This is another one of those moments that didn’t last.
At first glance, it looks like this osprey is posing with its fresh catch — wings up, fish in the talons, everything perfectly arranged. It wasn’t. It reacted just as fast as I did when the boat swung around for another pass at the silhouetted cypress trees that were distracting us all.
It landed for a split second, realized what was happening, and was gone.
The light was as good as it gets — that honey gold that makes everything glow and come alive. But none of that matters if you’re not ready. I had already set my manual exposure for the volume of light falling on the subject and wasn’t adjusting it. When something like this happens, there’s no time to think. You either have it or you don’t, so there is a huge advantage to understanding light and exposure.
That’s the whole game: You stay ready, even when nothing is happening, because when it does happen, it’s usually over in a few seconds.
I’ll be honest, I was quietly hoping a peregrine might rip through for the group. Something dramatic. But you don’t get to choose what shows up. You take what you’re given and make the most of it.
And this worked out magically!!
There’s a bit of a three-dimensional feel to this one: the wings, the light, the fish hanging just below the branch. Everything lined up just long enough.
A fraction of a second….that’s all you need - smile!
Osprey displaying with Catch in Golden Light (Pandion haliaetus, Balbuzard pêcheur, Águila pescadora, OSPR) from my Ospreys Galore Workshop at Lake Blue Cypress near Vero Beach, Florida, USA. Image copyright ©Christopher Dodds. Sony a1 Mark II Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens @800mm ISO 10,000, f/8 @ 1/5,000s. Manual Exposure mode. Full frame image. Join me for my Ospreys Galore workshop every April. To learn more, CLICK HERE.
Testimonial and images courtesy of George Schlossnagle. (Thanks, George!)
“This is my second workshop with Chris. Chris is a great instructor and a fantastic trip leader. He combines an encyclopedic knowledge of wildlife with more than 40 years of experience photographing it, which allows him to consistently put you in the right place at the right time—with the right guidance—to capture exceptional shots.
Just as importantly, Chris genuinely cares about his participants and their success; he’s always looking for ways to make your experience more productive and rewarding. Florida, in particular, is an incredibly target-rich environment. While this workshop focuses on ospreys (and I came away with many fantastic osprey images), I also left with great exposure to dozens of other species.
5/5 — would absolutely do it again.” - George Schlossnagle Maryland | USA
If you want to put yourself in the kind of situations where moments like this can happen, join me next April in Florida for Ospreys Galore and so much more Workshop. We work the light, stay mobile, and position ourselves where opportunity is most likely — then it comes down to being ready. Small groups (maximum 5 participants), real field time, and the kind of unpredictable moments that make wildlife photography worth it.