aesthetics; it is a powerful tool.

Take this willet I photographed during my recent Florida Workshop. If I lowered the camera far enough, I created a soft & dreamy out-of-focus foreground. Some might see that as an obstacle or something to avoid. But for me, it became an advantage. That smooth, blurred foreground acted like a natural frame, drawing your eye inexorably to the sharp detail of the bird itself. It created a sense of depth, almost like the willet was emerging from a gentle mist or sandstorm.

And that is the magic. When you intentionally let the foreground and background melt away into a creamy bokeh, you are not just making a pretty picture; you are isolating your subject, stripping away distractions, and allowing its form, posture, and essence to take center stage. That soft blur can whisper of the environment without shouting, providing context without clutter.

It is about guiding the viewer's gaze, telling a story with selective focus. It transforms a simple snapshot into something more evocative that resonates with the quiet beauty of the natural world. So the next time you're out there, don't shy away from that out-of-focus element. Embrace it. It is the secret ingredient to elevating your bird photography.

Willet Portrait (Tringa semipalmata, Chevalier semipalmé, Playero aliblanco, WILL). From my recent Ospreys Galore Workshop Lake Blue Cypress on April 9, 2025 at Sebastien, Florida, USA. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens with Sony 1.4X Teleconverter @71,120mm ISO 10,000, f/11 @ 1/2,500s. Manual exposure.

Osprey in flight with Black Crappie in Golden Light

That early morning mist hanging over Lake Blue Cypress, the sun just kissing the tips of the ancient, water-bound cypress trees... there's a magic to it, especially when the air fills with the triumphant cries of Ospreys. One particular moment stands out during my recent "Ospreys Galore & so much more" workshop. Clutching a fresh catch (Black Crappie. Alternate names for the species include calico bass, speck, speckled perch, speckled bass, moonfish, grass bass, strawberry bass, shiner, crawpie, oswego bass, sac-a-lait, and marigane noire). This magnificent bird called out to its mate in the soft, golden light. Our trusty Captain Don maneuvered the pontoon perfectly, allowing us to capture a series of images before letting the Osprey deliver the black crappie to its nest for its chicks to enjoy their breakfast in peace.

Moments like these demand gear that can keep up with the speed and spontaneity of nature, and let me tell you, the new Sony 400-800mm zoom lens paired with the Sony a9 mark III and the Sony 1.4x teleconverter is an absolute game-changer for wildlife photography.

Think about it: a single lens that effortlessly transitions from a generous 400mm reach to a staggering 800mm, and then, with the seamless addition of the 1.4x teleconverter, stretches all the way to 1120mm! This versatility is pure gold in dynamic environments like Blue Cypress. One moment, you're framing a wider scene of the Osprey in its watery habitat; the next, you're zoomed in tight, capturing the intricate details of its plumage or the glint in its eye. No more fumbling with lens swaps and potentially missing that crucial shot.

But reach is only half the story. What truly elevates this combination is the blazing speed and pinpoint accuracy of the a9 III's autofocus system. With its global shutter, the camera locks onto subjects instantaneously, and the Real-time Tracking keeps even erratic flyers like Ospreys locked in focus as they soar and dive. Adding the 1.4x teleconverter introduces more glass into the equation, but I was genuinely impressed by how little it impacted the autofocus performance. The lens and camera communicated flawlessly, delivering sharp, in-focus results even at those extreme focal lengths.

OSPREY in flight with a Black Crappie (Pandion haliaetus, Balbuzard pêcheur, Águila pescadora, OSPR) from my Ospreys Galore Workshop at Lake Blue Cypress near Vero Beach, Florida, USA. Image copyright ©Christopher Dodds Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens with Sony 1.4X Teleconverter @1,120mm ISO 8,000, f/13 @ 1/5,000s. Manual Exposure mode. Join me for my Ospreys Galore workshop every April. To learn more, CLICK HERE.

Dancing with the Wind and a Willet: Willet in flight a la Sony a9 Mark III and the new Sony 400-800mm Zoom Lens

The stage was the wild, windswept beach at Sebastian, Florida, and the star? A stunning willet in striking plumage. If you've ever tried to lock focus on a shorebird in flight, you know they're not exactly known for their predictable flight patterns. Add gale-force wind into the mix, and you've got yourself a real avian acrobat. Tracking that kind of erratic movement, especially when aiming for tack-sharp focus, can sometimes feel impossible.

This is where the magic happened. I had the remarkable Sony a9 Mark III in my hands, paired with the brand-spanking-new Sony 400-800mm zoom, and to reach out and touch those distant subjects, I had the 1.4X teleconverter attached. This combination is a game-changer.

That incredible autofocus system on the a9 III was crucial, with its pre-capture and real-time recognition. It kept me locked onto that willet even as it twisted and turned in the wind. And the 400-800mm zoom, with the added reach of the teleconverter, gave me the flexibility I desperately needed. One moment, the bird was relatively close, buffeting in the wind; the next, it was soaring further out to sea. Instead of fumbling with prime lenses, I could smoothly and quickly adjust my focal length (the lens adjusts from minimum to maximum zoom in 1/4 turn of the zoom ring) while keeping the willet perfectly framed.

The sheer capability of this Sony setup transformed a potentially frustrating experience into an exhilarating one. It allowed me to react instantly to the bird's unpredictable movements, to frame those fleeting moments of beauty against the dramatic backdrop of the windy beach.

Walking away from Sebastian that day, my memory card filled with images that I was truly excited about, I was reminded once again of the incredible advancements in camera technology. This Sony combo isn't just about megapixels or fancy features; it's about empowering photographers to capture the wild beauty of our world, even when nature throws us a curveball – or in this case, a gale-force gust!

Willet in Flight Dorsal View (Tringa semipalmata, Chevalier semipalmé, Playero aliblanco, WILL). From my recent Ospreys Galore Workshop Lake Blue Cypress on April 9, 2025 at Sebastien, Florida, USA. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens with Sony 1.4X Teleconverter @770mm ISO 3,200, f/11 @ 1/5,000s. Manual exposure.

Green Heron Calling in Flight Sony 400-800 with Sony 1.4X Tele-converter

A distinct, loud guttural "skeow" broke the silence as we waited for this Green Heron to take flight from a perch it landed on in front of us a few moments earlier. I tracked it flying directly across my frame as it took flight and called—the fleeting moment when you get the shot or don't. Thankfully, the new Sony 400-800mm with the 1.4x teleconverter attached to the Sony a9 mark III was already poised and ready.

What struck me immediately was the sheer versatility of this setup. Going from 560mm to 1,120mm with a 1/4 turn of the zoom ring while maintaining exceptional image quality is a game-changer. There was no time to swap lenses; frankly, I wouldn't have wanted to. The integrated zoom allowed me to track the heron smoothly as it flew, adjusting my composition on the fly.

And the autofocus? Absolutely tenacious. Even with the added magnification of the teleconverter, the focus locked onto the heron's eye instantly and held firm as it zipped past: crucial for capturing birds in flight, where even the slightest hesitation can mean a missed opportunity. The resulting images are tack sharp, revealing the intricate details of its plumage. The detail retention and auto-focus speed are remarkable.

This encounter perfectly illustrates the power and flexibility of the Sony 400-800mm with the 1.4x. It's a setup that allows you to react quickly, achieve incredible reach, and capture breathtaking sharpness, even in challenging situations. This lens is a serious contender for wildlife photographers who demand the best and need to be ready for anything. It's not just about getting closer; it's about capturing the moment with stunning clarity.

Be sure to take a look at my other blog posts from my trip to Florida with only a Sony a9 mark III, the new Sony 400-800 and both teleconverters (1.4X and 2X):

FE 400–800 mm F6.3–8 G OSS Mini-review. Is this the "Holy Grail" for bird photography? by Christopher Dodds

Less is More: Finding Freedom with only the Sony a9 III and 400-800mm in Florida

Red-shouldered Hawk and the freedom of the new Sony 400-800mm Zoom lens

Green Heron Calling in Flight (Butorides virescens, Héron vert, Garcilla Verde, GRHE). From my recent Ospreys Galore Workshop Lake Blue Cypress near Vero Beach, Florida, USA. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens with Sony 1.4X Teleconverter @1,036mm ISO 3,200, f/13 @ 1/5,000s. Manual exposure.

Red-shouldered Hawk and the freedom of the new Sony 400-800mm Zoom lens

Huge thanks to my eagle-eyed friend and workshop regular, Susan A., for spotting this magnificent red-shouldered hawk! Her sharp observation made this incredible shot possible.

As I mentioned in my last blog post (Less is More: Finding Freedom with only the Sony a9 III and 400-800mm in Florida), I've been rocking a minimalist setup during my Florida workshops: the ever-reliable Sony α9 Mark III and the seriously impressive new Sony 400-800 mm zoom. Let me tell you, this duo is a dream!

What truly impresses me is the seamless transition it allows – from capturing the wider environment to a tight, detailed portrait while maintaining exceptional balance in hand and, most importantly, uncompromising sharpness. This adaptability transforms challenges into opportunities in the unpredictable world of avian photography.

When it comes down to it, the ultimate test is sharpness. The Sony Zoom has genuinely blown me away. The exquisite detail in the hawk's plumage and the raw power in its gaze are testaments to the optical mastery within this lens.

Read my mini-review of the new zoom lens here: FE 400–800 mm F6.3–8 G OSS Mini-review. Is this the "Holy Grail" for bird photography? by Christopher Dodds

Red-shouldered Hawk (Buteo lineatus, Buse à épaulettes, Busardo de hombro rojo, RSHA). April 5, 2025, during my Ospreys Galore Workshop Lake Blue Cypress near Vero Beach, Florida, USA. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens @800mm ISO 1,600, f/8 @ 1/5,000s. Manual exposure.

Less is More: Finding Freedom with only the Sony a9 III and 400-800mm in Florida

I am live and buzzing in the Florida sunshine, ready for the start of my Ospreys Galore Workshop tomorrow! I just landed yesterday, and this morning, I was out before the sun rose and the dew fully lifted. And let me tell you, the light? Absolutely glorious. The wind? Just a whisper, and in the perfect direction. And the subjects? Spectacular roseate spoonbills. Pink perfection against the early morning glow.

Roseate Spoonbill landing in spectacular first light (Platalea ajaja, Spatule rosée, Espátula rosada, ROSP). Image made April 4, 2025, while scouting for my Ospreys of Florida Workshop. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens @400mm ISO 4,000, f/6.3 @ 1/5,000s. Manual exposure. Full frame image

I made a rather deliberate choice for this trip: JUST the revolutionary Sony a9 III and the brand-spankin'-new Sony FE 400–800 mm F6.3–8 G OSS. Just one incredible camera body and one incredible zoom lens. And after this morning’s session, any lingering doubt I might have had has completely vanished.

Getting here was a breeze, literally. Travelling with a single, lightweight, small camera bag (an 18-litre bag with room to spare) felt unbelievably liberating. No more juggling multiple cases, no more strategic repacking in airport security. It was a refreshing reminder that less truly can be more, even before you click the shutter.

But this morning… this morning was the real confirmation. Those spoonbills, with their vibrant plumage and elegant movements, were simply breathtaking. And having the reach and versatility of that 400-800mm lens allowed me to capture them in ways I could only have dreamed of with a more restrictive setup. Whether I was framing a tight portrait of their unique bill or capturing a closer scene of them landing directly toward me, the camera and lens delivered. And the a9 III’s speed and responsiveness? It’s like the camera anticipates the action.

There’s a certain joy in simplifying your tools. You become more attuned to your surroundings and more focused on the moment. You’re not fumbling through a bag of lenses, second-guessing your choices. You’re present, you’re ready, and you’re making the most of the gear you have.

Seeing those spoonbills in that perfect light, knowing I had the right tool for the job, was pure magic. This single-lens approach isn’t a limitation; it’s a focused freedom. And after such a spectacular start, I’m even more excited to see what the rest of my Florida adventure holds. Stay tuned!