Watermarks; Visible & Invisible

American Bald Eagle TOUCHDOWN (Haliaeetus leucocephalus, Pygargue à tête blanche) Homer, AK Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1Ds Mark III, 300mm F2.8 IS, tripod and Wimberley Head II. ISO 400, F5 1/1000s Manual Exposure. Full Frame. Click HERE to order a print or license image for publication. Image presented with both a visible, and invisible digital watermark by Digimarc.

Have you ever come across a web site that had used one of your images without permission? Have you ever tried to find your images being used on web sites without your permission? Perhaps you should; I often Google the filenames and keywords of the images I have posted on-line, and regularly Google the keywords that drove visitors to my website and this blog. Every single time that I try, it doesn't take very long to find my images that were stripped of their visible watermark and posted, without permission, to someone’s blog, website or even used by a corporation to promote their product or service. Once found, I simply send an invoice for ten times what I would have charged, had they been honest and purchased a license for their specific use. Ten times the regular fee! Is that enough? No, once one of my images has been stripped of it’s metadata and it’s visible watermark, it is pretty much orphaned; in other words, it’s been stripped of it’s future earnings. Let me explain: If an image buyer searches for, and finds, an image that suits his particular need, then he, or she, would typically contact the copyright holder to negotiate the purchase of an image use license - see where I’m going with this? If the image in question has been stripped of it’s ownership information, then how can the honest, legitimate image buyer find it’s rightful owner? Add to this the simple fact that once the ownership information has been stripped, it’s a perfect candidate for other people to copy and post to the internet without even knowing that they are distributing a copyright protected image.

Visible watermark by iWATERMARK

A visible watermark is exactly that; it is text or a logo that clearly identifies the owner of the image and it’s copyright. The size of the message is less important than it’s content; usually the photographer’s name and or website. I tend to use a very large, bold visible copyright as both a claim of ownership and as a marketing tool.
It’s relatively easy to create a visible watermark using many image editing programs, but there are stand alone applications for both the Mac and Windows platform that work amazingly well and are really inexpensive. iWatermark from Plum Amazing Software is an incredible bargain at only US$18.00. Wondering how to create a visible watermark in iPhoto? iWatermark is the perfect companion for iPhoto or any other image editing software that does not have a text tool. iWatermark can place either a text, or image based watermark on one, or a folder full of images, and it can even resize a folder full of images or convert the file format in a single operation.

Invisible or digital watermark by DIGIMARC

An invisible or digital watermark is created when data is embedded into an image that is virtually invisible to the human eye. Once embedded, The digital watermark persists through file copying, format changes, encryption and decryption, and image manipulations such as editing, cropping, compression and decompression — all without affecting the quality of the image or the enjoyment of its viewers. It is virtually impossible to remove.
Creating a digital watermark is as easy as creating a visible one; You will need Photoshop or Photoshop Elements and you will have to subscribe to a digital watermarking service like Digimarc. What was once extremely expensive, is now more affordable with Digimarc for Images now offering annual subscriptions for as little as The Basic Edition at US$49.00 (up to 1,000 images). The Professional Edition (US$99.00 up to 2,000 images) and the Small Business Edition(US$499.00 up to 5,000 images) also benefit from the Digimarc Search Service.
The Digimarc Search Service constantly crawls the web, scanning billions of images each year to locate digital watermarked images. The service helps you to  know where your images are used on the web, ensure you are fairly compensated for the use of your images and monitor that the right images are being used on the right sites at the right time. There are many factors that determine the successful discovery of an image — including how deeply an image is buried within a particular website, and the number of sites which the image is posted. The more images you digitally watermark that make their way onto the Web, the more likely Digimarc Search Service will find them. If you have only three images online, they won't be as easy to find. Likewise, if you upload your images to a website and nobody re-posts them, your chances of being immediately found are minimal. Depending on these factors, it could take one to six months to isolate a website where one of your digitally watermarked images is used with, or without your permission. As a general rule of thumb, websites with higher traffic get indexed first. Small Business and Enterprise customers can employ the Directed Search option, where specific sites are directly targeted. This is especially useful if your images regularly appear on pages that receive less traffic, or you want to monitor potentially offending websites. All URLs in your Directed Search list are crawled every month.

I am diving right into my Small Business Edition Digimarc for Images, and will report my findings here from time to time.

SAVE 30% OFF the regular DIGIMARC FOR IMAGES annual fee by entering the coupon code "naturephotography" at the check-out.

WIN a ONE YEAR PROFFESSIONAL EDITION DIGIMARC FOR IMAGES subscription. Subscribe to my newsletter at the top of the column to the right of this post before December 15th, 2010 and you are automatically entered to win a one year Professional Edition Digimarc for Images account worth US$99.00.

Great FREE Gear Giveaway Continues

Sign-up for my newsletter before Dec. 15th, 2010 and you will automatically be entered to win some amazing prizes. Simply fill-in your name and email address in the form in the column to the right of this post and you are entered automatically (only sign-up once please). Tweet, Like or Share this blog entry on Facebook or Twitter, or leave a meaningful comment here for additional chances to win. Don't forget to tell your friends or fellow camera club members about the prizes.

  • WH-200 Wimberley Head version II (retail value of US$595.00)
  • Think-Tank Photo Urban Disguise 50 (retail value US$169.00)
  • Nik Software Viveza 2 (retail value US$199.95)
  • Digimarc for Images Professional Edition 1 year subscription (US$99.00)
  • One of eight Canon Long Lens Rain Covers (US$125.00 each)
  • More to come

Dec. 15th PHOTO GEEK CHRISTMAS PARTY

I'm hosting my first annual PHOTO GEEK CHRISTMAS PARTY at the ROCKBURN PUB 2461 Mtee Rockburn, Hinchinbrook, Quebec J0S 1E0 (450) 264-2239. All amateurs and hobbyists welcome! It's an à la carte menu and there is no fee (other than paying for your own food & drinks) - I will pass the hat for a soon to be announced charity; donations are optional but encouraged. Come on out and meet me, my friends and make new contacts while networking and showing off a few of your favorite images from 2010. Feel free to bring prints, iPads or laptops with your favorite images. RSVP required - email me at chris@chrisdoddsphoto.com (please type PHOTO GEEK CHRISTMAS PARTY in the subject line) to reserve your spot. Space is limited, so be sure to reserve soon. I will be drawing some great prizes for the Great Gear Giveaway Contest and you get another name in the hat @ the party. Special thanks to Joann for opening the pub just for us!

Cotton Carrier Review & Nik Software SHOCK & AWE!

Atlantic Puffin Vertical PuffinScape(Fratercula arctica, Macareux moine, ATPU) latrabjarg, Iceland. Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DsMKII, 17-40 F4 @21mm. 550EX Flash manual mode. ISO 250, F10 @1/250s Manual mode. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION. An old favorite REMASTERED using NIK SOFTWARE's VIVEZA 2 and Color Efex Pro 3.0 PRO CONTRAST.

Nik Software

**UPDATE OCTOBER 6, 2016: Since writing this post, please note that Nik Software was bought by Google and is currently offered as a free download HERE.

 

Just when I thought I had mastered Photoshop, Nik Software comes along and changes everything. I've been oohing and awing over the latest offerings from Nik Software since I received my review copy of their Complete Collection late last week. I've never really worked with anything other than Photoshop, Lightroom and Aperture in the past, so it's been quite an eye-opener for me. Consisting of Dfine 2.0, Viveza 2, HDR Efex Pro, Color Efex Pro 3.0, Silver Efex Pro and Sharpener Pro 3.0, this is one sweet suite of plug-ins! Shock and awe hardly describes how I feel after re-working several older images. I'll probably never get to a full review of each of these amazing plug-ins, but it's certainly not the last you've heard about them here. Be sure to check out Nik Software's latest offerings HERE and save 15% by using the coupon code cdodds at the check-out. I like Viveza 2 so much, we're giving one away on Dec. 15th (thank-you Nik Software) - simply sign-up for my newsletter in the column to the right of this post. Be sure to check-out the details of the other great prizes below.

Testimonials

I had a blast teaching a mini-workshop for the Montreal Camera Club this past week-end with 100,000 Snow Geese, and many of them came very close. Special thanks to Canon Canada Professional Services for loaning a Mark IV and 800mm F5.6 lens for everyone to try.

"Chris, I can't thank you enough for this most inspiring weekend photographing wild snow geese. I thoroughly enjoyed your expertise and advise on how to take breathtaking photos. After quickly reviewing 2,000 photos I'm proud to say that close to 200 will be keepers. At least 3 or 4 of the really interesting ones actually had their beaks open. Also I'd like to thank you for the use of the 800mm lens and Mark IV; by day 2 I got the hang of using it and some of the close-ups are outstanding."  

- George Liberman Montreal | Quebec | Canada

"Thank you for the wonderful day I spent with you on Saturday photographing the snow geese. Thanks to your help and individual attention I was able to figure out some issues that would have taken me a long time to solve  on my own. Your tips on memory cards and how to keep the dust out of my lens when in Africa were things I’d never thought of. I look forward to doing another workshop with you and wish you all the best. Once again, thank you for a great day."

- Wendy Altona Montreal | Quebec | Canada

Cotton Carrier Review

I have been meaning to check out the innovative camera carrying system from Cotton Carrier since first seeing one last winter. It’s a vest type harness made of ballistic nylon with a polycarbonate breast-plate receiver that allows you to keep your camera in a comfortable, ready to use intuitive position. Simply screw an adapter (camera hub) to your camera, and it slides right into the receiver - twist to release. If carrying one camera is not enough, then install the second receiver (or side holster) on the side cinch strap (or any belt) and you are ready to go with two easy to access and use cameras. Right after I published the Spider Holster review HERE, Cotton Carrier sent one over for review. I was thrilled to discover the Cotton Carrier is invented and designed in Western Canada.
The very first thing I noticed when I opened the plastic UPS shipping bag was the whole deal is in a nylon mesh bag and there was no box - unusual today, but a great sign of respect towards the environment. No box not only saves trees, it reduces the greenhouse gas emissions required to ship the smaller volume package.

The Cotton Carrier is well engineered, designed to fit comfortably and made of some pretty durable materials; ballistic nylon, polycarbonate and aluminum. There’s no doubt that the right choice for the impending winter season is the Cotton Carrier ; it’s versatile design will allow me to adjust it to fit over my bulky Canada Goose winter parka while trying to keep warm in the coldest conditions. The Cotton Carrier holds my camera much higher than the Spider Holster, so it is also the best option to keep my camera with my 70-200mm or 100-400mm lens from getting full of snow as I navigate waist deep snow drifts that I often have to traverse while photographing during my winter owl prowls. Be sure to use the included camera tethers as insurance against dropping any gear if you miss the receiver or have freezing cold hands. There is a wide Velcro horizontal strap to ensure your cameras safety while doing physically demanding photography like mountain-biking, motor-biking, skiing, rock climbing, hiking or dog-sledding. It's important to properly adjust and fit the Cotton Carrier, so I strongly recommend watching this "stellar" video by Andy Cotton ;)

If you are already familiar with the Cotton Carrier , then there are a few new items you should be aware of; I skipped the regular adapters and installed their brand new Arca-Swiss compatible adapter plate. The Cotton Carry-Lite is the newest addition to the Cotton line-up; it is designed to hold one camera at waist level and has a unique built-in shoulder strap. Also new is the Cotton Lens Bag System. Be sure to check them out at www.cottoncarrier.com

Great FREE Gear Giveaway Continues

Sign-up for my newsletter before Dec. 15th, 2010 and you will automatically be entered to win some amazing prizes. Simply fill-in your name and email address in the form in the column to the right of this post and you are entered automatically (only sign-up once please). Tweet, Like or Share this blog entry on Facebook or Twitter, or leave a meaningful comment here for additional chances to win. Don't forget to tell your friends or fellow camera club members about the prizes.

  • WH-200 Wimberley Head version II (retail value of US$595.00)
  • Think-Tank Photo Urban Disguise 50 (retail value US$169.00)
  • Nik Software Viveza 2 (retail value US$199.95)
  • Digimarc for Images Professional Edition 1 year subscription (US$99.00)
  • One of eight Canon Long Lens Rain Covers (US$125.00 each)
  • More to come

Dec. 15th PHOTO GEEK CHRISTMAS PARTY

I'm hosting my first annual PHOTO GEEK CHRISTMAS PARTY at the ROCKBURN PUB (2461 Mtee Rockburn, Hinchinbrook, Quebec J0S 1E0 (450) 264-2239). All amateurs and hobbyists welcome! It's an à la carte menu and there is no fee (other than paying for your own food & drinks) - I will pass the hat for a soon to be announced charity; donations are optional but encouraged. Come on out and meet me, my friends and make new contacts while networking and showing off a few of your favorite images from 2010. Feel free to bring prints, iPads or laptops with your favorite images. RSVP required - email me at chris@chrisdoddsphoto.com (please type PHOTO GEEK CHRISTMAS PARTY in the subject line) to reserve your spot. Space is limited, so be sure to reserve soon. I will be drawing some great prizes for the Great Gear Giveaway Contest and you get another name in the hat @ the party. Special thanks to Joann for opening the pub just for us!

Wimberley Head II & Coastal Brown Bear (Ursus arctos) with Grey Wolf (Canis lupus) - Unlikely fishin' buddies

Coastal Brown Bear and Gray Wolf Unlikely FISHIN' BUDDIES (Ursus arctos or Grizzly Bear and Canis lupus) Hallo Bay, Katmai National Park, AK. Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DMKIV, 500mm F4 L IS, 2X II Tele-converter, Tripod & Wimberley Head II. ISO 800, F8 @1/125s Manual mode. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION.

WH-200 Wimberley Head II review

If there is a single piece of photography equipment that I own and can't live without, but often abuse and take for granted, it's my Wimberley head. If it could tell a story, it would have many stories to tell; we've shared many adventures. From watching these unlikely fishin' buddies in Alaska, to the rainforest in Panama to photographing over the edge of a 5,000 foot cliff in Iceland, it's been my constant travel companion. I owned and loved my first version of the Wimberley Head for years, and now rely on my Version II to support my equipment while in the field. Simply put: The Wimberley Head II (WH-200) is the sum of a great idea, brilliant design & engineering, stellar customer service & support, product evolution and a small company that cares about their customers, their product; They care and they consistently prove that they care.

"The Wimberley Head is a specialized tripod head for telephoto lenses. Its gimbal-type design allows you to rotate your lens around its center of gravity and thus easily manipulate very large lenses. Since its introduction in 1991, the Wimberley Head has become the industry standard for serious nature photographers.

The Wimberley Head Version II offers the same stiffness, capacity, and fluid movement of the old version in a more compact and lightweight package (it is one pound lighter and about two inches shorter). The head’s redesigned panning base has zero play, and the pan locking knob has been moved to the side of the head, thus allowing the user to easily operate both knobs with the same hand. New lobed “soft-touch” knobs provide a more comfortable grip and perform better when using gloves.

In addition to the above improvements, Wimberley has examined all aspects of the head, tightening tolerances, improving friction materials and so forth. Our goal has been to make this head functionally and aesthetically better in every way than the old version and competing products." - Wimberley website

Speaking of competing products, there is a growing number of copies and knock-offs appearing on the market; some cheaper than, and others comparable in price to, the original Wimberley Head (and the new Wimberley Head II). Before saving a couple of bucks, simply ask yourself if your expensive camera equipment deserves anything less than a Wimberley brand product, and all that the Wimberley name stands for. Knock-offs are being mass produced with second rate, low grade, un-tested materials, and try speaking to a "customer care" agent in the Orient where they are made - these companies are more interested in producing profit than quality and are best avoided.

See more from Wimberley HERE.

I like my Wimberley Head so much that I'm giving one away on December 15th, 2011. Thanks to the fine folks at Wimberley, we are giving away a brand new Wimberley Head II (WH-200); simply sign-up for my newsletter in the column to the right of this post and your name will automatically be entered to win.

Coastal Brown Bear and Gray Wolf Waiting for leftovers (Ursus arctos or Grizzly Bear and Canis lupus) Hallo Bay, Katmai National Park, AK. Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DMKIV, 500mm F4 L IS, Tripod & Wimberley Head II. ISO 1600, F4 @1/320s Manual mode. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION.

Daylight Savings Time Ends

Whether it's the start, or end, of daylight savings time, I always use the occasion to change out the batteries in my smoke detectors and to make sure all of my clocks, watches and cameras are set to the right time. I typically set everything to match THIS SITE.

Great FREE Gear Giveaway Continues

Sign-up for my newsletter before Dec. 15th, 2010 and you will automatically be entered to win an amazing prize. Simply fill-in your name and email address in the form in the column to the right of this post and you are entered automatically (only sign-up once please). Tweet, Like or Share this blog entry on Facebook or Twitter, or leave a meaningful comment here for additional chances to win. Don't forget to tell your friends or fellow camera club members about the prizes.

  • WH-200 Wimberley Head version II (retail value of US$595.00)
  • Think-Tank Photo Urban Disguise 50 (retail value US$169.00)
  • Nik Software Viveza 2 (retail value US$199.95)
  • Digimarc for Images Professional Edition 1 year subscription (US$99.00)
  • One of eight Canon Long Lens Rain Covers (US$125.00 each)
  • More to come

Coastal Brown Bears of Katmai Photo Safari / Photography Workshop

Both of the images in this blog entry were from my July 2010 Coastal Brown Bears of Katmai Workshop / Safari. Do consider joining me from July 24 to July 30, 2011 for the adventure of a lifetime. Only three spots remain. MORE INFORMATION HERE.

Getting the most from your flash batteries & Think-Tank Photo Urban Disguise 50 Give Away

American Bald Eagle HOLD TIGHT (Haliaeetus leucocephalus, Pygargue à tête blanche) Homer, AK Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1Ds Mark III, 500mm F4 IS, flash, tripod and Wimberley Head II. ISO 800, F4 1/1000s Manual Exposure. Full Frame. Click HERE to order a print or license image for publication.

Getting the most from your flash batteries

Weather your choice is flash as fill light, or flash as main light, you most likely don't pay a lot of attention to your flash batteries and charger. With today's cameras capable of a 10 frame per second capture rate; you should.

I boost the battery capacity and recycle rate with Canon CP-E4 Compact Battery pack. The CP-E4 is powered by 8 AA batteries and attaches to the flash with an integrated cable. You still need a separate set of batteries in the flash unit itself, and I use Custom Function 12-1(for the Speedlite, not the camera) to set the 580EX II to draw recycle power from the battery pack only, as opposed to the default setting of drawing power from both the flash batteries and those in the CP-E4. That way I still have a fully-charged set of internal batteries available if the pack runs low on power after a big day of shooting action.

What kind of batteries? I use rechargeable Ultra high capacity PowerEx 2700mAh NiMH (Nickel Metal Hydrate). They cost more than alkaline batteries, but save money in the long run because they can be used hundreds of times (often more than 1,000 times). NiMH batteries preform well in cold weather, but they gradually loose power when they are not in use. I always carry a full set of spares and because they have no memory, I can charge them any time without affecting their capacity.

What kind of charger? Maximizing battery life is not only about buying the highest-capacity batteries, it's got a lot to do with the charger you choose. Buying the wrong charger can result in under, or overcharging your precious batteries; resulting in lower capacity and a shorter life. I use the PowerEx MH-C801D battery charger which holds eight AA or AAA batteries and provides a dedicated circuit to charge each cell. It can also independently condition each cell through a charge - discharge - recharge cycle (which is recommended every 10th charge). Known as a smart charger, the MH-C801D initially charges with a hight rate once the batteries are inserted, then slowly reduces the current to a trickle charge once peak current is reached. Be sure to install the batteries in sequence from left, to right, without leaving an empty bay.

Think-Tank Photo Urban Disguise 50 Give Away!

We've teamed-up with Think-Tank Photo to give away an awesome camera bag. Sign-up for my free newsletter before December 15th and be automatically entered for a chance to win! It's easy; simply fill-in the sign-up form in the column to the right of this post. Tweet, Like or Share this blog entry on Facebook or Twitter, or leave a meaningful comment here for additional chances to win. Don't forget to tell your friends or fellow camera club members about the prizes.

White-Tailed Deer Buck in Velvet & Spider Holster Review

Eastern White-tailed Deer Buck in velvet (Odocoileus virginianus, Cerf de Virginie) Amherst Island, Ontario, Canada. Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1D Mark IV, 500mm F4, 1.4X II Tele-converter Tripod and Wimberley Head II. ISO 400, F5.6 1/40s Manual mode. BUY A PRINT OR LICENSE IMAGE FOR PUBLICATION HERE.

Eastern White-tailed Deer Buck in velvet (Odocoileus virginianus, Cerf de Virginie) Amherst Island, Ontario, Canada. Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1D Mark IV, 500mm F4, 1.4X II Tele-converter Tripod and Wimberley Head II. ISO 400, F5.6 1/60s Manual mode. BUY A PRINT OR LICENSE IMAGE FOR PUBLICATION HERE.

Eastern White-tailed Deer Buck in velvet (Odocoileus virginianus, Cerf de Virginie) Amherst Island, Ontario, Canada. Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1D Mark IV, 500mm F4, 1.4X II Tele-converter Tripod and Wimberley Head II. ISO 400, F5.6 1/640s Manual mode. BUY A PRINT OR LICENSE IMAGE FOR PUBLICATION HERE.

SpiderPro Holster Review

I've been hanging my heavy 1D Mark IV with 70-200F2.8 IS II lens over my shoulder, or around my neck for years, and with a bad neck and back; I've had enough. I set out on a quest; find a simple, but efficient way to hold my second camera while working with a tripod mounted primary long lens. Let’s face it; we all spend a lot of time waiting for the right “moment”, and don’t want anything in our way when it presents itself.

Shai Eynav just sent me a review sample of the SpiderPro System, and I love it; in fact, this may be my favorite new photography accessory. The SpiderPro System is a remarkable new way to carry your camera. I got the whole kit and caboodle; a nylon belt (Spider Holster Belt) with a holster shaped flap  (Spider pad) to protect your camera from any metal studs in your jeans, and provide a little comfort cushion between your hip and your camera. The belt buckle even requires two hands to release, making it impossible to accidentally come undone. When secured around your waist, with the holster shaped flap (Spider pad) on your side, there's an ingenious cast aluminum/stainless steel slotted holder (SpiderPro) which receives the metal pin (Spider pin) that attaches to the Spider plate, which, in turn, is securely fastened to your camera. There’s even a safety latch, which you decide weather to engage, or not. The unique design ensures the camera and lens stay in the horizontal position; this keeps the lens from touching the ground when crouching or kneeling, as it would if the lens was pointing down. Shai has thought of everything; he's even placed four threaded holes in the Spider plate for easy quick-release plate attachment.

With the Spider Holster, my camera now hangs comfortably by my side ready for action. There’s no better way to get the weight of my neck, shoulders and back than this! When the “moment” presents, I’m ready; thanks to Shai Eynav and his marvelous invention, the Spider Holster. In the wilds of Alaska or Tanzania, at a press event in the city, or in the home studio, the Spider Holster will prove invaluable to any photographer. Find out more, or order yours at www.spiderholster.com

Red-Tailed Hawk (Buteo jamaicensis) & POGOPLUG Review

Red-tailed Hawk (Buteo jamaicensis, Buse a queue rousse, RTHA)  Ontario, Canada. Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DsMKIII, 500mm F4 IS, 1.4 X II Tele-converter, Tripod & Wimberley Head II.  ISO 1000, F5.6 1/500s Manual mode. CLICK HERE TO ORDER A PRINT OR LICENSE IMAGE FOR PUBLICATION.

 A red-Tailed Hawk (Buteo jamaicensis, Buse a queue rousse) was a surprise visitor during a winter owl prowl last year. If you want to make compelling winter owl images in Southern Ontario and Quebec, then these private, or semi-private owl excursions are the best way to escape the large and crowded workshops offered by others. Still some space available in January, 2011 - read more HERE.

Pogoplug Review


The Pogoplug Multimedia Sharing Device connects external hard drives to the internet so you can easily share and access your files from anywhere. It gives even novice computer users the chance to set up their own cloud server in less than five minutes.

Compatible with NTFS, FAT32, Mac OS Extended Journaled and non-Journaled (HFS+), and EXT-2/EXT-3 formats, the Pogoplug Multimedia Sharing Device covers most bases for nearly any hard drives. Connecting a drive is as simple as plugging it into the Pogoplug Multimedia Sharing Device after plugging the Pogoplug Multimedia Sharing Device to a router via Ethernet and a power socket. The whole system recognizes itself and is ready to go, as advertised, after logging in to Pogoplug Multimedia Sharing Device 's Web site and registering.

There are three ways of interfacing the drives connected to Pogoplug Multimedia Sharing Device : directly through a Web browser via the my.pogoplug.com Web site; via a downloadable software client for Mac, PC, and Linux that shows the Pogoplug Multimedia Sharing Device -connected drives directly on the desktop; and via mobile phone apps. The downloadable client offers the greatest flexibility, allowing drag-and-drop uploading and downloading of files.

After getting over the initial shock of it’s brilliant pink case, I set-up my review unit; I connected three old, unused 1TB external drives and instantly had a 3TB personal server (with a spare USB port on the front). I installed the Mac client, and the three drives were instantly recognized and appear as three folders inside a Pogoplug folder on my desktop. The unit works perfectly for throwing a huge collection of images into a internet accessible drive, in the event I need an image, or document while on the road. Don’t confuse it with a premium on-line storage or back-up service with the security of multiple redundant off-site back-ups in multiple geographical areas that incurs, sometimes hefty, monthly charges. This is, however, a perfect device for a self-employed photographer who needs access to files while out of the office or to share with clients and/or friends. It is also another level of back-up if my laptop gets lost or stolen while on route to a presentation, lecture or workshop. Pogoplug is also a cheap and easy way to boost the limited storage of your MacBook Air or iPad.

Snowy Owl Silhouette & The Amazing Monarch: The Secret Wintering Grounds of an Endangered Butterfly

 Snowy Owl DAWN SILHOUETTE Bubo scandiacus (Harfang des neiges) Quebec. Image Copyright ©Christopher Dodds All Rights Reserved. Canon EOS 1DsMKII, 500mm F4 IS ISO 250, F7.1 1/1600s Manual mode. CLICK HERE TO ORDER A PRINT OR LICENSE IMAGE FOR PUBLICATION.

Private Winter Owl Prowls

The private winter owl safari/workshop series has proven to be a huge success with people from around the world booking days, or weeks. There are still some dates available, so do consider joining me for a private winter owl prowl. Find out more HERE.

Testimonial

"Hi Chris. The September 2010 Moose and Fall Colors Photo Workshop has been a fantastic experience for me in many aspects. I want to thank you warmly for everything you have done for me, not only with respect to photography but in every respect, such as wildlife and nature, the English language, travel tips, etc. You never hesitated to share your knowledge with the group in general and with me in particular. You amazed me more than one time with your wide array of knowledge. Furthermore, you have been a very pleasant companion all along. I would not hesitate to book another workshop with you, which I intend to do later, depending on my budget and schedule possibilities. I already told you that you are a real gentleman, and I just want to tell you again." Serge Gagné L’Île-Bizard (QC) Canada

Q & A

How do I activate auto focus (AF), when using 1.4x or 2.0x teleconverters with f/5.6 or slower lenses with Canon cameras other than the EOS 1D series? Serge Gagné L’Île-Bizard (QC) Canada.

It is simple. Just place a small transparent piece of tape on the last 3 pins of the converter. The tape should be placed on the left hand side of the converter when looking at it from the lens connection side with the electrical contacts on top. With these three left pins covered, the auto-focus continues to operate on the Rebel and D series Canon cameras with the AF activated. It also works great with the Canon 100-400mm f/4.5-5.6L IS.

The Amazing Monarch: The Secret Wintering Grounds of an Endangered Butterfly

The Amazing Monarch: The Secret Wintering Grounds of an Endangered Butterfly is a new book written and photographed by wildlife photographer and trial attorney Windle Turley. In the book, Turley captures amazing images in the rarely photographed wintering grounds of the monarch butterfly, in the Transverse Neovolcanic Mountains in Mexico. Granted almost-unprecedented access, Turley documents the final destination of this migration that only takes place every four to five generations with vivid, full-colour photographs.

It's easier than ever to publish your own book full of your amazing images, but it's no secret that a book full of only images will end-up on the discount table at your local book store. If you have ever thought of publishing your own book, and wondered how to tell your story, then this is a must have; no only for the story of the Monarch, but because the story is well presented and well told. Turley supplements the images with scientific-based text detailing the migration with complimentary quotations and poems that make a multifaceted book about one of the most engaging and mysterious species know to man.

LEAVE A COMMENT - WIN A BOOK: Leave a meaningful comment and I will randomly choose three lucky folks to receive one of three copies of The Amazing Monarch: The Secret Wintering Grounds of an Endangered Butterfly that I have to give away. The enterprising photographer will also include a link to a photo of a Monarch, or a blog entry about the Monarch. I'll randomly choose the winners and I'll even pay for surface mail anywhere in the world. I won't pay customs, brokerage, taxes or duties, though there shouldn't be any payable.

Snow Goose Dark Morph (Blue Goose, Chen Caerulescens, Oie des neiges) & EOS-1D Mark IV: On-Camera Tutorials

Snow Goose Dark Morph (or Blue Goose) Landing (Chen Caerulescens, Oie des neiges, SNGO) Bosque del Apache National Wildlife Refuge, Socorro, New Mexico, USA. Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DsMKIII, 500mm F4 Lens with 1.4X II Teleconverter, tripod and Wimberley Head II. ISO 400, F5.6, 1/1600s in Manual Mode. CLICK HERE TO ORDER A PRINT OR LICENSE IMAGE FOR PUBLICATION. 

Canon EOS-1D Mark IV: On-Camera Tutorials

Canon USA has some pretty useful tutorial videos HERE that explore 13 specific features of the EOS-1D Mark IV. These instructional videos are designed to be viewed at your convenience: Watch them online, on the go, or even on your camera's rear LCD screen -- so you can follow along, every step of the way! If you only get out to shoot once in a while, and often forget how to properly use your Mark IV, then I highly recommend loading these videos onto a spare memory card for easy reference while out in the field.

Where to photograph Elk (Wapiti, Cervus canadensis) around Banff National Park, Alberta

Bull Elk  Lookback (Wapiti, Cervus canadensis, élan) Banff National Park, Alberta, Canada. Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DsMKIII, 70-200 F2.8 IS II @200mm. ISO 650, F5.6 1/200s Manual. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION.

I'm just back from a great two week vacation with family in Calgary, Alberta. While it was meant as an "unplugged" getaway, I did manage to scan all of our old family photographs (some 2,500 images) and sneak away to Banff National Park on two occasions for some photography with Julie. Here's a few images from one of many encounters with bull Elks during what became the most successful trip there so far.

Bull Elk in the rain (Wapiti, Cervus canadensis, élan) Banff National Park, Alberta, Canada. Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DsMKIII, 70-200 F2.8 IS II @170mm. ISO 650, F5.6 1/200s Manual. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION.

Bull Elk overlooking the Bow Valley in the rain (Wapiti, Cervus canadensis, élan) Banff National Park, Alberta, Canada. Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DsMKIII, 70-200 F2.8 IS II @70mm. ISO 650, F5.6 1/200s Manual. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION.

Where to photograph Elk around Banff

If you find yourself visiting Calgary with a spare day for photography, then be sure to head West on the Trans-Canada Highway to Banff National Park and the Canadian Rocky Mountains. I'd leave around 04:30 and drive  directly to the Bow Valley Parkway (slowly) until you reach the Moose Meadows area (It dosen't happen often, but we photographed a beautiful Bull Moose here, and it is certainly worth a look); at which point I'd turn around and head back to Banff.  Once you exit for Banff, instead of following the sign for the town, go the opposite direction and slowly follow the switchbacks of Mt. Norquay Scenic Drive; make a u-turn in the ski area parking lot at the top and head back down for a second look for the Mountain Sheep that live here.  Now follow the Trans-Canada Highway East for a short while and take the exit for Lake Minnewanka; follow the lake Minnewanka loop road and explore the dead-end roads that branch from it. This might be the best, most scenic location for Elk around. Figure driving about 300km and spend the whole day enjoying the sights. Best time of year for bull Elk is the rut during September and October. Here's the route on Google Maps:


View Banff Wildlife Drive in a larger map

September 11 Tribute

American Bald Eagle MOURNING SONG , Haliaeetus leucocephalus (Pygargue à tête blanche) Homer, AK ©Christopher Dodds www.chrisdoddsphoto.com Canon EOS 1D MKII, 500mm F4IS ISO 400, F4 1/250s Manual mode. Gitzo 1325 tripod and Wimberley Head. Click HERE to order a print or license image for publication.

The world changed nine years ago on September 11, 2001. This image is my tribute to that tragic day.

 

LCDVF Digital Viewfinder / Magnifier Review & Maine Moose; it's not too late

Bull Moose Giant of the Northwoods (Alces, Elan, Orignal) Baxter State Park, Maine Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DsMKIII, 500mm F4 and 2XII tele-converter Gitzo 1325 Tripod and Wimberley Head II. ISO 400, F8 1/160s Manual. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION.

Moose & Fall Colors of Maine September 27 to October 1, 2010; It's not too late

Only two spots left, so it's not too late to join Christopher Dodds in Baxter State Park and surrounding areas (near Millinocket, Maine) for a truly unique workshop. Our primary focus will be the Moose that are renowned for allowing close human approach. Our trip is also timed to coincide with the amazing fall colors that illuminate Baxter State Park every fall. Though not guaranteed (Moose are wild and free, after all), I often have Moose walking so close to us that we can feel their warm breath in the cool, fall, Maine air. We have traveled far to photograph these majestic giants of the Northern forest, so we won't be spending much time indoors at the computer (like many other photography groups); this trip is all about being out there with the Moose - seeing, being and documenting their behavior during the annual Rut. Other subjects may include White-Tailed Deer, Black Bear, fox and various birds. SEE MORE INFORMATION HERE.

See the blog entries from the 2009 Moose & Fall Colors Workshop / Safari:

The White-Tailed Deer of Baxter State Park Trip Report Part I

American Black Bears of Baxter State Park Trip Report Part II

The Many Moose of Baxter State Park Trip Report Part III

Testimonial

"I was impressed on how much Chris cared about making sure everyone was learning, engaged, and getting the most out of the trip. I look forward to my next workshop with Chris!" Michael Lyncheski Gladstone, NJ


LCDVF Digital SLR Viewfinder / Magnifier Review

The LCDVF is a 2X loupe that is designed as a LCD viewfinder for video-enabled digital SLR’s. Not only for the video enthusiast, the LCDVF is an invaluable aide to achieve more accurate and precise focus for the still photographer. The loupe also acts to block ambient light while shooting outdoors in live-view mode, or reviewing images on the LCD screen for sharpness and the histogram for exposure accuracy. The LCD ViewFinder turns your DSLR LCD screen into a huge electronic viewfinder for precise image evaluation - it’s like viewing a 42" screen from 140cm (4.6 feet).

The part I like most about the LCDVF, is it’s ingenious adhesive ultra-slim metal frame that secures the LCDVF to your camera using four small magnets (located at the camera end of the loupe frame). The LCDVF ships with two magnetic/adhesive frames; only one frame is needed, the extra one is a spare or could be used on a second camera. The magnets are strong enough to securely hold the LCDVF against your camera, but weak enough to break-away if you forget that the lanyard is around your neck and walk away from your expensive camera set-up with a long lens on a tripod; preventing a possible disaster. The company promises these four magnets aren’t strong enough to damage your camera, it’s electronics or the data on your memory card.

There are two models available; the LCDVF for most cameras with a 3” LCD screen, and the LCDVF 3/2 which is custom fit to the Canon 550D, Rebel T2i and the Kiss X4.

The LCDVF has a removable, rotating rubber eye-cup, and was shipped with a foam/microfiber eye cushion that I found useful and comfortable, it includes are a neck strap with quick release buckle and a neoprene pouch (which is well built, but could be about 20% bigger, in my opinion).

I spend an enormous amount of time reviewing images in the field while photographing and teaching outdoor nature photography workshops. The LCDVF has already proven itself to be durable and water resistant and I already can’t imagine shooting without it. The optics are bright and crisp and the LCDVF offers a great view of the whole 3” screen without loosing sight of the corners.

Help support this site and Purches the LCDVF HERE or LCDVF 3/2 HERE

Visit the LCDVF website HERE.

Adobe PHOTOSHOP CS5; A New Life for Old Images & Bald Eagle Reflection

Bald Eagle REFLECTION (Haliaeetus leucocephalus, Pygarge à tête blanche) Kachemak Bay, Homer, Alaska, USA. ©Christopher Dodds http://www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1D Mark II, 100-400mm F4-F5.6 @ 260mm . ISO 400, F7.1 1/260s Manual Exposure. Full Frame. Click HERE to order a print or license image for publication.

Bald Eagle REFLECTION was captured when I saw this Eagle in the fog drinking from a thin layer of water covering an ice-covered parking lot just after a somewhat mild and rainy morning in February, 2005. Rather than take the chance and spook the Eagle, I used my rental SUV to, ever so slowly, approach. Rather than drive directly toward it, I instead circled around, slowly reducing the circumference until I was close enough to get the image I had in mind. I positioned the SUV close enough to fill the frame, but more importantly, close enough to get a steep enough angle to include the reflection and eliminate some distracting buildings, stones and dark asphalt patches in the background.

I've just completed a submission which included some old favourites from 2005. Not all that long ago, really, but seems like a lifetime ago in terms of my post capture workflow and software. Photoshop CS5, with it's newly tweaked noise reduction algorithms, has certainly brought a new life to some old favourites. If you think the noise reduction works wonders on the files from recent cameras; go back through your archives and re-work some of your favourites from the past. It's not only the noise reduction that's new; there's a plethora of new tools and algorithms in Adobe's latest offering, not to mention what you have learned, and how you have grown as an artist, along the way. I always say that every image in my collection has a story; so it's been fun looking through the memories - give it a try.

Testimonial

I have known Chris for a few years and in July 2010 I attended Chris’s workshop for Coastal Brown Bears. The trip will always hold very special memories for me as I can honestly say it was the most enjoyable and productive trip I have ever made, and the most exhausting :o))   As a professional photographer I tend to try and put together my own trips but when I heard Chris was organizing this trip I had no hesitating in contacting Chris and booking. I would advise anyone else to do the same.

From the moment I landed at Kodiak airport we were out shooting literally within a few hours. Everyday we made the most of early morning and late evening light. Photographing some days till 11pm.  The amount of subjects we captured was unbelievable: Fox Cubs, Song Birds, Eagles, Seals, Sea Otters, Wolves and…  BEARS! 

After spending three days on Kodiak Island we headed for the Katmai coast by float plane and stayed on the Coastal Explorer, which was our home for a week.  Almost everyday we had a different location to go to and made the most of the weather. At times it rained non-stop and at others I was walking around in just a t-shirt.  Getting up close and personal with the bears was the ultimate thrill and having an enormous boar run, at what seemed directly at me whilst chasing salmon, was a heart thumping moment I will never forget; Though our safety was Chris' primary concern.

Life on the Coastal explorer was fun and we were all well looked after with meals ready for us at all times.  Downtime was relaxed and we watched movies and even spent one afternoon fishing where I caught Halibut and a silver salmon. Plus I landed the biggest Halibut, don’t let Chris tell you otherwise :o))   As you can tell even when we were not photographing we were having fun.

If you are considering such a trip or one of Chris’s other workshops my advice is not to hesitate and to book straight away.  You will be guaranteed a good time and have plenty of photos and memories to take home with you after the trip.

Thanks for a great time Chris and I look forward to the next one!!

Best Wishes- Darren Holloway (FMPA FBIPP QEP) Smallfield | Surrey | UK

Lens Align Pro; the real secret to sharp images & Winter Owl Workshops / Safaris Announced.

Great Grey Owl Blizzard in White (Strix nebulosa, Chouette Lapone, GGOW) Bracebridge, Ontario, Canada. Image Copyright ©Christopher Dodds. All Rights Reserved. Canon EOS 1D Mark II, 100-400mm @ 105mm. ISO 800, F8 1/640s Manual Exposure. Full Frame. CLICK HERE TO PURCHASE A PRINT or LICENSE AN IMAGE FOR PUBLICATION.

Private Winter Owl Safari / Workshops Announced

Join Canadian Wildlife photographer Christopher Dodds for the ultimate private, or semi-private, winter owl photography trip. Our target subjects include (but are not limited to) The Snowy Owl, Boreal Owl, Great Grey Owl, Northern Hawk Owl, Barred Owl, Long-eared Owl, Short-eared Owl and the Saw-Whet Owl. Our base of operations will be near Montreal Pierre-Elliot Trudeau Airoprt (YUL) and Ottawa International Airport (YOW). Our travels could include Southern Ontario and Quebec.

Book a single day or a whole week to maximize your experience, capture multiple species in different settings and in different weather conditions (always hoping for snow). I can customize your itinerary to include the  owls of Ontario and Quebec that you most want to photograph. Avoid the headache and impact of large group tours; wintering owls are often found on private property and land owners (many of them I know personally) are much more receptive to allowing just two, or three, photographers on their property, than a large workshop group. Gain access to the places I've been photographing these Northern beauties for years.

MORE INFORMATION HERE

Testimonial

I fell in love with Northern Gannets when I saw them fishing off the north coast of Florida many years ago during migration.  What beautiful birds!
 Researching where to see them best included Bonaventure Island in Quebec, Canada.  When I saw Chris Dodds' photos I was smitten.  The workshop experience was far better.  Chris is a terrific person, and a great teacher.  Eastern Quebec is charming and Chris knows all the folks and all the ropes to get the photographer to the best sites for shooting both on the island and on the waters surrounding the island.  The birds and their behavior are unquestionably amazing to observe and record.  Chris shared his strategies and shooting techniques freely.  He is laid back and we who attended his photo-op had the very best time. I was pleased to have learned more about flight photography with this experience.  If you have the opportunity and are interested in bird(flight) photography, this is a best experience.

Paul Herd Atlanta, Georgia, USA

Lens Align Pro; the real secret to sharp images

My life is full of moments; some lasting longer than others. I work tirelessly at honing my craft to capture the essence of those moments; some static and some explosive, some lasting hours, others only a fraction of a second. There is no real secret to learning how to capture action; it is an acquired skill, one that can be learned, one that requires practice. Weather your subject is a static bird sitting on a pretty perch, or a Great Grey Owl flying silently through a gorgeous blanket of softly falling snow; all the practice in the world, great technique and the very best tripod and head can’t help you make sharp images if your camera’s autofocus system is not adjusted, or tuned,  properly. I recently received a LensAlign Pro from Michael Tapes and was blown away when I discovered that all of my lenses needed adjustment.

There are many ways of calibrating your camera’s autofocus system available on-line; some as simple as a test chart you can print and glue to a stiff piece of card-stock, others involve moire patterns on your computer's screen. Most methods are far from scientific, and you could’t duplicate the same results twice; due mostly to the lack of a good target that is aligned parallel to the camera’s sensor, and another that can accurately allow you to see exactly where the focal plain lies and measure it’s distance from the intended target.

The LensAlign Pro is a brilliant device and the only affordable tool capable of calibrating your cameras autofocus system to the level needed to consistently and repeatably create sharp images. By first aligning the LensAlign Pro to your camera, and it’s sensor,  then micro-adjusting for each lens and teleconverter in your kit, Lens Align Pro will improve your picture-taking skills and bring them to the next level of really sharp images.

PRO TIP: Be sure to remember that Canon recommends micro-adjustment calibration in the same light that you will be shooting in; that’s easy for a studio photographer, but a bit more complicated for wildlife photographers. I went through the process several times, each in different light, and noticed quite a difference between bright overcast and bright sunny conditions. I made a small business card sized printout with the different calibration settings given the light conditions and  keep it in my compact flash card wallet; there was only a few differences, so it doesn't take much effort to re-configure for different light conditions.

Cameras that can be user calibrated include:
Canon 1D Mark IV, 1Ds Mark III, 1D MArk III, 5D Mark II, 7D and 50D
Nikon D3, D3X, D3S, D300, D300s, D700
Sony A900 and A850
Olympus E-30 and E-620
Pentax K20D and K7D

ADRENALINE Coastal Brown Bear (Ursus arctos or grizzly bear) & The Hazards of Nature Photography.

Coastal Brown Bear Fishing ADRENALINE (Ursus arctos or Grizzly Bear) Hallo Bay, Katmai National Park, AK Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DMKIV, 500mm F4 L IS, Tripod & Wimberley Head II. ISO 400, F5.6 @1/1600s Manual mode. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION.

The Hazards of Nature Photography: DEHYDRATION

I have been meaning to write a bit about the importance of hydration all summer and autumn is quickly approaching. No matter, hydration is just as important in the cold winter as it is in the hot summer months. Water makes up 75% of the body weight - about 50 liters (11 gallons) for the average man. Survival is unlikely if more than one fifth of this is lost. The first signs of dehydration are thirst, vague discomfort, lack of appetite, flushed skin, impatience, sleepiness and nausea. Once fluid loss reaches 6-10%, symptoms include dizziness, headache, labored breathing, no salivation, indistinct speech and you may loose your ability to walk. By the time fluid loss reached 11-20% symptoms now include delirium, swollen tongue, unable to swallow, dim vision, numb and shriveled skin. In it's latter stages: There is gross muscular weakness and mental capacity is impaired. You must make your survival plans at the start when you can think clearly and then stick to them. Best to remember to bring along some water and avoid the headache ;)

Testimonial

The trip with Chris on the Coastal Explorer along the Katmai coast was fantastic.  Without a doubt it was one of the top photo trips I have taken over the last several years due to the amazing variety and density of wildlife in such completely unspoiled and uninhabited wilderness.  Unlike land based lodges, with the Coastal Explorer you have the opportunity to photograph in several of Katmai's secluded bays versus being limited to an area adjacent to a land-based lodge.  What helped make the trip so successful was Chris's work ethic where he is always ready to shoot in any weather conditions and will stay in the field as long as there is any possibility for high quality photography.  This is essential in a place like coastal Alaska where it can go from direct sunny conditions to heavy overcast to rain in the blink of an eye and where the sun doesn't set until the late evening.  If the best time to photograph Brown Bears chasing down salmon was after 10:00PM, you bet we'd be on the river bank waiting on the massive Brown Bear boars to make their spectacular runs--photography is top priority after safety of course.  The daily great fresh seafood didn't exactly hurt the trip either.

As I write this I've only a little over two weeks removed from returning from Katmai and I'm still having serious withdrawals--right now I really want to be on the Coastal Explorer's skiff heading to shore to photograph more bears, eagles, and wolves. - Steve Metildi Southern California | USA

BE SURE TO CHECK-OUT STEVE'S KATMAI 2010 ALBUM HERE to see images he made during the workshop.

2011 Coastal Brown Bears of Katmai Workshop/Safari Announced

Join me, Christopher Dodds, and some of the more than 2,000 Coastal Brown Bears at the best place in the world to photograph Coastal Brown Bears. Claiming the world’s highest concentration of Coastal Brown Bears, Katmai National Park in Alaska also has to be the most beautiful setting on the planet to photograph them. Truly the adventure of a lifetime, we’ll have plenty of opportunities to see, study and photograph Coastal Brown Bears in their undisturbed, natural environment without the influence or pressure that large groups and camps often cause. I have secured the much coveted dates of July 24-30, 2011; timed to coincide with the annual Salmon run. With a limit of only six participants, there will be plenty of time for instruction and personal attention from Chris. MORE INFORMATION & REGISTRATION FORM HERE.

Disclaimer

The author is not a physician. This article is for informational purposes only and it is not intended to identify, diagnose, or treat any medical condition.

Atlantic Puffin Paradise found (Fratercula arctica, Macareux moine, ATPU)

Atlantic Puffin (Fratercula arctica, Macareux moine, ATPU) Vertical Portrait île aux Perroquets, Réserve de parc national du Canada de l'Archipel-de-Mingan, Quebec, Canada. Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DMKIV, 500mm F4 L IS with 2X Teleconverter II, Canon 25mm Extension Tube, Tripod & Wimberley Head II. 580EXII Flash manual mode. Think-Tank Photo Hydrophobia 300-600. ISO 800, F16 @1/60s Manual mode. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION.

Puffin Photography Workshop/Safari announced July 5-7, 2011

I'm just back from another trip; this time, I went out in search of the ultimate destination for Atlantic Puffins. The mandate was simple; find a location that is within reach, safe and easy to get to without a dangerous boat landing on slippery rocks and a place where we can get close to these comical little seabirds without hauling our gear up, and over, huge distances or having to hang over towering cliffs. I have photographed Atlantic Puffins in Iceland, Maine, Newfoundland, New Brunswick and Quebec; All of these "known" places have their drawbacks. Mission accomplished; I have found Puffin Paradise. Special thanks to the Loiselle Familly of Longue-Pointe-de-Mingan for their gracious hospitality during my time there.

If you are interested in joining me for a Puffin photography workshop July 5-7, 2011, then be sure to send an email to chris@chrisdoddsphoto.com. This trip will be limited to six participants (two spots booked already) and will surely be the trip of a lifetime for anyone seeking to get close and personal (safely) to Atlantic Puffins and Razorbills. We will spend a few hours photographing fishing Puffins each morning from a boat, before landing on an island where we spend the rest of the day until sunset for three full days. I have secured special access, so we will be the only people on the island during the first, and last, few hours each day. Price is CAD$2,495.00 including four nights single occupancy accommodation, three days private boat tour with highly experienced captain, three days park access fees and three days expert instruction. Other subjects might include Razorbill, Black Guillemot, Great Cormorants, Savannah Sparrow (there are many) Common Eider and Grey Seal. More details after my return from teaching the August Gannets Galore workshop in about 10 days. Meals, beverages, transportation to Longue-Pointe-de-Mingan, Quebec and souvenirs are not included.

Testimonial

Many thanks to Chris for a wonderful and exciting photography experience. Your professionalism, talent, patience and knowledge helped to make the Gannets Galore photo trip an experience of a life time. The hundreds of thousands of Northern Gannets on Bonaventure Island were unbelievable. I took thousands of photographs of Northern Gannets in their everyday activities. They were elegant, comical, clumsy, arguing, fishing, sleeping, working, copulating, preening and fencing. It was nonstop and exhilarating. Now, I get to my favourite part - the Zodiac tour around Bonaventure Island. It’s 5:00am and we start the 4 hour trip to see dozens of species of birds and seals as well as couple of Minke whales. The 4 hours seemed to pass like minutes. The Harlequin ducks and Black Guillemots were among my favourites and a real treat to observe and photograph. - Gordie Kadonoff Hampstead | Quebec | Canada

Atlantic Puffin (Fratercula arctica, Macareux moine, ATPU)

The Atlantic Puffin (Fratercula arctica, Macareux moine, ATPU) is a seabird species in the auk family. Also know as “common puffin”, “clown of the ocean”, “clown of the sea” and “sea parrot”, these squat little pelagic birds look comically awkward on land and rather heavy in the air, but once in their element, the water, they become able predators. “Flying” through the sea on stubby wings, they dive-bomb shoals of herring, sand eels, sardines, and other small fish and sometimes squid. These pursuit divers collect their victims one at a time, but can hold as many as 20 small fish crosswise in their brightly coloured beaks at the same time. The Atlantic Puffin is 26–29 centimetres (10–11 in) in length (bill 3-4 cm), with a 47–63 centimetres (19–25 in) wingspan. The male is generally slightly larger than the female, but they are coloured alike. A puffin can fly 48 to 55 mph (77 to 88 km/hr). The puffin beats its wings rapidly to achieve this speed reaching up to 400 beats a minute.

This species breeds on the coasts of northern Europe, the Faroe Islands, Iceland and eastern North America (Canada and New England), from well within the Arctic Circle to northern France and Maine. It is the only Puffin species found in the Atlantic Ocean. The winter months are spent at sea far from land - in Europe as far south as the Mediterranean, and in North America to North Carolina.  Puffins often nest in well populated colonies usually on remote, rugged islands free from egg and chick eating land predators. They deposit a single egg deep within a burrow excavated in soft earth, or in a feather, or grass, lined lair in a rocky cleft. After fattening-up their hatchlings on fish, the parents return to the sea. The young Puffins, still unable to fly, eventually scramble to the shore by night and plunge into the water.

Coastal Brown Bear (Ursus arctos or grizzly) wrestling. HYDROPHOBIA; the Ultimate Rain Cover & Trip Report Part III

Coastal Brown Bear males (boars) Wrestling in rain (Ursus arctos) Kukak Bay, Katmai National Park, AK Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DMKIV, 500mm F4 L IS with 2X Teleconverter II, Tripod & Wimberley Head II. Think-Tank Photo Hydrophobia 300-600. ISO 1250, F8 @1/800s Manual mode. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION.

Bear Fight

Though struggles between two juvenile bears might seem mortal, it is in fact just playful combat, designed to hone the animals skills. In later life, however, in teritorial disputes between two males, real fights can result in serious injury to the combatants, or even have a fatal outcome. Brown bears also fight to establish hierarchy and rights to prime fishing spots.

Trip Report

We had a blast watching, and photographing, four males (boar) fighting and wrestling with each other for what seemed like hours during the second afternoon of the Coastal Brown Bears of Katmai workshop/Safari. We carefully added out 2X tele-extenders to our 500mm Lenses for maximum reach, to fill the frame and to keep a safe distance between us and the battling giants. It rained much of the day, and we all put our Think-Tank Photo Hydrophobia rain covers to good use.

Do consider joining me next year, for the ultimate Coastal Brown Bears of Katmai Nature Photography Workshop / Photo Safari from July 24 to 30, 2011. MORE INFORMATION AND REGISTRATION FORM HERE.

Think-Tank Photo HYDROPHOBIA Ultimate Camera Rain Cover

I promised a review of the Think Tank Photo Hydrophobia when I got back from Bonaventure Island in June; Turns out, there's no better way to get hot, sunny and dry weather, than bringing along the very best rain gear to protect your valuable camera gear. We had day, after day, of glorious and hot, sunny weather; In fact, I only recall breaking out the rain covers once. There are now tons of reviews out there that include all of the technical specifications and videos of people spraying garden hoses onto expensive cameras sporting these covers. What I wanted to do here is give you a short, sweet, real world review of these covers when used in the very toughest conditions.

Coastal Brown Bear males (boars) Fighting in rain (Ursus arctos) Kukak Bay, Katmai National Park, AK Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DMKIV, 500mm F4 L IS with 2X Teleconverter II, Tripod & Wimberley Head II. Think-Tank Photo Hydrophobia 300-600. ISO 1250, F8 @1/800s Manual mode. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION.

Think-Tank Photo HYDROPHOBIA 300-600

Rain protection for everything between the 300 F2.8 and the 600 F4 (this even works perfectly with the Canon 800 F5.6, as I discovered). It's designed to be pre-mounted around the lens hood for easy deployment, has a pocket to store the eyepiece (Eyepieces sold separately) and includes an extension for use with the longer glass. Simply put; it's the very best option I've found out there - and I’ve tried dozens. I would love a lower profile pocket at the lens hood end, so my line of sight is not disrupted while photographing birds in flight with the rain cover in the "stored" position and having more material between ends (one piece) would mean I could actually remove the cover in it's stowed position with the lens hood for packing; something I found impossible with my 500mm F4 IS Canon lens, when installed with enough room for my 2X Tele-converter and the Canon off-camera shoe cord slid into the hot shoe. Other improvements that I quickly wished for were more clear window around the eyepiece and a flap over the eyepiece to protect it from filling with raindrops when I wasn't shooting - both of which have been incorporated into the design of the newer Hydrophobia 70-200 & Hydrophobia 70-200 Flash. I do hope there is a re-design of this model, with an option for a removable rain cover for a flash with the Better Beamer Flash Extender attached. I was able to use this cover with the Wimberley tripod head (Version I or II), and I figured out how to use my flash bracket, flash and Better Beamer, but I feel there is more than enough nature photographers out there to warrant a special "nature" edition. In the mean time, this is, without doubt, the very best option on the market now.

Think-Tank Photo Hydrophobia 70-200

Essentially the 70-200 Flash, without the clear flash pocket - do yourself a favor and spend the extra $6.00 to get the Flash version (below)

Think-Tank Photo Hydrophobia 70-200 Flash

Oh, la-la, this is the newest addition to the Hyrophobia line, and Think-Tank Photo's rapid product evolution really shines here. The clear window has been re-designed with more clear space, there's a cover over the eyepiece that flips up and out of the way when shooting, a removable front lens cover, an ingenious built-in camera strap that keeps your camera securely attached to the cover, and horizontal when slung under your shoulder - fantastic for the long days a nature photographer carries a second, shorter lens / camera. This one is evolutionary perfection and I can't think of a single thing to make it better. The clear flash pouch stows out of the way when not used, and there's even room for flash modifiers.

PRO TIPS:

Real world shooting in the rain required me to frequently remove my hands from the cover, and I found that  my hands got wet and I transferred water inside the cover; this caused the clear windows to fog up. I simply wrapped a small towel around the barrel, where the lens meets the camera body, to dry my hands and absorb any excess moisture, preventing the condensation from forming.
Don’t just use it in the rain. I found the covers to be really useful to prevent saltwater from splashing my gear while photographing from a boat, they kept my gear free of sand while getting low on a beach and I even used them as sun protection for my hands during lengthy shoots in strong sunlight.
Maintenance: For a long life, be sure to rinse after use and hang to dry; I found it practical to leave my Hydrophobia covers hanging in my car to ensure they dried thoroughly before packing into the nylon mesh pouch for storage.

BE SURE TO ORDER YOUR THINK-TANK PHOTO HYDROPHOBIA BY CLICKING THIS LINK AND RECEIVE A FREE BAG WITH EVERY ORDER OVER $50.00

Coastal Brown Bear males (boars) BEAR HUG in rain (Ursus arctos) Kukak Bay, Katmai National Park, AK Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DMKIV, 500mm F4 L IS with 2X Teleconverter II, Tripod & Wimberley Head II. Think-Tank Photo Hydrophobia 300-600. ISO 1250, F8 @1/800s Manual mode. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION.

Coastal Brown Bears of Katmai Workshop / Photo Safari July 24-30, 2011 Announced

Coastal Brown Bear Female (Sow) Fishing in Last Light Vertical (Ursus arctos) Hallo Bay, Katmai National Park, AK Image Copyright ©Christopher Dodds All Rights Reserved. Canon EOS 1DMKIV, 500mm F4 L IS with 1.4 Teleconverter II, Tripod & Wimberley Head II. ISO 1600, F5.6 @1/2000s Manual mode. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION.

2011 Coastal Brown Bears of Katmai Workshop/Safari Announced

Join me, Christopher Dodds, and some of the more than 2,000 Coastal Brown Bears at the best place in the world to photograph Coastal Brown Bears. Claiming the world’s highest concentration of Coastal Brown Bears, Katmai National Park in Alaska also has to be the most beautiful setting on the planet to photograph them. Truly the adventure of a lifetime, we’ll have plenty of opportunities to see, study and photograph Coastal Brown Bears in their undisturbed, natural environment without the influence or pressure that large groups and camps often cause. I have secured the much coveted dates of July 24-30, 2011; timed to coincide with the annual Salmon run. With a limit of only six participants, there will be plenty of time for instruction and personal attention from Chris. MORE INFORMATION & REGISTRATION FORM HERE.

EARLY REGISTRATION DISCOUNT & CANON RAIN COVER BONUS

Register for the 2011 Coastal Brown Bears of Katmai Nature Photography Workshop/Safari early and you save $380.00 per person AND receive a limited edition (rare) Canon rain cover for your camera. Choose between the large (400/2.8, 500/f,600/4 or 800/5.6) or medium (200/2, 300/2.8 or 400/4) versions. Supplies are limited; offer valid only while supplies last. Special thanks to Canon Canada Professional Services for the rain covers. REGISTER HERE.

N-Rain Cover E2-M (medium) or E2-L (Large): Keeps your professional camera clean and dry when shooting in a wet environment. Compatible with current profesional Canon EOS Cameras. Transparent window enables clear visibility of the top and rear LCD panels and LC monitor. Front fastener enables easy attachment and removal of all lenses. Displays a large printed "Canon" logo and includes a soft case for compact packing.

CANON EOS 7D and CANON EOS-1D Mark IV firmware updates
Find out more about the latest firmware updates for the EOS 7D (Version 1.2.2) and EOS-1D Mark IV (Version 1.0.8) DSLRs that include a fix to ensure set apertures stay in place when shooting EOS Movies in manual.


Updates available for download HERE

Coastal Brown Bears Trip Report Part I

Coastal Brown Bear Female (Sow) Fishing in Last Light (Ursus arctos) Hallo Bay, Katmai National Park, AK ©Christopher Dodds All Rights Reserved. Canon EOS 1DMKIV, 500mm F4 L IS with 1.4 Teleconverter II, Tripod & Wimberley Head II. ISO 1600, F5.6 @1/1250s Manual mode. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION.

I'm just in the door from one of the very best photographic trips of my lifetime. I left home on July 8th and arrived at Kodiak airport later that day without event. I had planned a few extra days before the workshop started to allow for the fog that delayed me last year, and forced me to sleep in ANC airport. Steve Metildi and Darren Charles Holloway arrived early for the workshop and we had an absolute blast photographing Red Fox, Golden-Crowned Sparrow, Orange-Crowned Warbler, Hermit Thrush, Bald Eagle, Wilson's Warbler and more around Kodiak Island. On July 12, Rolan Ruoss of Sea Hawk Air flew us out to Kukak Bay for our rendezvous with Chuck Keim on the Coastal Explorer for what became the trip of a lifetime for all.

We had been on the look-out for this female (sow) that had been reported to have two spring cubs, but were saddened to learn that she had lost them. Cubs remain with their mother from two to four years, during which time they learn survival techniques, such as which foods have the highest nutritional values and where to obtain them; how to hunt, fish, and defend themselves; and where to den. The cubs learn by following and imitating their mother's actions during the period they are with her. Brown bears practice infanticide. An adult male bear may kill the cubs of another bear either to make the female sexually receptive or simply for consumption. A close look at her right paw reveals an open wound, just above her claws, that most probably occured while she desperatly tried to defend her cubs.

I returned to a staggering amount of emails, and brought back a ton of images to edit, so stay tuned for more in the coming days.

Testimonials

My thanks Chris for introducing me to the tremendous experience (both visual and olfactory) offered by not only the Gannet colony on Bonaventure Island but also by the Gaspe peninsula.  Your low key approach and readily available technical knowledge really helped me to focus on what it was I wanted to do and maximize my chance of getting the pictures that I wanted.  Standing in a zodiac on the rolling ocean watching you photograph flying seabirds using a hand held 800mm lens pushed me to believe I could actually do the same using a 420mm lens......and the resulting photos show that it can be done!  My 6 and 3 year old children cannot thank you enough for the endless slide shows I now make them endure.- Ron Kellner | Toronto, Ontario

Pat and I had a great time on your recent Gannets Galore photo tour.  We have been on many photo tours and yours was one of the best.  We have never seen so many excellent photo opportunities.  Even the 5 AM Zodiac trip around the island offered great opportunities.  The small size of the group, 6 photographers, added to our enjoyment since you were able to spend considerable time with each of us.  Your tips on using manual camera settings were excellent.  I now use manual settings for virtually every photograph, flight or static. Thanks again for a truly outstanding photographic experience. Stokes Fishburne Chapel Hill | North Carolina

Bonaventure Island Trip Report: Common Murre or Common Guillemot (Uria aalge, guillemot marmette, COMU)

Common Murre or Common Guillemot Flying (Uria aalge, guillemot marmette, COMU) Parc national de l'Île-Bonaventure-et-du-Rocher-Percé (Bonaventure Island and Percé Rock National Park) Bonaventure Island, Quebec. Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS-1D MKIV, 800mm F5.6 L IS. ISO 800, 1/2500s F5.6 Manual. Hand held from Zodiac Hurricane 733. Full Frame. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION.

Common Murre or Common Guillemot Banking (Uria aalge, guillemot marmette, COMU) Parc national de l'Île-Bonaventure-et-du-Rocher-Percé (Bonaventure Island and Percé Rock National Park) Bonaventure Island, Quebec. Image Copyright ©Christopher Dodds All Rights Reserved. Canon EOS-1D MKIV, 800mm F5.6 L IS. ISO 800, 1/2500s F5.6 Manual. Hand held from Zodiac Hurricane 733. Full Frame. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION.

Bonaventure Island Gannets Galore Nature Photography Photo Safari Workshop

One of the highlights of the Gannets Galore Photo Safari is the daily (weather permitting) Zodiac trips to, and around, Bonaventure Island. This year, we had two back-to-back perfect mornings with mirror-like water and virtually no swell; a perfect recipe for photography from a Zodiac Hurricane 733. There were many Common Murres, Razorbills, Black Guillemots, Black-legged Kittiwakes, and even some Puffins floating on the water around the Zodiac, but the crown jewels for the nature photographers on board are always the birds in flight shots of these birds that fly at 80km per hour. I was just thrilled to have a CPS Loaner Canon Mark IV and 800mm F5.6 IS L on loan from Canon Canada for the workshops; most everyone, who wanted, got to try this impressive bird photography rig. I must confess to have fallen in love with the lens after creating these razor sharp images on the second morning of the first (of three) workshops.

If you find yourself trying to photograph seabirds from near their cliff-edge nesting sites, it's best to skip the outbound birds and focus on the inbound birds; Razorbills, Murres, etc., typically nest under other species like Northern Gannets on the cliff face and are typically covered in bird poop when leaving the nest - inbound birds are just back from fishing, so they are all nice and clean. Try to lock onto them before they slow to land  on the water or bank for best results.

More Kudos

I just wanted to take a moment to thank you for an amazing trip. I especially enjoyed shooting from the zodiac for all kinds of great shots. You lead an outstanding tour, and I would certainly consider future trips with you. I can tell that you could be of great help as I finish off my wish list of species for the new waterbirds book, as you know many of the key spots for specific species and behavior. I also have a lot to learn about the digital process, and you are gifted in this area. Many thanks my friend!
-Middleton Evans | Baltimore | MD

Bear Boat Katmai July 12-18, 2010 Massive Discount due to illness

Coastal Brown Bear CUB OF HEARTS (Ursus arctos) Katmai National Park, AK ©Christopher Dodds All Rights Reserved. Canon EOS 5DMKII, 70-200mm F2.8 @125mm ISO 400, F8 1/320s Manual mode. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION.

It’s only two weeks away, but I have two spots available at a massive discount. A couple who booked early last year have had to cancel due to a unexpected and sudden health crisis. They have no trip insurance and are willing to forfeit half of the US$4,995.00 workshop fee that they have paid. Please email (chris@chrisdoddsphoto.com), or call me (450) 827-1007 if you are interested in the trip of a lifetime. Bargain US$2,500.00 fee includes seven days instruction, guide service food and accommodation aboard the Coastal Explorer. Airfare to Kodiak Island and float plane from Kodiak Island to the boat (approx. US$475.00) are not included. Act quickly....MORE INFORMATION HERE