Happy New Year

American Bald Eagle SNOWDRIFT (Hailiaeetus leucocephalus, Pygarge a tete blanche, BAEA) from my BALD EAGLE WORKSHOP in Kachemak Bay (near Homer), Alaska ©Christopher Dodds All Rights Reserved. Sony Alpha a9 Mirrorless camera & Sony FE100-400mm F4.5-5.6 G Master OSS Lens @ 400mm Full Frame image. ISO2,500, f/5.6 @ 1/4,000s Manual mode.

Happy New Year!

This image of a Bald Eagle from my Bald Eagle workshop in Homer, Alaska might be my favorite image from 2018. Best wishes for a happy and healthy New Year ahead to all! 

Common Murre FROZEN

Common Murre FROZEN (Uria aalge, guillemot marmette, COMU) From a Zodiac Hurricane 733 during my Gannets Galore Workshop on Bonaventure Island at Parc National de l'île Bonaventure-et-du-Rocher-Percé, Quebec, Canada. Image Copyright ©Christopher Dodds. Sony Alpha a9 Mirrorless Camera & Sony FE100-400 F4.5-5.6 G Master OSS with 1.4X Tele-extender @ 560mm. Full frame image. ISO 6400, f/8 @ 1/5,000s Manual exposure mode.

Black and White Portrait of a Northern Gannet

Northern Gannet B&W PORTRAIT (Morus bassanus, Fou de Bassan, NOGA) From my Gannets Galore Workshop on Bonaventure Island at Parc National de l'île Bonaventure-et-du-Rocher-Percé, Quebec, Canada. Image Copyright ©Christopher Dodds. Sony Alpha a9 Mirrorless Camera & Sony FE100-400 F4.5-5.6 G Master OSS @ 400mm and minimum focusing distance. Full frame image. ISO 800, f/5.6 @ 1/4,000s Manual exposure mode.

Northern Gannet The Return

Northern Gannet THE RETURN (Morus Bassanus, Fou de Bassan, NOGA) Parc national de l'Île-Bonaventure-et-du-Rocher-Percé, Bonaventure Island, Quebec Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DX Mark II, 100-400mm f/4.5-5.6 L IS II USM @263mm. ISO 1250, f/8 1/5,000s Manual. Full Frame. PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION HERE.

Here's a simple image from the first day of my Gannets Galore trip to Bonaventure Island. The Gannets continue to do well and the colony continues to grow, offering truly spectacular sights and images; The photographic opportunities are endless. The 1DX Mark II and 100-400mm f/4.5-5.6 L IS II USM proved to be a killer combination; easy to manage all day with amazing AF and high ISO performance. Do join me for the ultimate Bonaventure Island experience next June 5-7, 2017. Find more details HERE.

Freeze action for birds in flight photography

American Bald Eagle ICE FISHING from my recent Bald Eagle Photographic Expedition (Hailiaeetus leucocephalus, Pygarge a tete blanche, BAEA) Kachemak Bay (near Homer), Alaska ©Christopher Dodds All Rights Reserved. Canon EOS 1DX, EF 100-400mm F4.5-5.6 IS II USM @200mm ISO 500, f/5.6 @ 1/4,000s Manual mode. Click HERE to order a print or license image for publication.

Here's a fun one from my recent Bald Eagle Workshop. I have some secret, and out of the way, spots where I head as fast as possible once it snows; the dark, flat water really makes the snowflakes pop. It's not a bad place to be when there is no snow and the light is nice too ;)

Freeze Frame

The image is made with Canon's new 100-400 f/4.5-5.6 IS II USM lens and my 1DX. Talk about a sweet and versatile lens! I keep finding myself going on about just how sharp and quick the lens is, that I forget to remind you all that techinique and practice both play a major roll in the final product. In keeping with my mantra; I used a shutter speed of  1/4,000 of a second to be sure to freeze every detail of the Eagle's wings, and any motion I may have made with the lens while following the Eagle's flight path. Like a windmill blade, slow movement of my lens results in a really fast movement at the distance where you are focused. Always ensure you have enough shutter speed to freeze movement and extract every ounce of detail from your images. A good start is 1/3,200 of a second and 1/4,000 or 1/5,000 is even better!

Kudos

I recently returned from Chris’s Eagle Workshop in Homer Alaska. Over the years, I have traveled extensively and can say without hesitating that this was the best trip I’ve ever been on. Chris is a very cordial but no nonsense guy. Everything about the trip was organized to the max. I’ve been photographing wildlife for 35 years and thought I had a pretty good idea about how to do it so I wasn’t expecting to learn a whole lot that was new. Wrong! Over the years, other “professionals” had encouraged me to shoot in aperture priority or auto ISO. When Chris told us he was going to teach us to set our camera exposures manually, I thought that sounded like a lot of unnecessary effort. That notion turned out to be false. If you attend this workshop and don’t already shoot in manual mode, your life will be changed. The exposures of the photos I took are spot on and better than any I have ever achieved.
In addition to the new material I learned, the “eagle shooting” was beyond anything one could ever imagine. It was both action packed and challenging. Our group was only five people and Chris bent over backward to make sure that each of us got the best photos of our lives. Even though I had substantial problems with my equipment, I now have more killer eagle photos than I could have ever hoped for. If you want an informative and fun packed trip, I encourage you to sign up for this or any of Chris’s workshops. I have signed up again for next year’s Eagle Workshop, in spite of my truck load of eagle photos, which I believe tells the whole story.

Ron Brown Colorado USA

Creating Intimate bird portraits

Crested Auklet Portrait (Aethia cristatella, CRAU) Saint Paul Island, The Pribilof Islands in the Bering Sea, Alaska. Image Copyright ©Christopher Dodds. Canon 1DX, 600mm F4 L IS II , 2X Teleconverter III & 25mm Extension Tube, Jobu Designs Algonquin Tripod & Jobu Jr. 3 ISO 2,500 f/16 @ 1/500s Manual Mode.  PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION HERE.

Here's an intimate portrait (of what has to be my favorite bird) from my recent Saint Paul Island Workshop; the Crested Auklet. Getting close and isolating the subject against the dark cliffs requires lots of patience, but the real secret is simply approaching the cliff edge slowly so they don't flush before you even know they are there. Always remember to use a small enough aperture to maximize the depth of field, which is extemely narrow at the lens/extender/extension tube minimum focusing distance. Choose your shutter speed to freeze the birds sudden movements and any feathers blown around by the wind if there are any.

Using a sturdy tripod with a good tripod head and micro-calibrating your camera are, of course, the foundation to crisp and sharp images.

How to make razor sharp images

 

American Bald Eagle ATTITUDE (Hailiaeetus leucocephalus, Pygarge a tete blanche, BAEA) Kachemak Bay (near Homer), Alaska ©Christopher Dodds All Rights Reserved. Canon EOS 1DX, 300mm F2.8 L IS USM with Jobu L-Bracket  Hand Held ISO 2,000, f/2.8 @ 1/3,200s Manual mode. Click HERE to order a print or license image for publication.

After spending the first day of this week's Snowy Winter Owl Workshops with numerous Snowy Owls in rather balmy weather conditions, I wanted to re-cap one of the important topics that we discussed: How to make razor sharp images. I often get comments about how sharp my images are, and folks often feel there is a secret to making consistently sharp images. While good field craft and techniques do play a major role in making sharp images, you need to start with a solid foundation. Yes, I do use a tripod whenever possible, I ensure I have enough shutter speed to freeze my subject and have the correct parameters set-up in the user menu of my Canon 1DX. I have invested the time to practice, and can consistently acquire fast moving little birds when I bring my eye to the viewfinder; but my answer trumps all of my years of experience and the best technique.

Each and every time that I get a new camera, I meticulously micro-calibrate each, and every, lens, extender and possible combination or both with my LensAlign MKII. This is time consuming, boring and I hate the whole process, but it tightens the manufacture tolerance and ensures that my images will be sharp if I use proper technique. It's like building a house on a solid foundation.

Read more about the LensAlign MKII HERE

Canon EOS 1D X Firmaware Version 1.2.4 and Gannets Galore Bonaventure Island mini report

Northern Gannets LOVING  (Morus bassanus, Fou de Bassan, NOGA ) Parc national de l'Île-Bonaventure-et-du-Rocher-Percé, Bonaventure Island, Quebec ©Christopher Dodds All Rights Reserved. Canon EOS 1D X, 70-300mm F4-5.6 L IS USM @ 277mm Hand Held ISO 800, f/7.1 @ 1/1,600s Manual mode. Click HERE to order a print or license image for publication.

I'm just in the door from my Gannets Galore workshops and can honestly say that the Northen Gannet colony on Bonaventure Island is better than ever! We had a mix of weather and I enjoyed some fabulous company from the wonderful participants. The conditions are so good that I have decided to return and have just announced an August 21-23, 2013 Gannets Galore workshop / photo safari. If you want to experience a true photographer's paradise and learn tons about bird photography while there, then this is the trip for you - I guarantee it! This is one of those workshops that 500 or 600mm lenses are not obligatory to make some killer images! No one on earth knows the place better than I do! Do consider joining me and read more about the August 21-23, 2013 Gannets Galore Workshop on Bonaventure Island, Quebec HERE.

TESTIMONIALS

Thanks again for a great workshop. The gannets were awesome and I am really, really happy with my pictures. You did a great job of making sure everything went smoothly and I appreciated your help with camera settings, techniques, etc. I had high expectations going into the workshop and I can honesty say that my expectations were exceeded and then some.

Ian Nicholson Fredericton, NB, Canada


I had a wonderful time on your Northern Gannet workshop on Bonaventure Island. I only wish I could go back now, knowing what I learned from you and using it to produce even better and memorable images. You were an inspiration and very patient with me. It has whet my appetite for more and I'm thinking of your Texas workshop next.
I especially like the way you showed respect for the gannets and the park in general. I haven't stopped talking about my experience and the not-so-difficult climb to the colony, about the zodiac on the sea, about the Kawasaki mule taking our gear up so we didn't have to, about the beauty of Perce, about our leader; a kind and expert photographer.

John L. Block Dollard des Ormeaux, QC, Canada

 

Canon EOS 1D X Firmaware Version 1.2.4 released

Canon has released a firmware update Version 1.2.4 for the EOS-1D X Digital SLR Camera. It incorporates the following improvements and fixes:

1. Improves the speed of the camera’s acquisition of focus when using a Canon Speedlite’s AF-assist beam.
2. Reduces the time it takes to display the metering result on the LCD or Viewfinder when the meter has been activated.
3. Fixes a phenomenon in which a “Caution 02” message is unnecessarily recorded in the camera status log.
4. Fixes a phenomenon in which continuous shooting pauses when using a Canon Speedlite.
5. Fixes a phenomenon, when the Canon GP-E1 is attached, in which the GPS device settings are reset to default settings when the camera has been powered off.

Download the new firmware HERE

Bald Eagle Photo Tour was EPIC - Full Nik Collection by Google for only $127

American Bald Eagle Fishing in light snow  (Hailiaeetus leucocephalus, Pygarge a tete blanche, BAEA) Kachemak Bay (near Homer), Alaska ©Christopher Dodds All Rights Reserved. Canon EOS 1DX, 300mm F2.8 L IS USM with Jobu L-Bracket  Hand Held ISO 1,250, f/2.8 @ 1/3,200s Manual mode. Click HERE to order a print or license image for publication.

Bald Eagle Photo Tour / Workshop a huge success

I'm just back from my Bald Eagle Photo Tour / Workshop / Safari and the Bald Eagle photography was EPIC! We had hundreds of Eagles, a fantastic mix of weather and each hour on the water averaged hundreds of dives and gigabytes of images! The Canon 1DX continues to blow me away with it's amazing autofocus and low noise at high ISO settings. Accurate and fast autofocus in heavy snow simply blows me away! The gorgeous sunlight faded to cloud after three full days, and it finally snowed on our last morning out. The water was calm and we constantly stayed out on the water for much more time than was budgeted - we were often out for hours beyond the other boats running out of time, ammunition and budget. Simply put; it was over-the-top and mind blowing!

Learn more about my March, 2014 Bald Eagle Photo Tour HERE

Get the full Nik Collection by Google, now just $126.65

WOW!!! Nik Software by Google just announced an INSANE 70% OFF DEAL! You can purchase the entire NIK Collection suite of all 6 plugins for just $149. And use the code CDODDS for an additional 15% off, making it only $126.65. I could not get the results I do without Nik!

Advanced editing, simplified
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More affordable than ever
Now you can get all six plug-ins for 70% off of the original price.

Buy yours here: http://bit.ly/ZVmZvr and be sure to add the code CDODDS at the checkout

Design Images with Visual Impact

Thick-billed Murre or  Brünnich's Guillemot VERTICAL PORTRAIT (Uria lomvia, Guillemot de Brünnich, TBMU) Saint Paul Island, The Pribilof Islands in the Bering Sea, Alaska. Image Copyright ©Christopher Dodds. Canon 1D MK IV, 500mm F4 L IS , 2X Teleconverter III & , Tripod & Jobu Jr. 3 ISO 800 f/16 @ 1/320s Manual Mode. Fill flash Canon Speedlite 580EX II with Better Beamer @ -1/3. PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION HERE.

Here's a couple of images from my recent Saint Paul Island Photo Safari / Workshop. We arrived there as spring was late emerging from the worst winter anyone can remember and there were shaded areas at the bottom of cliffs where the snow had not melted yet. Although I generally don't like bright white backgrounds in images, I decided to make an exercise of designing some images with white backgrounds; there is a certain quality to the white out-of-focus snow that's much more appealing to me than that of a bright & backlit white sky.

I really like getting close and designing intimate portraits with big glass, so I installed my 500mm f/4 and a 2X extender and moved so close that I had to back away to the lens' minimum focusing distance. Once set-up on my tripod and Jobu Jr. 3 gimbal tripod head, I installed my Jobu off-camera flash bracket and my Canon 580 EXII flash.

Designing these tight, almost high-key portraits can be challenging, but careful attention to balancing all of the images' elements can be quite rewarding. Be sure to spend time studying the colours, tones and textures, (or, perhaps, the lack of colours tones and textures), the positive and negative space and the lines, shapes and where they lead the eye. Look for angles and perspective, and try to visualize how changing them by moving your angle of view will impact, help or hinder your image's design.

Black-legged Kittiwake PORTRAIT CALLING (Rissa tridactyla, Mouette tridactyle, BLKI) Saint Paul Island, The Pribilof Islands in the Bering Sea, Alaska. Image Copyright ©Christopher Dodds. Canon 1D MK IV, 500mm F4 L IS , 2X Teleconverter III & , Tripod & Jobu Jr. 3 ISO 800 f/16 @ 1/500s Manual Mode. Fill flash Canon Speedlite 580EX II with Better Beamer @ 0. PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION HERE.

Be sure not to overlook the creative element of your exposure values; should you use an equivalent exposure with slower shutter speed and larger depth-of-field?, or will a shallow depth-of-field with higher shutter speed blurr the background (or foreground) and draw the viewer in for a closer look at the subject?

No matter where you are, what your subject; stop and think a little about designing the image and not taking the picture.

The Perfect Puffin Patience and Proficiency

Atlantic Puffin PEACE (Fratercula arctica, Macareux moine, ATPU) île aux Perroquets, Réserve de parc national du Canada de l'Archipel-de-Mingan, Quebec, Canada. Image Copyright ©Christopher Dodds All Rights Reserved. Canon EOS 1DMKIV, 800mm f/5.6 L IS Tripod & Jobu Jr. 3. Think-Tank Photo Hydrophobia 300-600. ISO 800, f/6.3 @1/3200s Manual mode. Full Frame. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION.

"Hey Chris, I've been a huge fan for a very long time and have been meaning to send a note to inquire how you managed to get those perfect Puffin images on that flat, calm water last year. I just saw a huge print at a trade show and WOW!" James M.

Thanks, James. The image was made during my 2011 Puffins Galore workshop in Quebec. I have spent a huge amount of time studying the habits of the nesting Puffins and realized that they liked to bathe in a shallow cove near their nesting grounds at the end of the day. We managed some fun images while the water was a little choppy with 6-10 inch waves, the very best were made one very calm afternoon. Being patient helped us keep checking the cove each afternoon and being proficient meant we were ready when the stars aligned and we got calm water with Puffins galore.

Note the technicals: ISO 800 with a shutter speed of 1/3200s meant we were ready to freeze the action when the Puffin stretched, took-off, and when others landed nearby. The relatively shallow depth of field from the f6.3 aperture and low angle of view helped keep the foreground and background clean and free of details.

I still have limited space available for my July 4-6, 2012 Puffins Galore Workshop/Safari. Please check it out HERE.

Shooting birds in flight in snow and FirstPass New Version Released

 Great Grey Owl SNOWFLIGHT (Strix nebulosa, Chouette Lapone) Bracebridge, Ontario, Canada. Image Copyright ©Christopher Dodds All Rights Reserved. Canon EOS 1D Mark II, 100-400mm @ 250mm. ISO 640, f/9 @ 1/640s Manual Exposure and manual focus. Full Frame. CLICK HERE TO PURCHASE A PRINT or LICENSE AN IMAGE FOR PUBLICATION.

Tips for birds in-flight in the snow

  • Stop down, or close the aperture when shooting in snow to maximize the effect of the big snowflakes; use a larger depth-of-field to keep as many snowflakes as possible sharp. I find F/9 works well during heavy snowfalls with large snowflakes.
  • Place your subject against the dark background of coniferous trees  to help define the snowflakes.
  • Use manual focus for more precise results; Most Auto-focus systems focus on the nearest, large snowflakes.
  • Leave some breathing room for your subject - you have probably invested a lot of time to get out in that perfect storm; make sure you include it in the image and avoid shooting too tight.

FirstPass Image Editing Software Evolves

I first told you about FirstPass image editing software for the Mac back in November and wanted to pass on the news that a new version is available with tons of new features:

✔ New image information panel 
✔ Image information panel now shows image histograms 
✔ Image information panel can be activated from image browser using right click menu 
✔ Ratings can be applied to multiple files at the same time using right click context menu 
✔ Improved memory management and performance 
✔ Fix for an issue related to caching optimization

This software has evolved into a fast, feature rich, must-have image editing dream for Mac using photographers! Be sure to purchase your copy before the scheduled price increase on February 1, 2012; it's going up to only $18.99, but you can get your copy for only $9.99 now:

Check out FirstPass in the CANADIAN APPLE STORE HERE

Check out FirstPass in the US APPLE STORE HERE

Cold Weather Clothing Tips for Photographers

 Snowy Owl Stance (Bubo scandiacus, Harfang des neiges, SNOW) Ontario. Image Copyright ©Christopher Dodds All Rights Reserved. Canon EOS 1DsMKIII, 500mm F4 IS, Tripod with Tripod & Jobu Jr. 3 with Think-Tank Photo Hydrophobia 300-600. ISO 400, F6.3 1/1,600s Manual mode. CLICK HERE TO ORDER A PRINT OR LICENSE IMAGE FOR PUBLICATION.

Winter Owl Report

Just wanted to pass on my thoughts about the coming winter owl season. There's been good movements of our favorite winter owls so far and they have already started to establish their winter feeding grounds. All of the indications are pointing to a great winter owl season. I still have some limited space available on my Snowy Winter Owl Prowl Photo Safari / Workshops.

Cold Weather Clothing Tips for Photographers

Photography in the winter often entails staying warm while staying still in the freezing cold for long periods of time and foregoing any warmth from physical exertion. In the deep cold, when you are not exerting yourself, what you want is loft and insulation; remember that loose fitting clothing offers much more insulation and warmth than tight fitting layers that are so compressed that they actually loose the ability to keep you warm. Synthetics wick chilling moisture away from your skin, are light for travel and dry much quicker than any natural fabrics (Just remember: Cotton Kills!).

Tops: I start with a base layer Double Wicked Lite T Long Sleeve Shirt (remember that cotton traps moisture next to your skin, but synthetics wick moisture away from your skin), followed by a good mid weight fleece Zip Neck Sweater .

Bottoms: Full Length Base Layer with either Nylon zip-off pants or Microchill Fleece Pant if it’s really cold.

Outer wear: Expedition weight bib Gore-tex pants and Canada Goose Parka for the woods (extremely durable and branch resistant), or Expedition weight Down Parka (Really warm and light – perfect for travel).

Feet: As I’ve already mentioned, nature photographers spend a huge amount of time waiting for the image, so it’s extremely important to understand that boot manufacturers rate their boots with the assumption of moderate activity; there is a huge difference in just how warm a boot is when walking or standing for any length of time. I start with a good pair of Warm Socks and add a loose fitting Sorel Boot (I’ve tried so many winter boots, and there’s nothing like the durability and warmth of my Sorels). MICROspikes Pocket Traction System prevent accidental (and sometimes expensive and damaging) wipeouts.

Hands: Keeping your hands warm is quite a challenge; here’s my secret: I start with a loose fitting pair of Thin Liner Gloves which never come off my hands. I place Hand Warmers into the palm of the liner gloves, and when it’s really, really cold, I slip another into the wristband which warms the blood as it travels to my fingers. My choice for outer layer is the Black Diamond Mercury Mitts; be sure to buy a size, or two, larger than normal; this allows you to move your fingers around inside the gloves. The extra room, and fine leather palm of the Mercury Mitts allows me to use most of my camera’s buttons and dials – it takes a little practice, and seems clumsy, but better a little awkward than frozen.

Head: Remember that most heat loss occurs through your head and get a warm Beanie hat (or Touque as we say in Canada) . I often use a Balaclava when it’s really cold to protect my face from the the cold and windchill.

Camera: As for your camera gear, you should pack rain protection in case you are blessed with wet snow, or rain. I am thrilled with my Think-Tank Photo Hydrophobia 70-200 Flash and my Think-Tank Photo Hydrophobia 300-600 V2.0. Unlike the old days, little precaution is required before for your newer generation digital camera bodies are exposed to arctic conditions. Today’s pro camera bodies easily handle the cold weather and recent advances in battery technology easily allow a full day of photography on one charged battery. Consumer and prosumer cameras will also work well, but you should have an extra battery, or two, tucked away in an inside pocket keeping warm. Moving between extreme cold and warm temperatures when going indoors, or out, does cause some condensation; just leave your camera in it’s bag for a couple of hours while it comes to room temperature. Although I won’t remove a lens until my camera warms to room temperature, I don’t fuss much with my professional, sealed cameras; they’ve been from warm to cold and back again thousands of times. It’s good practice to remove the memory card when you are finished shooting and put it in a safe and zippered pocket; this prevents any warm moist air from entering your camera when you get home (or to your hotel), and keeps your images safe if your camera is stolen from you vehicle if you stop for coffee, hot chocolate or to warm-up at a restaurant.

Second Annual Photo Geek Christmas Party

I have just visited to Hudson Village Theater to do a pre show audio & video test and am thrilled to be presenting at such an awesome venue! There is still limited space available, be sure not to miss this show and support such a worthy cause!

Our sponsors have dug deep and collectivly offered thousands of dollars of prizes for this great event! Jobu Designs (makers of my favorite Gimbal Head - the Jobu Jr. 3), FirstPass Image downloader & Editor, Think-Tank Photo, Cotton Carrier, DigiMarc for Images and Tiffen have all jumped on-board and offered tons of prizes to show their suppoort for my Second Annual Photo Geek Christmas Party.

It's not too late to join me, Canadian nature photographer Christopher Dodds, on November 30, 2011 at 7:30 PM at the Hudson Village Theatre (28 Wharf Road, Hudson, QC   J0P 1H0) for an hour and a half long slideshow presentation to benefit this great cause which is so close to my heart. The show is designed to be entertaining and informative to all; nature lovers and photographers alike. Stories of adventure, natural history facts and information are all on the menu and this show is designed to offer helpful tips & techniques sure to improve your photography efforts with everything from a camera phone, point & shoot camera or professional SLR camera system. Over one hundred of my images will be projected, many unseen.  Everyone is welcome!
Hurry! Only 148 seats. Tickets are only $15.00 each and are available for advance purchase only - every penny is collected by, and goes to Le Nichoir. Please call or email Le Nichoir (communication@lenichoir.org 450-458-2809) to secure your tickets, or make a donation if you can't make it (be sure to tell them it's on behalf of Chris' Photo Geek Christmas Party) Major credit cards and cheques accepted. Finger food and hors d'oeuvres are included and there will be a cash bar (please drink responsibly).
There will be ample time to mingle, meet my friends and contacts and share some of your images with others, so feel free to bring prints, iPads or laptops with your favourite images to share. I hope to see you there and PLEASE SPREAD THE WORD!

Read more about it HERE

Better Bird Photography Portraits

Parakeet Auklet Portrait (Fratercula cirrhata, Macareux huppé, TUPU) Saint Paul Island, The Pribilof Islands in the Bering Sea, Alaska. Image Copyright ©Christopher Dodds. Canon 1D MK IV, 500mm F4 L IS , 2X Teleconverter III & Canon Extension Tube EF 25 II, Tripod & Jobu Jr. 3. Full Frame. ISO 400 f/14 @ 1/200s Manual Mode. Fill flash Canon Speedlite 580EX II with Better Beamer @ -1&2/3. PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION HERE.

Better Bird Photography Portraits

Bird photographers are often guilty of spending all of their time photographing the action and drama of birds in flight, and often skip the investment of the time required to create great portraits. I sell far more static portraits than action, or "birds-in-flight" images. Don't get me wrong; Birds-in-flight are my favorite challenge, just remember to diversify your images by going for portraits as well. It can be quite rewarding to see and study the intricate details revealed in a good portrait - check-out the unique (and cool) bill of this Parakeet Auklet. Here's a few tips to help you out next time you are out and about with your camera.

  • Try to get closer your subject without disturbing it. This one sounds easy, but wild birds are wild, take your time and avoid walking or crawling directly at your subject. Take your time and make regular stops to let your subject accept you.
  • Use a long lens and extender to help you get close without disturbance, and to take advantage of the long focal length to help blur the background and isolate the subject. I often add an extension tube to get even closer.
  • Try to choose an interesting background. Finding an interesting background will help you stand-out among the many. In this Parakeet Auklet portrait, I carefully chose the out of focus lichens as my background to set it apart from the typical blue sky of a clear day, or the white, or high-key, background of a cloudy day.
  • Invest in the composition. Carefully compose your portrait so that it is visually pleasing. Try to avoid a boring compositions with centred subjects. Compose a full frame image in the camera - to get the most pixels on your subject and as a challenge to get better and make better image in the camera.
  • Wait for the pose and head angle. All to often, I see portraits that resemble snap shots. This is often the result of poor head angle or a bad pose. I try to get the subject and it's head parallel to my sensor for most head shot type portraits, but do sometimes strive for the head-on look; the latter often in overcast conditions to avoid harsh shadows.
  • Choose your light. On clear days, choose the golden hours of sunrise or sunset to get the soft warm tones without harsh shadows. Be sure to point your shadow directly at the bird when the sun rises and gets harsher, and be sure the near side of the face is illuminated and there is a catch-light in the eye. Bright, cloudy and overcast conditions are great for digital portraits; there's no shadows to worry about, and we can photograph all day long. Avoid flash when the light is golden, but do try to add a kiss of fill flash when its overcast.
  • Be sure the image is sharp and properly exposed. Sounds easy enough, but try to remind yourself to use good long lens technique, a good tripod head and a sturdy tripod.

 

Second Annual Photo Geek Christmas Party

More prizes have arrived from these great sponsors! Jobu Designs (makers of my favorite Gimbal Head - the Jobu Jr. 3), FirstPass Image downloader & Editor, Think-Tank Photo, Cotton Carrier and DigiMarc for Images have all jumped on-board and offered tons of prizes to show their suppoort for my Second Annual Photo Geek Christmas Party. I expect other sponsors to make offerings and encourage contributions - email me if you would like to donate and promote your product chris(at)chrisdoddsphoto(dot)com

Join me, Canadian nature photographer Christopher Dodds, on November 30, 2011 at 7:30 PM at the Hudson Village Theatre (28 Wharf Road, Hudson, QC   J0P 1H0) for an hour and a half long slideshow presentation to benefit this great cause which is so close to my heart. The show is designed to be entertaining and informative to all; nature lovers and photographers alike. Stories of adventure, natural history facts and information are all on the menu and this show is designed to offer helpful tips & techniques sure to improve your photography efforts with everything from a camera phone, point & shoot camera or professional SLR camera system. Over one hundred of my images will be projected, many unseen.  Everyone is welcome!
Hurry! Only 148 seats. Tickets are only $15.00 each and are available for advance purchase only - every penny is collected by, and goes to Le Nichoir. Please call or email Le Nichoir (communication@lenichoir.org 450-458-2809) to secure your tickets, or make a donation if you can't make it (be sure to tell them it's on behalf of Chris' Photo Geek Christmas Party) Major credit cards and cheques accepted. Finger food and hors d'oeuvres are included and there will be a cash bar (please drink responsibly).
There will be ample time to mingle, meet my friends and contacts and share some of your images with others, so feel free to bring prints, iPads or laptops with your favourite images to share. I hope to see you there and PLEASE SPREAD THE WORD!

Read more about it HERE

How to photograph birds in flight in low light

Tufted Puffin In Flight #1 (Fratercula cirrhata, Macareux huppé, TUPU) Saint Paul Island, The Pribilof Islands in the Bering Sea, Alaska. Image Copyright ©Christopher Dodds. Canon EOS 1DMKIV, 70-300mm f/4-5.6 L IS USM @300mm. ISO 1,600, f/5.6 @ 1/3,200s Manual Mode Full Frame. PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION HERE.

Photographing birds in flight in low light is quite challenging; it's not easy. I love photographing seabirds, and that often means shooting small, and often erratically moving targets; fast and unpredictable little fliers from the top of coastal cliffs in bad weather. The biggest problem to overcome is our need to always grab our longest lens and our reluctance to shoot wide open at high ISO (for Canon users, anyway). I recently had a discussion with a photographer who told me he didn't need a camera capable of shooting 10 fps (frames per second); he timed the wingbeats and only took one frame at a time. Well, let's just say that was one photographer who had a couple of good birds in flight images in his portfolio, but Florida Great Blue Herons are tame, huge, fly slowly and do have predictable wingbeats. What I want to share today is how I succeed (more, or less) at shooting bullets that move at 55 MPH with 100-400 wing beats per minute; I'm talking, of course, about photographing Puffins in flight. I was fortunate to photograph all three North American species of Puffins this summer, on both the East, and west coast. In June I hosted my annual Puffins Galore (and so much more) workshop for the Atlantic Puffin, and then I photographed the Horned and Tufted Puffins of Saint Paul Island (more images to come soon).
Tufted Puffin In Flight #2 (Fratercula cirrhata, Macareux huppé, TUPU) Saint Paul Island, The Pribilof Islands in the Bering Sea, Alaska. Image Copyright ©Christopher Dodds. Canon EOS 1DMKIV, 70-300mm f/4-5.6 L IS USM @300mm. ISO 1,600, f/5.6 @ 1/3,200s Manual Mode Full Frame. PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION HERE.

First of all, get over your phobia of shooting wide open and using a high ISO. You are going to need a shutter speed of at least 1/2,500 of a second, but I prefer 1/3,200 of a second to freeze the fast action; this usually means using an ISO of at least 1,600 and an aperture of at least f/5.6 (always in manual mode). I try to get as close as possible in low light and low contrast conditions; I try to use the shortest lens possible, while trying to fill the frame. Using only the centre auto-focus point only usually helps the autofocus system lock onto your subject, but it's going to take more than relying on your camera to acquire focus. I generally try to pick-up repetitive flight patterns; I try to predict where the bird I am trying to shoot will fly and pre-focus on something near there so the auto-focus system doesn't have to spin the lens much to acquire sharp focus. Once locked-on to my subject, it's all up to me to keep the focus point on the subject and hit the stutter button at 10 fps; the best way to be able to do that is practice; over, and over again.
Tufted Puffin In Flight #3 (Fratercula cirrhata, Macareux huppé, TUPU) Saint Paul Island, The Pribilof Islands in the Bering Sea, Alaska. Image Copyright ©Christopher Dodds. Canon EOS 1DMKIV, 70-300mm f/4-5.6 L IS USM @300mm. ISO 1,600, f/5.6 @ 1/3,200s Manual Mode Full Frame. PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION HERE.

I decided to post three sequential, full frame images of Tufted Puffins from a recent trip to Saint Paul Island (The Pribilof Islands), Alaska to demonstrate that it is possible to pull off what seems like the impossible. I left my tried, tested and true Canon EF 300mm f/2.8L IS II USM Telephoto Lens at home, instead opting for my favorite new 70-300mm f/4-5.6 L IS USM and threw it on my Canon EOS 1DMKIV. I set-up my exposure in manual mode and checked the histogram to make sure the blacks from the wet rocks below the cliffs I was standing on weren't blocked-up against the left edge to minimize noise, and carefully made sure I had no over-exposed whites on the right edge to ensure the most detail in the whites. Once sure of my exposure, I watched for the Puffins flight path and pre-focused on a rock where I thought the bird would fill the frame. Now pre-focused on the rock, I saw the bird fly in and followed it until it started to fill the frame, partially depressed the shutter button to activate the auto-focus system and hit the trigger at its maximum capture rate of 10 fps. Truth be told; I waited a fraction of a second too long for this sequence, and ran the risk of clipping the Puffin's wing-tips, but it worked-out fine with three action shots that I liked enough to keep (No, I won't teach you how to reconstruct the wingtips if you clip them, but I will teach you how to capture the image right, in the camera - smile).

Which of the three images here is your favorite & why? Leave a comment and you could win a free copy of the new Mac editing software FirstPass.

Second Annual Photo Geek Christmas Party

Great news! Jobu Designs (makers of my favorite Gimbal Head - the Jobu Jr. 3), Think-Tank Photo, Cotton Carrier, have all jumped on-board and offered tons of prizes to show their suppoort for my Second Annual Photo Geek Christmas Party. I expect other sponsors to make offerings and encourage contributions - email me if you would like to donate and promote your product chris(at)chrisdoddsphoto(dot)com

Join me, Canadian nature photographer Christopher Dodds, on November 30, 2011 at 7:30 PM at the Hudson Village Theatre (28 Wharf Road, Hudson, QC   J0P 1H0) for an hour and a half long slideshow presentation to benefit this great cause which is so close to my heart. The show is designed to be entertaining and informative to all; nature lovers and photographers alike. Stories of adventure, natural history facts and information are all on the menu and this show is designed to offer helpful tips & techniques sure to improve your photography efforts with everything from a camera phone, point & shoot camera or professional SLR camera system. Over one hundred of my images will be projected, many unseen.  Everyone is welcome!
Hurry! Only 148 seats. Tickets are only $15.00 each and are available for advance purchase only - every penny is collected by, and goes to Le Nichoir. Please call or email Le Nichoir (communication@lenichoir.org 450-458-2809) to secure your tickets, or make a donation if you can't make it (be sure to tell them it's on behalf of Chris' Photo Geek Christmas Party) Major credit cards and cheques accepted. Finger food and hors d'oeuvres are included and there will be a cash bar (please drink responsibly).
There will be ample time to mingle, meet my friends and contacts and share some of your images with others, so feel free to bring prints, iPads or laptops with your favourite images to share. I hope to see you there and PLEASE SPREAD THE WORD!

Read more about it HERE

Second Annual Photo Geek Christmas Party

 American Bald Eagle SNOWFLIGHT (Haliaeetus leucocephalus, Pygargue à tête blanche, BAEA) Kachemak Bay, Alaska ©Christopher Dodds All Rights Reserved. Canon EOS Canon EOS 1DsMKIII, 500mm F4 L IS  ISO 800, f/6.3 @ 1/1,600s Manual mode. Full Frame. Click HERE to order a print or license image for publication.

Here's a favorite Bald Eagle image from my last Eagles Galore Photo Safari Workshop in Kackemak Bay, Alaska. I love being out in bad weather; this one hand-held from a boat in a blizzard. Fun times! Modern digital cameras have multiple, user selectable, auto-focus zones; here, I selected a point on the left of center, as I knew the Eagle was flying from my left and I wanted some space in the frame for it to fly into as a compositional element. Give it a try next time you are out with your camera.

 

I'm hosting my second annual PHOTO GEEK CHRISTMAS PARTY!

It's a PARTY with a CAUSE!


Le Nichoir Wild Bird Rehabilitation Centre was founded in 1994 as a non-profit organization (#894112358RR001) and is located in Hudson, Quebec. Le Nichoir is a licensed centre, part of a community of North American rehabilitators, supported by the International Wildlife Rehabilitation Council (IWRC) and the National Wildlife Rehabilitators Association (NWRA). Their mission is to conserve wild birds as part of our natural heritage.
Le Nichoir provides proper care and treatment for injured or orphaned wild birds and releases them back into their natural habitat. Le Nichoir also provides advice and information about wild birds and their environment through educational programs and annual public events. In 1995 Le Nichoir received 478 birds. Today, it is the largest rehabilitation centre for songbirds in Canada. They admit more than 1400 wild birds and receive 5000 telephone calls each year. There is no charge asked for any of their services, but they need our help! It costs about $6,000.00 each for the six wildlife biology students who work tirelessly for the summer at minimum wage. Officially, I hope to raise $1,500.00, but secretly, I'd love raise $3,000.00, so please help this worthy cause!

Join me, Canadian nature photographer Christopher Dodds, on November 30, 2011 at 7:30 PM at the Hudson Village Theatre (28 Wharf Road, Hudson, QC   J0P 1H0) for an hour and a half long slideshow presentation to benefit this great cause which is so close to my heart. The show is designed to be entertaining and informative to all; nature lovers and photographers alike. Stories of adventure, natural history facts and information are all on the menu and this show is designed to offer helpful tips & techniques sure to improve your photography efforts with everything from a camera phone, point & shoot camera or professional SLR camera system. Over one hundred of my images will be projected, many unseen.  Everyone is welcome!
Hurry! Only 148 seats. Tickets are only $15.00 each and are available for advance purchase only - every penny is collected by, and goes to Le Nichoir. Please call or email Le Nichoir (communication@lenichoir.org 450-458-2809) to secure your tickets, or make a donation if you can't make it (be sure to tell them it's on behalf of Chris' Photo Geek Christmas Party) Major credit cards and cheques accepted. Finger food and hors d'oeuvres are included and there will be a cash bar (please drink responsibly).
There will be ample time to mingle, meet my friends and contacts and share some of your images with others, so feel free to bring prints, iPads or laptops with your favourite images to share. I hope to see you there and PLEASE SPREAD THE WORD!