A Rare Treat: White-winged Crossbill on L’île aux Perroquets

After our lobster supper on August 9th (the last night of the fourth of five Deluxe Atlantic Puffin Workshops), we had an absolute blast photographing a remarkably cooperative White-winged Crossbill that stayed low and slow—perfect conditions for a dream shoot. I was ready, armed with my Sony a1 Mark II and the stellar Sony 400–800mm zoom lens. Earlier in the day, we had already seen a few fleeting glimpses of a Bay-breasted and a Yellow-rumped Warbler, but the crossbill was the clear highlight.

What made this encounter so special wasn't just the bird's behaviour—it was where it happened. White-winged Crossbills are nomadic finches typically associated with boreal coniferous forests, where they feed almost exclusively on the seeds of spruce and pine cones. So to find one on L’île aux Perroquets, a small treeless island off Quebec's North Shore with no coniferous trees in sight, was truly unexpected. During my decades of leading the Deluxe Atlantic Puffin Workshop here, I've heard their calls in the distance but never witnessed one landing—let alone offering such a perfect photographic opportunity with such a colourful background. Moments like this are a reminder of nature's unpredictability and the rewards of always being prepared.

White-winged Crossbill (Loxia leucoptera, Bec-croisé bifascié, Piquituerto aliblanco, WWCR) from my Deluxe Puffins Galore Workshop, Mingan Archipelago National Park Reserve, Quebec, Canada. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens @705mm ISO 40,000, f/8 @ 1/2,500s. Manual exposure. Full frame image.

Puffins, Fog, and an Unforgettable Start to the Deluxe Atlantic Puffin Workshops

What a way to kick off the first of five back-to-back Deluxe Atlantic Puffin Workshops—we're off to a truly incredible start. What a fantastic group! I'm thrilled to have four familiar and friendly participants from previous workshops join the mix.

We were greeted with calm, flat seas and a thick blanket of fog, which added a soft, moody and ethereal backdrop to the images. Conditions like that might sound challenging, but they're fantastic for photography—diffused light, no harsh shadows, and a peaceful atmosphere. We had exceptional opportunities right off the bat, with Razorbills and Atlantic Puffins floating just offshore. Everyone was in the zone, lying low, long lenses ready, soaking in every moment.

One of the absolute highlights was watching the puffins preen and then shake & stretch. They're incredibly diligent about keeping their feathers clean—preening isn't just about looking good (though they certainly do). It's how they maintain the waterproofing and insulation they need to thrive in the cold North Atlantic. Plus, it's a behaviour that adds life and personality to a photo. It was a joy to watch and photograph them so close, entirely at ease in their element and undisturbed by us.

Next year's workshops are already filling up: this place, these birds, and the whole experience are unforgettable. If you've been thinking about joining me for an up-close, small-group puffin adventure with guidance every step of the way, now's the time to grab your spot. I'd love to have you along.

Atlantic Puffin Wing Stretch (Fratercula arctica, Macareux moine, Frailecillo atlántico, ATPU) from my Deluxe Puffins Galore Workshop, Mingan Archipelago National Park Reserve, Quebec, Canada. Image Copyright ©Christopher Dodds. Sony a1 Mark II Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens with Sony FE 2X Teleconverter @1,200mm. ISO 10,000, f/8 @ 1/2,500s Manual exposure. Full frame image.

Coastal Brown (Grizzly) Bear Ultimate Brown Bear a la Sony a1 mark II and 50mm F1.2 GM lens

Unforgettable Encounter From My Katmai Brown Bear Adventure!

I'm just back, still buzzing with excitement, from my "Ultimate Brown Bear Adventure Workshop" in the breathtaking Katmai National Park, Alaska! What an incredible experience it was. We captured so many phenomenal images, it's genuinely hard to know where to begin.

But let's start here, with one of the many close encounters that made this trip so special. This image was made with my trusty Sony 50mm F1.2 GM lens and the Sony Alpha 1 Mark II camera.

On the second day of the workshop, we found ourselves perched on the edge of a serene stream. We had just been examining a broken egg we'd discovered in the grass when, almost as if on cue, this magnificent male brown bear began to approach us. It was a truly humbling and exhilarating moment.

It’s highly likely this impressive animal was following its incredibly sensitive nose to investigate the scent of the broken egg. Brown bears possess an astonishing sense of smell – far superior to that of a bloodhound, and estimated to be up to seven times better than a domestic dog! This incredible ability allows them to locate food, find mates, and even detect danger from miles away. It's truly one of their most remarkable adaptations, and we witnessed it firsthand.

Speaking of remarkable, I have to give a massive shout-out to the Sony 50mm F1.2 GM lens. While it's known for its incredible low-light performance and beautiful bokeh, it's also a surprisingly versatile lens. For this shot, I stopped down to f/16 to ensure I captured not only the bear in stunning detail but also the breathtaking Katmai scenery that surrounded us. Even at this narrower aperture, the distortion-free, edge-to-edge sharpness is simply outstanding, delivering incredible clarity from foreground to background.

Join me next June for an eight-day, unforgettable trip of a lifetime, immersed in Earth's highest-density brown bear population along the Katmai coast. Learn more about my Ultimate Brown Bears of Katmai Adventure HERE.

Coastal Brown (Grizzly) Bear (Ursus arctos, ours brun) from my Ultimate Coastal Brown Bears of Katmai adventure workshop in Alaska. Image Copyright ©Christopher Dodds. Sony Alpha 1 mark II Mirrorless camera & Sony FE 50mm f/1.2 G Master lens. ISO 500, f/16 @ 1/500s Manual exposure. Full frame image.

Barn Swallow Banking in Flight

Point Pelee National Park in Canada needs no introduction to bird photographers. Its unique location, jutting into Lake Erie, makes it a magnet for migrating birds, especially during spring and fall. While the spring migration brings a kaleidoscope of warblers and other songbirds, a resident avian acrobat provides a unique and thrilling photographic challenge throughout the breeding season: the Barn Swallow.

Recently, on the last afternoon of my Songbirds of Pelee Workshop, we spent some exhilarating hours at the Marsh Boardwalk Tower with my group practicing birds-in-flight photography. It is a fantastic vantage point overlooking the marsh, where dozens of Barn Swallows return to their nests tucked under the boardwalk tower deck. The conditions were demanding: harsh midday light and gusty winds that turned the swallows' flight paths into unpredictable ballets. It was a perfect opportunity to hone our birds-in-flight photography skills.

Success in wildlife photography, especially with challenging subjects, often involves patience and keen observation. We spent a significant amount of time simply watching the Barn Swallows. We observed their typical flight patterns as they approached their nests, how they reacted to gusts of wind, and the moments when they might briefly fly more predictably.

Barn Swallow Banking in FLight with Tail Flaired (Hirundo rustica, Hirondelle rustique, Golondrina común BARS). From my Songbirds of Pelee Workshop on May 11, 2025, at Point Pelee National Park of Canada. Image Copyright ©Christopher Dodds. Sony Alpha a1 Mark II Mirrorless camera, Sony 600mm f/4 GM OSS Lens, Sony FE 2X Teleconverter @ 1,200mm. f/8 ISO 3,200 @ 1/5,000s. Manual exposure.